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Sprache:
Englisch
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Beschreibung
This book assesses the contemporary status of photochemical film practice against a backdrop of technological transition and obsolescence. It argues for the continued relevance of material engagement for opening up alternative ways of seeing and sensing the world. Questioning narratives of replacement and notions of fetishism and nostalgia, the book sketches out the contours of a photochemical renaissance driven by collective passion, creative resistance and artistic reinvention. Celluloid processes continue to play a key role in the evolution of experimental film aesthetics and this book takes a personal journey into the work of several key contemporary film artists. It provides fresh insight into the communities and infrastructures that sustain this vibrant field and mobilises a wide range of theoretical perspectives drawn from media archaeology, new materialism, ecocriticism and social ecology.
This book assesses the contemporary status of photochemical film practice against a backdrop of technological transition and obsolescence. It argues for the continued relevance of material engagement for opening up alternative ways of seeing and sensing the world. Questioning narratives of replacement and notions of fetishism and nostalgia, the book sketches out the contours of a photochemical renaissance driven by collective passion, creative resistance and artistic reinvention. Celluloid processes continue to play a key role in the evolution of experimental film aesthetics and this book takes a personal journey into the work of several key contemporary film artists. It provides fresh insight into the communities and infrastructures that sustain this vibrant field and mobilises a wide range of theoretical perspectives drawn from media archaeology, new materialism, ecocriticism and social ecology.
Über den Autor
Kim Knowles lectures in Alternative and Experimental Film at Aberystwyth University in Wales and curates the Black Box strand of the Edinburgh International Film Festival. She is the author of A Cinematic Artist: The Films of Man Ray (2009) and co-editor (with Marion Schmid) of Cinematic Intermediality: Theory and Practice (2021).
Zusammenfassung
opens up new theoretical perspectives on materialist film
discusses the potential for new kinds of tactile knowledge, privileging process as a form of physical and embodied encounter
uses specific examples of analogue and hybrid experimental works to unravel new aesthetic and philosophical perspectives
Inhaltsverzeichnis
Introduction.- Chapter 1: From Materialist Film to New Materialism.- Chapter 2: The Politics of Process.- Chapter 3: Expanded Cinema and Material Excess.- Chapter 4: Alternative Communities.- Chapter 5: The Dialectics of Old and New.- Conclusion.
Details
Erscheinungsjahr: | 2021 |
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Genre: | Geisteswissenschaften, Kunst, Musik |
Rubrik: | Kunst & Musik |
Thema: | Fotografie |
Medium: | Taschenbuch |
Inhalt: |
xv
255 S. 12 s/w Illustr. 34 farbige Illustr. 255 p. 46 illus. 34 illus. in color. |
ISBN-13: | 9783030443115 |
ISBN-10: | 3030443116 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Knowles, Kim |
Auflage: | 1st edition 2020 |
Hersteller: |
Springer Nature Switzerland
Springer International Publishing Springer International Publishing AG |
Verantwortliche Person für die EU: | Springer Verlag GmbH, Tiergartenstr. 17, D-69121 Heidelberg, juergen.hartmann@springer.com |
Maße: | 210 x 148 x 15 mm |
Von/Mit: | Kim Knowles |
Erscheinungsdatum: | 01.10.2021 |
Gewicht: | 0,356 kg |