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Alessandro De Rosa undertook his study of music composition following Ennio Morricone's advice. He studied with Boris Porena in Rome and then graduated from the Royal Conservatoire in The Hague, Netherlands. As a composer and arranger, he collaborated with Jon Anderson of the band Yes. He currently works as a freelance musician and collaborates with the RAI (Radiotelevisione Italiana) and the RSI (Radiotelevisione Svizzera di lingua italiana).
- Translator's Note
- Preface
- Introduction Where These Conversations Come From
- Chapter One Playing (Chess) with Mephisto
- Chapter Two A Composer Lent to Cinema
- 2.1. On Arranging
- 2.2. The Beginnings in Cinema
- 2.2.1 Paying My Dues
- 2.2.2 Luciano Salce
- 2.3 Sergio Leone and the Dollar Trilogy
- 2.2.1 A Fistful of Dollars: Myth and Reality
- 2.2.2 For a Few Dollars More
- 2.2.3 The Good, the Bad and the Ugly
- 2.4 Pier Paolo Pasolini
- 2.4.1 The Hawks and the Sparrows and a Strange Poem
- 2.4.2 Teorema and an Unrealized Story
- 2.4.3 Surrendering to Pasolini
- 2.5 Collaborations, Experiments, and Professional Consolidation
- 2.5.1 Pontecorvo, De Seta, Bellocchio
- 2.5.2 Bolognini, Montaldo
- 2.5.3 Wertmüller, Bertolucci
- 2.5.4 Consensus or Consumption? 1968 and Once Upon a Time in the West
- 2.5.5 Duck, You Sucker
- 2.5.6 Elio Petri
- 2.5.7 Sergio the Producer
- 2.5.8 Once Upon a Time in America
- 2.5.9 The "Leningrad Project" and Leone's Death
- Chapter Three Music and Images
- 3.1 Reflections and Memories of a Film Music Composer
- 3.1.1 No Theme? More Fun !
- 3.1.2 Giuseppe Tornatore
- 3.1.3 Singers and Songs in Film: On Music's Adaptability
- 3.1.4 Quentin Tarantino
- 3.1.5 Temporality and the "EST" Principle
- 3.2 Backward Path to the Beginnings in Hollywood
- 3.2.1 The Academy Honorary Award
- 3.2.2 The Beginnings in U.S. Cinema
- 3.2.3 A House in the United States?
- 3.2.4 U.S. Composers
- 3.2.5 Terrence Malick
- 3.2.6 The Interpreter Didn't Help with John Carpenter
- 3.3 Creativity and Constraints: The Double Aesthetics
- 3.4 On Theater, the Musical, and Television
- 3.4.1 The Betrothed
- 3.4.2 Moses, the Lawgiver
- 3.4.3 Marco Polo
- 3.4.4 Secret of the Sahara
- 3.4.5 The Octopus
- 3.5 Pains and Experiments
- 3.5.1 Roberto Faenza
- 3.5.2 Nino Rota
- 3.5.3 Difficult Relationships
- 3.5.4 Joanou, Stone, and the Overtones
- 3.5.5 Warren Beatty
- 3.5.6 Pride and Repentance
- 3.5.7 Fights and Arguments
- 3.6 Beyond Cinema, Beyond Music
- Chapter 4 Mystery and Mastery
- 4.1 The Mystery of Creation
- 4.2 What Is Music?
- 4.2.1 Birth, Death, and Resurrection of Music
- 4.2.2 In Search of Myself: How to Listen to Contemporary Music
- 4.2.3 My Way
- 4.2.4 A Dilated Present
- 4.2.5 Studying Music Today?
- 4.3 A Sophisticated Balance between the Predictable and the Unforeseeable
- 4.4 Digressions
- 4.4.1 Cinema's Transformations
- 4.4.2 Timbre, Sound, and Performers
- 4.4.3 On Teaching
- 4.4.4 High Productivity? A Healthy Mind in a Healthy Body
- Chapter Five An Absolute Music?
- 5.1 The Roots
- 5.1.1 A Short Introduction to the "Absolute"
- 5.1.2 Darmstadt: A Summer of Experiments
- 5.1.3 Gruppo d'Improvvisazione Nuova Consonanza
- 5.2 A Response to the Conflict of Times: Towards "Dynamic Immobility"
- 5.2.1 Suoni per Dino
- 5.2.2 Vidi Aquam. Id Est Benacum
- 5.3 Musical Creationism versus Musical Evolutionism
- 5.3.1 Gestazione
- 5.3.2 Beliefs: The Origins of Life and the Universe
- 5.4 Mystical Production
- 5.4.1 Mass for Pope Francis
- 5.5 The Ideal of Unity: Blend and Hope
- 5.5.1 The Mission
- 5.5.2 Voci dal silenzio and La voce dei sommersi
- 5.5.3 Cantata per l'Europa and a Poem for Maria
- 5.6 Exchanges, Form, and Linguistic Combinations
- 5.6.1 UT
- 5.6.2 The Four Concertos: Form and Non-Form
- 5.7 The Future of Music: Noise and Silence
- Chapter 6 Looking Ahead: A Silent Nod towards the Future
- Chronological List of the Absolute Music
- Chronological List of the Applied Music
- Acknowledgments
- Index
| Erscheinungsjahr: | 2019 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Biographien & Monographien |
| Medium: | Buch |
| Seiten: | 368 |
| Inhalt: | Buch Gebunden |
| ISBN-13: | 9780190681012 |
| ISBN-10: | 0190681012 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Autor: | De Rosa, Alessandro |
| Redaktion: | De Rosa, Alessandro |
| Hersteller: | Sydney University Press |
| Maße: | 244 x 161 x 32 mm |
| Von/Mit: | Alessandro De Rosa |
| Erscheinungsdatum: | 01.03.2019 |
| Gewicht: | 0,799 kg |
Alessandro De Rosa undertook his study of music composition following Ennio Morricone's advice. He studied with Boris Porena in Rome and then graduated from the Royal Conservatoire in The Hague, Netherlands. As a composer and arranger, he collaborated with Jon Anderson of the band Yes. He currently works as a freelance musician and collaborates with the RAI (Radiotelevisione Italiana) and the RSI (Radiotelevisione Svizzera di lingua italiana).
- Translator's Note
- Preface
- Introduction Where These Conversations Come From
- Chapter One Playing (Chess) with Mephisto
- Chapter Two A Composer Lent to Cinema
- 2.1. On Arranging
- 2.2. The Beginnings in Cinema
- 2.2.1 Paying My Dues
- 2.2.2 Luciano Salce
- 2.3 Sergio Leone and the Dollar Trilogy
- 2.2.1 A Fistful of Dollars: Myth and Reality
- 2.2.2 For a Few Dollars More
- 2.2.3 The Good, the Bad and the Ugly
- 2.4 Pier Paolo Pasolini
- 2.4.1 The Hawks and the Sparrows and a Strange Poem
- 2.4.2 Teorema and an Unrealized Story
- 2.4.3 Surrendering to Pasolini
- 2.5 Collaborations, Experiments, and Professional Consolidation
- 2.5.1 Pontecorvo, De Seta, Bellocchio
- 2.5.2 Bolognini, Montaldo
- 2.5.3 Wertmüller, Bertolucci
- 2.5.4 Consensus or Consumption? 1968 and Once Upon a Time in the West
- 2.5.5 Duck, You Sucker
- 2.5.6 Elio Petri
- 2.5.7 Sergio the Producer
- 2.5.8 Once Upon a Time in America
- 2.5.9 The "Leningrad Project" and Leone's Death
- Chapter Three Music and Images
- 3.1 Reflections and Memories of a Film Music Composer
- 3.1.1 No Theme? More Fun !
- 3.1.2 Giuseppe Tornatore
- 3.1.3 Singers and Songs in Film: On Music's Adaptability
- 3.1.4 Quentin Tarantino
- 3.1.5 Temporality and the "EST" Principle
- 3.2 Backward Path to the Beginnings in Hollywood
- 3.2.1 The Academy Honorary Award
- 3.2.2 The Beginnings in U.S. Cinema
- 3.2.3 A House in the United States?
- 3.2.4 U.S. Composers
- 3.2.5 Terrence Malick
- 3.2.6 The Interpreter Didn't Help with John Carpenter
- 3.3 Creativity and Constraints: The Double Aesthetics
- 3.4 On Theater, the Musical, and Television
- 3.4.1 The Betrothed
- 3.4.2 Moses, the Lawgiver
- 3.4.3 Marco Polo
- 3.4.4 Secret of the Sahara
- 3.4.5 The Octopus
- 3.5 Pains and Experiments
- 3.5.1 Roberto Faenza
- 3.5.2 Nino Rota
- 3.5.3 Difficult Relationships
- 3.5.4 Joanou, Stone, and the Overtones
- 3.5.5 Warren Beatty
- 3.5.6 Pride and Repentance
- 3.5.7 Fights and Arguments
- 3.6 Beyond Cinema, Beyond Music
- Chapter 4 Mystery and Mastery
- 4.1 The Mystery of Creation
- 4.2 What Is Music?
- 4.2.1 Birth, Death, and Resurrection of Music
- 4.2.2 In Search of Myself: How to Listen to Contemporary Music
- 4.2.3 My Way
- 4.2.4 A Dilated Present
- 4.2.5 Studying Music Today?
- 4.3 A Sophisticated Balance between the Predictable and the Unforeseeable
- 4.4 Digressions
- 4.4.1 Cinema's Transformations
- 4.4.2 Timbre, Sound, and Performers
- 4.4.3 On Teaching
- 4.4.4 High Productivity? A Healthy Mind in a Healthy Body
- Chapter Five An Absolute Music?
- 5.1 The Roots
- 5.1.1 A Short Introduction to the "Absolute"
- 5.1.2 Darmstadt: A Summer of Experiments
- 5.1.3 Gruppo d'Improvvisazione Nuova Consonanza
- 5.2 A Response to the Conflict of Times: Towards "Dynamic Immobility"
- 5.2.1 Suoni per Dino
- 5.2.2 Vidi Aquam. Id Est Benacum
- 5.3 Musical Creationism versus Musical Evolutionism
- 5.3.1 Gestazione
- 5.3.2 Beliefs: The Origins of Life and the Universe
- 5.4 Mystical Production
- 5.4.1 Mass for Pope Francis
- 5.5 The Ideal of Unity: Blend and Hope
- 5.5.1 The Mission
- 5.5.2 Voci dal silenzio and La voce dei sommersi
- 5.5.3 Cantata per l'Europa and a Poem for Maria
- 5.6 Exchanges, Form, and Linguistic Combinations
- 5.6.1 UT
- 5.6.2 The Four Concertos: Form and Non-Form
- 5.7 The Future of Music: Noise and Silence
- Chapter 6 Looking Ahead: A Silent Nod towards the Future
- Chronological List of the Absolute Music
- Chronological List of the Applied Music
- Acknowledgments
- Index
| Erscheinungsjahr: | 2019 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Biographien & Monographien |
| Medium: | Buch |
| Seiten: | 368 |
| Inhalt: | Buch Gebunden |
| ISBN-13: | 9780190681012 |
| ISBN-10: | 0190681012 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Autor: | De Rosa, Alessandro |
| Redaktion: | De Rosa, Alessandro |
| Hersteller: | Sydney University Press |
| Maße: | 244 x 161 x 32 mm |
| Von/Mit: | Alessandro De Rosa |
| Erscheinungsdatum: | 01.03.2019 |
| Gewicht: | 0,799 kg |
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