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Dylan in Cincinnati takes a fresh approach to Bob Dylan's performance art by asking what happens when we focus on a single city across six decades.
When we think of Dylan in concert, we imagine Newport, New York, or London. But most of his shows were in places far from the spotlight--venues largely ignored by music critics and scholars. Cincinnati, a city with little fanfare in the heart of the American Midwest, becomes an ideal site for study. Its concerts and bootleg recordings tell a story of reinvention night after night, year after year.
This history requires planting a shovel in one locale and digging down, layer after layer. What emerges is a portrait of Dylan as a restless itinerant artist who never abandoned audiences in flyover states. In fact, some of his strongest performances were given there. By recovering these overlooked shows, Dylan in Cincinnati documents not only the history of one city's concerts but also the essence of Dylan's enduring power as a live performer.
When we think of Dylan in concert, we imagine Newport, New York, or London. But most of his shows were in places far from the spotlight--venues largely ignored by music critics and scholars. Cincinnati, a city with little fanfare in the heart of the American Midwest, becomes an ideal site for study. Its concerts and bootleg recordings tell a story of reinvention night after night, year after year.
This history requires planting a shovel in one locale and digging down, layer after layer. What emerges is a portrait of Dylan as a restless itinerant artist who never abandoned audiences in flyover states. In fact, some of his strongest performances were given there. By recovering these overlooked shows, Dylan in Cincinnati documents not only the history of one city's concerts but also the essence of Dylan's enduring power as a live performer.
Dylan in Cincinnati takes a fresh approach to Bob Dylan's performance art by asking what happens when we focus on a single city across six decades.
When we think of Dylan in concert, we imagine Newport, New York, or London. But most of his shows were in places far from the spotlight--venues largely ignored by music critics and scholars. Cincinnati, a city with little fanfare in the heart of the American Midwest, becomes an ideal site for study. Its concerts and bootleg recordings tell a story of reinvention night after night, year after year.
This history requires planting a shovel in one locale and digging down, layer after layer. What emerges is a portrait of Dylan as a restless itinerant artist who never abandoned audiences in flyover states. In fact, some of his strongest performances were given there. By recovering these overlooked shows, Dylan in Cincinnati documents not only the history of one city's concerts but also the essence of Dylan's enduring power as a live performer.
When we think of Dylan in concert, we imagine Newport, New York, or London. But most of his shows were in places far from the spotlight--venues largely ignored by music critics and scholars. Cincinnati, a city with little fanfare in the heart of the American Midwest, becomes an ideal site for study. Its concerts and bootleg recordings tell a story of reinvention night after night, year after year.
This history requires planting a shovel in one locale and digging down, layer after layer. What emerges is a portrait of Dylan as a restless itinerant artist who never abandoned audiences in flyover states. In fact, some of his strongest performances were given there. By recovering these overlooked shows, Dylan in Cincinnati documents not only the history of one city's concerts but also the essence of Dylan's enduring power as a live performer.
Über den Autor
Graley Herren is professor of English at Xavier University in Cincinnati. He is author of books on Samuel Beckett, Don DeLillo, and Bob Dylan. He writes a Substack on Dylan called Shadow Chasing, and he serves on the editorial board of The Dylan Review.
Inhaltsverzeichnis
Acknowledgments
Introduction: Dylannati
Chapter 1. 1965
Chapter 2. 1978
Chapter 3. 1981
Chapter 4. 1988 and 1989
Chapter 5. 1999
Chapter 6. 2000
Chapter 7. 2001
Chapter 8. 2012 and 2019
Chapter 9. 2021 and 2023
Coda: Where and When
Notes
Bibliography
Index
Details
| Erscheinungsjahr: | 2026 |
|---|---|
| Genre: | Importe, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Musikgeschichte |
| Medium: | Taschenbuch |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9781496863997 |
| ISBN-10: | 1496863992 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Herren, Graley |
| Hersteller: | University Press of Mississippi |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 229 x 152 x 18 mm |
| Von/Mit: | Graley Herren |
| Erscheinungsdatum: | 21.08.2026 |
| Gewicht: | 0,506 kg |