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Embodied Acting
What Neuroscience Tells Us About Performance
Taschenbuch von Rick Kemp
Sprache: Englisch

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Beschreibung

Embodied Acting is a crucial, pragmatic intervention in the study of how neuroscience can be applied to theatre studies. Examining the nature of the acting process from the perspective of cognitive science, author Rick Kemp re-examines familiar questions of how an actor develops a character, and what is actually involved - physically, mentally - in training, rehearsing and performing. The result is an elegant blend of theory, practice and cutting-edge science, making a compelling case for discarding, once and for all, notions of a mind-body separation having any relevance to contemporary actor training.

Embodied Acting is a crucial, pragmatic intervention in the study of how neuroscience can be applied to theatre studies. Examining the nature of the acting process from the perspective of cognitive science, author Rick Kemp re-examines familiar questions of how an actor develops a character, and what is actually involved - physically, mentally - in training, rehearsing and performing. The result is an elegant blend of theory, practice and cutting-edge science, making a compelling case for discarding, once and for all, notions of a mind-body separation having any relevance to contemporary actor training.

Über den Autor

Rick Kemp (aka Rick Zoltowski) has worked as an actor and director with companies such as the Almeida, Complicite, Commotion, Quantum, and Squonk Opera. He holds an MA from Oxford University, an MFA and a PhD from the University of Pittsburgh, and teaches at Indiana University of Pennsylvania, USA.

Inhaltsverzeichnis
Chapter 1 Why should theatre people be interested in cognitive studies?; Chapter 2 How does the actor communicate meaning non-verbally?; Chapter 3 What is the relationship between thought, physical action, and language?; Chapter 4 How does the actor create a character?; Chapter 5 How does the actor identify with the character?; Chapter 6 How does the actor embody emotion in fictional circumstances?; conclusion Conclusion;
Details
Erscheinungsjahr: 2012
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Allgemeine Kunst
Medium: Taschenbuch
Seiten: 232
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780415507882
ISBN-10: 041550788X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Kemp, Rick
Hersteller: Taylor & Francis Ltd
Maße: 156 x 214 x 15 mm
Von/Mit: Rick Kemp
Erscheinungsdatum: 21.08.2012
Gewicht: 0,32 kg
preigu-id: 127260861
Über den Autor

Rick Kemp (aka Rick Zoltowski) has worked as an actor and director with companies such as the Almeida, Complicite, Commotion, Quantum, and Squonk Opera. He holds an MA from Oxford University, an MFA and a PhD from the University of Pittsburgh, and teaches at Indiana University of Pennsylvania, USA.

Inhaltsverzeichnis
Chapter 1 Why should theatre people be interested in cognitive studies?; Chapter 2 How does the actor communicate meaning non-verbally?; Chapter 3 What is the relationship between thought, physical action, and language?; Chapter 4 How does the actor create a character?; Chapter 5 How does the actor identify with the character?; Chapter 6 How does the actor embody emotion in fictional circumstances?; conclusion Conclusion;
Details
Erscheinungsjahr: 2012
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Allgemeine Kunst
Medium: Taschenbuch
Seiten: 232
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780415507882
ISBN-10: 041550788X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Kemp, Rick
Hersteller: Taylor & Francis Ltd
Maße: 156 x 214 x 15 mm
Von/Mit: Rick Kemp
Erscheinungsdatum: 21.08.2012
Gewicht: 0,32 kg
preigu-id: 127260861
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