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Extreme Music
From Silence to Noise and Everything in Between
Taschenbuch von Michael Tau
Sprache: Englisch

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Beschreibung
"Expand your aural and sensory experiences with Extreme Music. An exploration of tomorrow's sounds (and silences) today."--
"Expand your aural and sensory experiences with Extreme Music. An exploration of tomorrow's sounds (and silences) today."--
Über den Autor
Michael Tau was born and raised in Toronto, Canada. As a teenager, he was introduced to bizarre and adventurous music via the after-hours CBC radio program, Brave New Waves, which he recorded onto cassette to listen to the next day. In university, he attended noise shows in lofts in Montreal's quasi-industrial districts, to the detriment of his hearing. He has since written for numerous underground music publications and has authored several music zines. When he isn't listening to the Merzbow boxset, he works as a physician.
Inhaltsverzeichnis
SECTION I: EXTREME SCENES
I.1 LOUD ............................................................................................15
I.1.1 The Loudness War.............................................................15
I.1.2 Noise Music.......................................................................18
I.1.3 Harsh Noise Wall..............................................................22
I.2 QUIET ............................................................................................33
I.2.1 Drone..................................................................................34
I.2.2 New Age Music.................................................................34
I.2.3 Ambient..............................................................................37
I.2.4 Homemade Drone............................................................39
I.2.5 Lowercase..........................................................................40
I.2.6 Onkyô................................................................................44
I.3 VULGAR..........................................................................................47
I.3.1 Blood and Guts.................................................................47
I.3.2 Pornogrind.........................................................................54
I.4 FAST ............................................................................................61
I.4.1 Speedcore..........................................................................62
I.4.2 Splittercore........................................................................69
I.4.3 Extratone...........................................................................71
I.4.4 Flashcore............................................................................73
I.5 FOUND...........................................................................................77
SECTION II: EXTREME DURATIONS
II.1 LONG ............................................................................................97
II.2 SHORT ...........................................................................................111
SECTION III: EXTREME RECORDS
III.1 LATHE-CUT....................................................................................127
III.2 LARGE .......................................................................................... 131
III.3 SMALL ..........................................................................................135
III.4 SHAPES.........................................................................................141
III.4.1 Places...............................................................................142
III.4.2 Sawblades.......................................................................143
III.4.3 Beyond.............................................................................146
III.5 PICTURES......................................................................................149
III.5.1 Picture Disc Prehistory...................................................149
III.5.2 Vogue Records................................................................150
III.5.3 Red Raven Records’ Zoetrope Discs............................. 151
III.5.4 Picture Discs in the Rock Era..........................................152
III.6 ADULTERATED .............................................................................159
III.7 NON-VINYL .................................................................................165
III.7.1 Records That Melt...........................................................165
III.7.2 Project Dark.....................................................................168
III.7.3 Other Unusual Materials................................................ 171
SECTION IV: TECHNOLOGICAL QUIRKS
IV.1 CHIPTUNE ....................................................................................177
IV.2 LOBIT ..........................................................................................183
IV.3 FLOPPIES ..................................................................................... 191
IV.3.1 Early Floppy History....................................................... 191
IV.3.2 Floppies as Subculture....................................................193
IV.4 MICROCASSETTES .......................................................................199
IV.4.1 Microcassettor.................................................................199
IV.4.2 One-Touch Recordings....................................................200
IV.4.3 dirgefunk’s microcassettes............................................201
IV.4.4 Dictaphonia......................................................................202
IV.4.5 Dictafawn.........................................................................203
IV.4.6 Lavender Sweep.............................................................204
IV.5 8-TRACKS .....................................................................................207
IV.5.1 Malcolm Tent’s 8-Track Obsession................................208
IV.5.2 8-Tracks in the Nineties.................................................. 210
IV.5.3 The 21st Century............................................................. 210
IV.6 CYLINDERS................................................................................... 215
IV.7 NON-TRADITIONAL FORMATS................................................... 219
IV.7.1 USB & SD.......................................................................... 219
IV.7.2 Self-Reliant Formats........................................................220
SECTION V: EXTREME PACKAGING
V.1 ELABORATE..................................................................................227
V.1.1 History of Elaborate Packaging....................................228
V.1.2 American Tapes...............................................................229
V.1.3 MSBR Records.................................................................233
V.1.4 Toxic Industries / Very Toxic.........................................235
V.1.5 Others...............................................................................239
V.2 DISGUSTING ...............................................................................243
V.2.1 Disgusting Accoutrements .............................................247
V.2.2 Packs................................................................................247
V.2.3 Body Fluids......................................................................248
V.2.4 Perishables......................................................................252
V.2.5 A Final Anecdote.............................................................255
SECTION VI: RECORDINGS?
VI.1 SILENT ..........................................................................................261
VI.1.1 Silent Pioneers.................................................................261
VI.1.2 Silent Recordings.............................................................263
VI.2 DAMAGED ...................................................................................273
VI.3 UNPLAYABLE ...............................................................................281
VI.3.1 Anti-Records & Underground Music.............................283
VI.3.2 RRRecords’ Anti-Records................................................284
VI.3.3 The Haters........................................................................286
VI.3.4 Major Ego Produkt Objekts & Aktions.........................289
VI.3.5 One-Off Anti-Records in the Nineties............................292
VI.3.6 Anti-Recordings in Other Formats.................................295
VI.3.7 Contemporary Anti-Recordings: NONE Records,
Michael Ridge, and Auris Apothecary.........................298
VI.3.9 Anti-Recordings: Tying It All Together..........................304
SECTION VII: THE DIGITAL AGE
VII.1 WAVES.......................................................................................... 313
VII.1.1 Mallsoft............................................................................ 313
VII.1.2 Broken Transmission.......................................................321
VII.1.3 Late Night Lo-Fi...............................................................324
VII.2 RINGTONES.................................................................................327
VII.3 BLACK MIDI ................................................................................331
VII.4 OUTSIDERS...................................................................................333
VII.4.1 R.A.E.D.............................................................................333
VII.4.2 Viper.................................................................................335
VII.4.3 Farrah Abraham.............................................................336
VII.4.4 Al...
Details
Erscheinungsjahr: 2022
Genre: Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Taschenbuch
Seiten: 480
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781627311243
ISBN-10: 1627311246
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Tau, Michael
Hersteller: Feral House
Maße: 250 x 177 x 23 mm
Von/Mit: Michael Tau
Erscheinungsdatum: 04.10.2022
Gewicht: 0,798 kg
preigu-id: 120356154
Über den Autor
Michael Tau was born and raised in Toronto, Canada. As a teenager, he was introduced to bizarre and adventurous music via the after-hours CBC radio program, Brave New Waves, which he recorded onto cassette to listen to the next day. In university, he attended noise shows in lofts in Montreal's quasi-industrial districts, to the detriment of his hearing. He has since written for numerous underground music publications and has authored several music zines. When he isn't listening to the Merzbow boxset, he works as a physician.
Inhaltsverzeichnis
SECTION I: EXTREME SCENES
I.1 LOUD ............................................................................................15
I.1.1 The Loudness War.............................................................15
I.1.2 Noise Music.......................................................................18
I.1.3 Harsh Noise Wall..............................................................22
I.2 QUIET ............................................................................................33
I.2.1 Drone..................................................................................34
I.2.2 New Age Music.................................................................34
I.2.3 Ambient..............................................................................37
I.2.4 Homemade Drone............................................................39
I.2.5 Lowercase..........................................................................40
I.2.6 Onkyô................................................................................44
I.3 VULGAR..........................................................................................47
I.3.1 Blood and Guts.................................................................47
I.3.2 Pornogrind.........................................................................54
I.4 FAST ............................................................................................61
I.4.1 Speedcore..........................................................................62
I.4.2 Splittercore........................................................................69
I.4.3 Extratone...........................................................................71
I.4.4 Flashcore............................................................................73
I.5 FOUND...........................................................................................77
SECTION II: EXTREME DURATIONS
II.1 LONG ............................................................................................97
II.2 SHORT ...........................................................................................111
SECTION III: EXTREME RECORDS
III.1 LATHE-CUT....................................................................................127
III.2 LARGE .......................................................................................... 131
III.3 SMALL ..........................................................................................135
III.4 SHAPES.........................................................................................141
III.4.1 Places...............................................................................142
III.4.2 Sawblades.......................................................................143
III.4.3 Beyond.............................................................................146
III.5 PICTURES......................................................................................149
III.5.1 Picture Disc Prehistory...................................................149
III.5.2 Vogue Records................................................................150
III.5.3 Red Raven Records’ Zoetrope Discs............................. 151
III.5.4 Picture Discs in the Rock Era..........................................152
III.6 ADULTERATED .............................................................................159
III.7 NON-VINYL .................................................................................165
III.7.1 Records That Melt...........................................................165
III.7.2 Project Dark.....................................................................168
III.7.3 Other Unusual Materials................................................ 171
SECTION IV: TECHNOLOGICAL QUIRKS
IV.1 CHIPTUNE ....................................................................................177
IV.2 LOBIT ..........................................................................................183
IV.3 FLOPPIES ..................................................................................... 191
IV.3.1 Early Floppy History....................................................... 191
IV.3.2 Floppies as Subculture....................................................193
IV.4 MICROCASSETTES .......................................................................199
IV.4.1 Microcassettor.................................................................199
IV.4.2 One-Touch Recordings....................................................200
IV.4.3 dirgefunk’s microcassettes............................................201
IV.4.4 Dictaphonia......................................................................202
IV.4.5 Dictafawn.........................................................................203
IV.4.6 Lavender Sweep.............................................................204
IV.5 8-TRACKS .....................................................................................207
IV.5.1 Malcolm Tent’s 8-Track Obsession................................208
IV.5.2 8-Tracks in the Nineties.................................................. 210
IV.5.3 The 21st Century............................................................. 210
IV.6 CYLINDERS................................................................................... 215
IV.7 NON-TRADITIONAL FORMATS................................................... 219
IV.7.1 USB & SD.......................................................................... 219
IV.7.2 Self-Reliant Formats........................................................220
SECTION V: EXTREME PACKAGING
V.1 ELABORATE..................................................................................227
V.1.1 History of Elaborate Packaging....................................228
V.1.2 American Tapes...............................................................229
V.1.3 MSBR Records.................................................................233
V.1.4 Toxic Industries / Very Toxic.........................................235
V.1.5 Others...............................................................................239
V.2 DISGUSTING ...............................................................................243
V.2.1 Disgusting Accoutrements .............................................247
V.2.2 Packs................................................................................247
V.2.3 Body Fluids......................................................................248
V.2.4 Perishables......................................................................252
V.2.5 A Final Anecdote.............................................................255
SECTION VI: RECORDINGS?
VI.1 SILENT ..........................................................................................261
VI.1.1 Silent Pioneers.................................................................261
VI.1.2 Silent Recordings.............................................................263
VI.2 DAMAGED ...................................................................................273
VI.3 UNPLAYABLE ...............................................................................281
VI.3.1 Anti-Records & Underground Music.............................283
VI.3.2 RRRecords’ Anti-Records................................................284
VI.3.3 The Haters........................................................................286
VI.3.4 Major Ego Produkt Objekts & Aktions.........................289
VI.3.5 One-Off Anti-Records in the Nineties............................292
VI.3.6 Anti-Recordings in Other Formats.................................295
VI.3.7 Contemporary Anti-Recordings: NONE Records,
Michael Ridge, and Auris Apothecary.........................298
VI.3.9 Anti-Recordings: Tying It All Together..........................304
SECTION VII: THE DIGITAL AGE
VII.1 WAVES.......................................................................................... 313
VII.1.1 Mallsoft............................................................................ 313
VII.1.2 Broken Transmission.......................................................321
VII.1.3 Late Night Lo-Fi...............................................................324
VII.2 RINGTONES.................................................................................327
VII.3 BLACK MIDI ................................................................................331
VII.4 OUTSIDERS...................................................................................333
VII.4.1 R.A.E.D.............................................................................333
VII.4.2 Viper.................................................................................335
VII.4.3 Farrah Abraham.............................................................336
VII.4.4 Al...
Details
Erscheinungsjahr: 2022
Genre: Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Taschenbuch
Seiten: 480
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781627311243
ISBN-10: 1627311246
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Tau, Michael
Hersteller: Feral House
Maße: 250 x 177 x 23 mm
Von/Mit: Michael Tau
Erscheinungsdatum: 04.10.2022
Gewicht: 0,798 kg
preigu-id: 120356154
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