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(Eco)Anxiety in Nuclear Holocaust Fiction and Climate Fiction: Doomsday Clock Narratives demonstrates that disaster fiction- nuclear holocaust and climate change alike- allows us to unearth and anatomise contemporary psychodynamics and enables us to identify pretraumatic stress as the common denominator of seemingly unrelated types of texts. These Doomsday Clock Narratives argue that earth's demise is soon and certain. They are set after some catastrophe and depict people waiting for an even worse catastrophe to come. References to geology are particularly important- in descriptions of the landscape, the emphasis falls on waste and industrial bric- a- brac, which is seen through the eyes of a future, posthuman archaeologist. Their protagonists have the uncanny feeling that the countdown has already started, and they are coping with both traumatic memories and pretraumatic stress. Readings of novels by Walter M. Miller, Nevil Shute, John Christopher, J. G. Ballard, George Turner, Maggie Gee, Paolo Bacigalupi, Ruth Ozeki, and Yoko Tawada demonstrate that the authors are both indebted to a century- old tradition and inventively looking for new ways of expressing the pretraumatic stress syndrome common in contemporary society. This book is written for an academic audience (postgraduates, researchers, and academics) specialising in British Literature, American Literature, and Science Fiction Studies.
The Open Access version of this book, available at [...] has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.
(Eco)Anxiety in Nuclear Holocaust Fiction and Climate Fiction: Doomsday Clock Narratives demonstrates that disaster fiction- nuclear holocaust and climate change alike- allows us to unearth and anatomise contemporary psychodynamics and enables us to identify pretraumatic stress as the common denominator of seemingly unrelated types of texts. These Doomsday Clock Narratives argue that earth's demise is soon and certain. They are set after some catastrophe and depict people waiting for an even worse catastrophe to come. References to geology are particularly important- in descriptions of the landscape, the emphasis falls on waste and industrial bric- a- brac, which is seen through the eyes of a future, posthuman archaeologist. Their protagonists have the uncanny feeling that the countdown has already started, and they are coping with both traumatic memories and pretraumatic stress. Readings of novels by Walter M. Miller, Nevil Shute, John Christopher, J. G. Ballard, George Turner, Maggie Gee, Paolo Bacigalupi, Ruth Ozeki, and Yoko Tawada demonstrate that the authors are both indebted to a century- old tradition and inventively looking for new ways of expressing the pretraumatic stress syndrome common in contemporary society. This book is written for an academic audience (postgraduates, researchers, and academics) specialising in British Literature, American Literature, and Science Fiction Studies.
The Open Access version of this book, available at [...] has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.
Dominika Oramus is a full professor at the Institute of English Studies, University of Warsaw and holder of a PhD in literature studies (1999, University of Warsaw) and of a postdoctoral degree in liberal arts (2008, University of Warsaw, Faculty of Modern Languages). Her books include Grave New World: The Decline of the West in the Fiction of J. G. Ballard (Terminal Press, 2015).
INTRODUCTION: Doomsday Clock Narratives
Chapter I Anticipating Disasters: Anxieties and Traumas
- Eco-Anxiety and Pre-Traumatic Stress Syndrome
- Pre-Traumatic Stress: the Psychoanalytical Perspective
Chapter II Writing about Disasters: Metaphors and Parables
- Geological Metaphors
- Parables of Nature and Symbolic Timepieces
Chapter III Disaster Fantasies: Nuclear Holocaust Fiction and Climate Fiction
- Disaster Story Tradition
- Nuclear Holocaust Fiction
- Climate Fiction
Chapter IV 'Maybe it's a period of grace': Mid-Twentieth-Century Nuclear Holocaust Fiction in the Hands of Nevil Shute and Walter M. Miller
- Nevil Shute On the Beach
- Walter M. Miller A Canticle for Leibowitz
Chapter V 'Imposing fantasies on the changing landscape:' the Visions of John Christopher, J.G. Ballard and George Turner
- John Christopher The World in Winter
- J.G. Ballard The Drought
- George Turner The Sea and Summer
Chapter VI 'I wonder how much longer we have:' Recent Climate Fiction from the Pens of Maggie Gee, Paolo Bacigalupi, Ruth Ozeki and Yoko Tawada
- Maggie Gee The Ice People
- Paolo Bacigalupi The Windup Girl
- Ruth Ozeki's A Tale for the Time Being
- Yoko Tawada The Last Children of Tokyo
CONCLUSION: Reading Climate Anxiety Through the Lens of a Nuclear Holocaust
- The Uses of Doomsday Clock Narratives
- Fallout and Flood
-"We," the Readers of Doomsday Clock Narratives
| Erscheinungsjahr: | 2024 |
|---|---|
| Genre: | Gattungen & Methoden, Importe |
| Rubrik: | Literaturwissenschaft |
| Medium: | Taschenbuch |
| Reihe: | Routledge Studies in World Literatures and the Environment |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9781032468938 |
| ISBN-10: | 1032468939 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Oramus, Dominika |
| Hersteller: |
Taylor & Francis Ltd
Routledge Studies in World Literatures and the Environment |
| Verantwortliche Person für die EU: | Taylor & Francis Verlag GmbH, Kaufingerstr. 24, D-80331 München, gpsr@taylorandfrancis.com |
| Maße: | 225 x 148 x 10 mm |
| Von/Mit: | Dominika Oramus |
| Erscheinungsdatum: | 28.11.2024 |
| Gewicht: | 0,266 kg |