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Some of the essays in this collection revisit such familiar topics as Germany's complex relationship with Dietrich, her ambiguous sexuality, her place in the lesbian archive, her star status, and her legendary legs, but with fresh critical perspective and an emphasis on historical background. Other essays establish new avenues for understanding Dietrich's persona. Among these are a reading of Marlene Dietrich's ABC-an eclectic autobiographical compendium containing Dietrich's thoughts on such diverse subjects as "steak," "Sternberg (Joseph von)," "Stravinsky," and "stupidity"-and an argument that Dietrich manipulated her voice-through her accent, sexual innuendo, and singing-as much as her visual image in order to convey a cosmopolitan world-weariness. Still other essays consider the specter of aging that loomed over Dietrich's career, as well as the many imitations of the Dietrich persona that have emerged since the star's death in 1992.
Contributors. Nora M. Alter, Steven Bach, Elisabeth Bronfen, Erica Carter, Mary R. Desjardins, Joseph Garncarz, Gerd Gemünden, Mary Beth Haralovich, Amelie Hastie, Lutz Koepnick, Alice A. Kuzniar, Amy Lawrence, Judith Mayne, Patrice Petro, Eric Rentschler, Gaylyn Studlar, Werner Sudendorf, Mark Williams
Some of the essays in this collection revisit such familiar topics as Germany's complex relationship with Dietrich, her ambiguous sexuality, her place in the lesbian archive, her star status, and her legendary legs, but with fresh critical perspective and an emphasis on historical background. Other essays establish new avenues for understanding Dietrich's persona. Among these are a reading of Marlene Dietrich's ABC-an eclectic autobiographical compendium containing Dietrich's thoughts on such diverse subjects as "steak," "Sternberg (Joseph von)," "Stravinsky," and "stupidity"-and an argument that Dietrich manipulated her voice-through her accent, sexual innuendo, and singing-as much as her visual image in order to convey a cosmopolitan world-weariness. Still other essays consider the specter of aging that loomed over Dietrich's career, as well as the many imitations of the Dietrich persona that have emerged since the star's death in 1992.
Contributors. Nora M. Alter, Steven Bach, Elisabeth Bronfen, Erica Carter, Mary R. Desjardins, Joseph Garncarz, Gerd Gemünden, Mary Beth Haralovich, Amelie Hastie, Lutz Koepnick, Alice A. Kuzniar, Amy Lawrence, Judith Mayne, Patrice Petro, Eric Rentschler, Gaylyn Studlar, Werner Sudendorf, Mark Williams
Gerd Gemünden is the Ted and Helen Geisel Third Century Professor in the Humanities at Dartmouth College. He is the author of Framed Visions: Popular Culture, Americanization, and the Contemporary German and Austrian Imagination and coeditor of The Cinema of Wim Wenders: Image, Narrative, and the Postmodern Condition.
Mary R. Desjardins is Associate Professor of Film and Television Studies at Dartmouth College.
Prelude
Introduction: Marlene Dietrich’s Appropriations / Mary R. Desjardins and Gerd Gemünden 3
Falling in Love Again / Steven Bach 25
I. The Icon
Dietrich’s Face / Lutz Koepnick 43
The Legs of Marlene Dietrich / Nora M. Alter 60
Marlene Dietrich: The Voice as Mask / Amy Lawrence 79
II. Establishing the Star Persona
Playing Garbo: How Marlene Dietrich Conquered Hollywood / Joseph Garncarz 103
Seductive Departures of Marlene Dietrich: Exile and Stardom in The Blue Angel / Elisabeth Bronfen 119
The Blue Angel in Multiple-Language Versions: The Inner Thighs of Miss Dietrich / Patrice Petro 141
Marlene Dietrich in Blonde Venus: Advertising Dietrich in Seven Markets / Mary Beth Haralovich 162
Marlene Dietrich: The Prodigal Daughter / Erica Carter 186
III. “Marlene Has Sex But No Gender”
Marlene Dietrich and the Erotics of Code-Bound Hollywood / Gaylyn Studlar 211
“It’s Not Often That I Want a Man”: Reading for a Queer Marlene / Alice A. Kuzniar 239
Get/Away: Structure and Desire in Rancho Notorious / Mark Williams 259
IV. (Auto-) Biography and the Archive
The Order of Knowledge and Experience: Marlene Dietrich’s ABC / Amelie Hastie 289
Dietrich Dearest: Family Memoir and the Fantasy of Origins / Mary R. Desjardins 310
An Icon between the Fronts: Vilsmaier’s Recast Marlene / Eric Rentschler 328
“Life Goes On without Me”: Marlene Dietrich, Old Age, and the Archive / Judith Mayne 347
“Is That Me?”: The Marlene Dietrich Collection Berlin / Werner Sudendorf 376
Bibliography 385
Contributors 401
Index 405
Erscheinungsjahr: | 2007 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9780822338192 |
ISBN-10: | 082233819X |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: |
Gerd Gemünden
Mary R. Desjardins |
Redaktion: |
Gemünden, Gerd
Desjardins, Mary R |
Hersteller: | Duke University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 229 x 152 x 23 mm |
Von/Mit: | Gerd Gemünden (u. a.) |
Erscheinungsdatum: | 01.04.2007 |
Gewicht: | 0,622 kg |
Gerd Gemünden is the Ted and Helen Geisel Third Century Professor in the Humanities at Dartmouth College. He is the author of Framed Visions: Popular Culture, Americanization, and the Contemporary German and Austrian Imagination and coeditor of The Cinema of Wim Wenders: Image, Narrative, and the Postmodern Condition.
Mary R. Desjardins is Associate Professor of Film and Television Studies at Dartmouth College.
Prelude
Introduction: Marlene Dietrich’s Appropriations / Mary R. Desjardins and Gerd Gemünden 3
Falling in Love Again / Steven Bach 25
I. The Icon
Dietrich’s Face / Lutz Koepnick 43
The Legs of Marlene Dietrich / Nora M. Alter 60
Marlene Dietrich: The Voice as Mask / Amy Lawrence 79
II. Establishing the Star Persona
Playing Garbo: How Marlene Dietrich Conquered Hollywood / Joseph Garncarz 103
Seductive Departures of Marlene Dietrich: Exile and Stardom in The Blue Angel / Elisabeth Bronfen 119
The Blue Angel in Multiple-Language Versions: The Inner Thighs of Miss Dietrich / Patrice Petro 141
Marlene Dietrich in Blonde Venus: Advertising Dietrich in Seven Markets / Mary Beth Haralovich 162
Marlene Dietrich: The Prodigal Daughter / Erica Carter 186
III. “Marlene Has Sex But No Gender”
Marlene Dietrich and the Erotics of Code-Bound Hollywood / Gaylyn Studlar 211
“It’s Not Often That I Want a Man”: Reading for a Queer Marlene / Alice A. Kuzniar 239
Get/Away: Structure and Desire in Rancho Notorious / Mark Williams 259
IV. (Auto-) Biography and the Archive
The Order of Knowledge and Experience: Marlene Dietrich’s ABC / Amelie Hastie 289
Dietrich Dearest: Family Memoir and the Fantasy of Origins / Mary R. Desjardins 310
An Icon between the Fronts: Vilsmaier’s Recast Marlene / Eric Rentschler 328
“Life Goes On without Me”: Marlene Dietrich, Old Age, and the Archive / Judith Mayne 347
“Is That Me?”: The Marlene Dietrich Collection Berlin / Werner Sudendorf 376
Bibliography 385
Contributors 401
Index 405
Erscheinungsjahr: | 2007 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9780822338192 |
ISBN-10: | 082233819X |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: |
Gerd Gemünden
Mary R. Desjardins |
Redaktion: |
Gemünden, Gerd
Desjardins, Mary R |
Hersteller: | Duke University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 229 x 152 x 23 mm |
Von/Mit: | Gerd Gemünden (u. a.) |
Erscheinungsdatum: | 01.04.2007 |
Gewicht: | 0,622 kg |