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Edward Elgar, Modernist
Taschenbuch von J. P. E. Harper-Scott
Sprache: Englisch

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Beschreibung
An analytical study of Elgar's music and its place in European musical history.
An analytical study of Elgar's music and its place in European musical history.
Über den Autor
J. P. E. Harper-Scott is Temporary Lecturer in Music at Royal Holloway, University of London. He studied at the University of Durham and at Magdalen College, Oxford. His essays on Elgar have been published in 19th-Century Music and Music Analysis, and he is a contributor to The Cambridge Companion to Elgar. He is the co-editor, with Julian Rushton, of an essay collection, Elgar Studies (Cambridge, 2007). This is his first book.
Inhaltsverzeichnis
Preface; Glossary; 1. Styles and ideas; 2. A Heideggerian refinement of Shenker's theory; 3. Immuring and immured tonalities: tonal malaise in the First Symphony, Op. 55; 4. 'Fracted and corroborate': narrative implications of form and tonality in Falstaff, Op. 68; 5. Hermeneutics and mimesis; 6. The annihilation of hope and the unpicking of identity: Elgarian hermeneutics; 7. Modern music, modern man; Bibliography.
Details
Erscheinungsjahr: 2008
Genre: Musik
Rubrik: Kunst & Musik
Medium: Taschenbuch
ISBN-13: 9780521107549
ISBN-10: 0521107547
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Harper-Scott, J. P. E.
Hersteller: Cambridge University Press
Maße: 244 x 170 x 15 mm
Von/Mit: J. P. E. Harper-Scott
Erscheinungsdatum: 30.11.2008
Gewicht: 0,475 kg
Artikel-ID: 101656374
Über den Autor
J. P. E. Harper-Scott is Temporary Lecturer in Music at Royal Holloway, University of London. He studied at the University of Durham and at Magdalen College, Oxford. His essays on Elgar have been published in 19th-Century Music and Music Analysis, and he is a contributor to The Cambridge Companion to Elgar. He is the co-editor, with Julian Rushton, of an essay collection, Elgar Studies (Cambridge, 2007). This is his first book.
Inhaltsverzeichnis
Preface; Glossary; 1. Styles and ideas; 2. A Heideggerian refinement of Shenker's theory; 3. Immuring and immured tonalities: tonal malaise in the First Symphony, Op. 55; 4. 'Fracted and corroborate': narrative implications of form and tonality in Falstaff, Op. 68; 5. Hermeneutics and mimesis; 6. The annihilation of hope and the unpicking of identity: Elgarian hermeneutics; 7. Modern music, modern man; Bibliography.
Details
Erscheinungsjahr: 2008
Genre: Musik
Rubrik: Kunst & Musik
Medium: Taschenbuch
ISBN-13: 9780521107549
ISBN-10: 0521107547
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Harper-Scott, J. P. E.
Hersteller: Cambridge University Press
Maße: 244 x 170 x 15 mm
Von/Mit: J. P. E. Harper-Scott
Erscheinungsdatum: 30.11.2008
Gewicht: 0,475 kg
Artikel-ID: 101656374
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