Leigh Landy directs De Montfort University's Institute for Sonic Creativity. He has been performed and offered keynote talks on every continent. He is editor of Organised Sound (CUP), author of eight books, directs the ElectroAcoustic Resource Site (EARS) projects and is co-director of the Electroacoustic Music Studies Network (EMS).

Table of Contents

1 To start

What this book is all about

Building on the author's previous work

Regarding the central part of the book

2 Work discussions across sound-based creativity - Fixed Medium

Acousmatic/1 - Florian Sulpice: C'est wiizzz!!!

Acousmatic/2 - John Young: Three Spaces in Mid-Air

Soundscape - Katerina Tzedaki: a soundwalk

lowercase - Simon Atkinson: interiorities viii

+ Kerry Francksen/Simon Atkinson: Betwixt & Between

Electronic/formalised - Kevin Dahan: Gravitational Landscape

(with tinnitus)

Visual music - Bret Battey: Three Breaths in Empty Space

Text-sound + sample-based - Leigh Landy: On the Éire

3 Work discussions across sound-based creativity - Live

Mixed music - Simon Emmerson: Solo Flute Quartet

Improvised - James Andean: Third Space

Live coding - Anna Xambó: MTI@20 - Leicester, UK

DIY electronics - John Richards: Motor Music

Turntablism - dj sniff (Takuro Mizuta Lippit):

untitled performance

Performance art - Neal Spowage: Noise Loop Bootstrap

4 Work discussions across sound-based creativity - Sound art

Installations/1 - Francesc Martí: Speech cycle

Installations/2 - Peter Batchelor: Contraption

Objects - Sam Topley: Noisy Pompoms

5 To end

References

Appendix - The Intention/Reception Form Used in the Book

Glossary