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Beschreibung
Artist Fabian Gatermann uses light as the key material for his installations, objects, and multiples. He disengages from the classic scientific engineering system of testing; his works are unconventional experiments. Text in English and German.
If we understand “transcendence” as a multidimensional experience, can light as a medium grant us access to invisible realms? The artist Fabian Gaterman uses light as the key material for his installations, objects, and multiples in order to investigate new dimensions. Over the course of his work, Gatermann disengages himself from the classic scientific engineering system of testing; instead his works can be seen as open-ended unconventional experiments. During this creative process, light oscillates between amorphous and crystalline states, taking the viewer on a transcendental voyage of discovery. The central reference throughout remains the human being: the works provoke active participation and invite the viewer to become part of a multi-perspective game of light and space.
Text in English and German.
If we understand “transcendence” as a multidimensional experience, can light as a medium grant us access to invisible realms? The artist Fabian Gaterman uses light as the key material for his installations, objects, and multiples in order to investigate new dimensions. Over the course of his work, Gatermann disengages himself from the classic scientific engineering system of testing; instead his works can be seen as open-ended unconventional experiments. During this creative process, light oscillates between amorphous and crystalline states, taking the viewer on a transcendental voyage of discovery. The central reference throughout remains the human being: the works provoke active participation and invite the viewer to become part of a multi-perspective game of light and space.
Text in English and German.
Artist Fabian Gatermann uses light as the key material for his installations, objects, and multiples. He disengages from the classic scientific engineering system of testing; his works are unconventional experiments. Text in English and German.
If we understand “transcendence” as a multidimensional experience, can light as a medium grant us access to invisible realms? The artist Fabian Gaterman uses light as the key material for his installations, objects, and multiples in order to investigate new dimensions. Over the course of his work, Gatermann disengages himself from the classic scientific engineering system of testing; instead his works can be seen as open-ended unconventional experiments. During this creative process, light oscillates between amorphous and crystalline states, taking the viewer on a transcendental voyage of discovery. The central reference throughout remains the human being: the works provoke active participation and invite the viewer to become part of a multi-perspective game of light and space.
Text in English and German.
If we understand “transcendence” as a multidimensional experience, can light as a medium grant us access to invisible realms? The artist Fabian Gaterman uses light as the key material for his installations, objects, and multiples in order to investigate new dimensions. Over the course of his work, Gatermann disengages himself from the classic scientific engineering system of testing; instead his works can be seen as open-ended unconventional experiments. During this creative process, light oscillates between amorphous and crystalline states, taking the viewer on a transcendental voyage of discovery. The central reference throughout remains the human being: the works provoke active participation and invite the viewer to become part of a multi-perspective game of light and space.
Text in English and German.
Über den Autor
Raphael M. Bonelli (born 1968 in Schärding in Austria) is an Austrian neuroscientist and psychiatrist. He graduated with a M.D. from Vienna University and with a [...].sc. from the Medical University of Graz. He is also an artist. Fabrizio Carbone (born 1976 in Novi Ligure, Italy) is an Italian and Swiss physicist and currently an associate professor at École Polytechnique Fédérale de Lausanne (EPFL). His research focuses on the study of matter in out of equilibrium conditions using ultra-fast spectroscopy, diffraction and imaging techniques. In 2015, he attracted international attention by publishing a photograph of light displaying both its quantum and classical nature. Dr. Theres Rohde is Director of the Museum of Concrete Art, Ingolstadt and Chairwoman of the Foundation for Concrete Art and Design. Doris Myôen Zölls: Evangelical Lutheran theologian and Zen master of the Willigis-Jäger-line "Empty Cloud".
Details
| Erscheinungsjahr: | 2026 |
|---|---|
| Genre: | Geisteswissenschaften, Kunst, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Bildende Kunst |
| Medium: | Taschenbuch |
| Inhalt: | 120 S. |
| ISBN-13: | 9783897907478 |
| ISBN-10: | 389790747X |
| Sprache: |
Englisch
Deutsch |
| Einband: | Kartoniert / Broschiert |
| Autor: |
Bonelli, Raphael M.
Carbone, Fabrizio Rohde, Theres Zölls, Doris Myôen |
| Hersteller: | Arnoldsche Art Publishers |
| Verantwortliche Person für die EU: | arnoldsche Art Publishers, Olgastr. 137, D-70180 Stuttgart, art@arnoldsche.com |
| Maße: | 228 x 227 x 14 mm |
| Von/Mit: | Raphael M. Bonelli (u. a.) |
| Erscheinungsdatum: | 21.04.2026 |
| Gewicht: | 0,662 kg |