Preface: The Colour of Time, Sean Cubitt
Note on Editing and Sources
Introduction
Part I. HISTORY
1. Thoughts on Recent 'Underground' Film [1972]
2. Presenting an Avant-Garde Film in London [1974]
3. The History We Need [1979]
Part II. ON OTHER ARTISTS
4. On Léger, Vertov and The Flicker Film [1977]
5. Kurt Kren [1975]
6. Some Introductory Thoughts on Gidal's Films and Theory [1979]
7. Takahiko Iimura - Getting the Measure of Time [1998]
Part III. DEBATES
8. Stan Brakhage and Malcolm Le Grice Debate, Stan Brakhage and Malcolm Le Grice [1978]
9. Letters from Gidal and Le Grice, Peter Gidal and Malcolm Le Grice [1978]
10. Narrative Illustion vs. Structural Realism, Malcolm Le Grice and P. Adams Sitney [1977]
Part IV. GENERAL THEORY
11. Real TIME/SPACE [1972]
12. Material, Materiality, Materialism [1978]
13. Problematising the Spectator's Placement in Film [1981]
14. Towards Temporal Economy [1980]
15. Cinemology [1982]
Part V. DIGITAL THEORY
16. Outline for a Theory of the Development of Television [1970]
17. Computer Film as Film Art [1974]
18. The Implication of Digital Systems for Experimental Film Theory [1994]
19. Kismet, Protagony and the Zap Splat Factor [1993]
20. The Chronos Project [1995]
21. Colour Abstraction - Painting - Film - Digital Media [1995]
22. Mapping in Multi-Space - Expanded Cinema to Virtuality [1996]
23. A Non-Linear Tradition - Experimental Film and Digital Camera [1997]
24. Art in the Land of Hydra-media [1998]
25. Digital Cinema and Experimental Film - Continuities and Discontinuities [1999]
Index