Acknowledgements

Chapter 1. Introduction: German-speaking Emigrés and British Cinema, 1925-50: Cultural Exchange, Exile and the Boundaries of National Cinema
Tim Bergfelder

Chapter 2. Life Is a Variety Theatre: E.A. Dupont's Career in German and British Cinema
Tim Bergfelder

Chapter 3. Geza von Bolvary, Arnold Ridley and 'Film Europe'
Lawrence Napper

Chapter 4. Inside the Robots' Castle: Ufa's English-language Versions in the Early 1930s
Chris Wahl

Chapter 5. Flamboyant Realism: Werner Brandes and British International Pictures in the Late 1920s
Kelly Robinson

Chapter 6. Famously Unknown: Günther Krampf's Work as Cinematographer in British Films
Michael Omasta

Chapter 7. 'German, or still more horrible thought, Russian - at any rate, it is un-English!' A Wide Shot of Exile, Emigré and Itinerant Activity in the British Film Industry in the 1930s
Amy Sargeant

Chapter 8. Extending Frames and Exploring Spaces: Alfred Junge, Set Design and Genre in British Cinema
Sarah Street

Chapter 9. Lost in Siberia: Ernö Metzner in Britain Laurie

N. Ede

Chapter 10. 'Be kvite kviet, everybody, please!': Paul L. Stein and British Cinema
Christian Cargnelli

Chapter 11. Allegories of Displacement: Conrad Veidt's British Films
Gerd Gemünden

Chapter 12. Anton Walbrook: The Continental Consort
Michael Williams

Chapter 13. From 'Alien Person' to 'Darling Lilli': Lilli Palmer's Roles in British Cinema
Barbara Ziereis

Chapter 14. 'You call us "Germans", you call us "brothers" - but we are not your brothers!': British Anti-Nazi Films and German speaking Emigrés
Tobias Hochscherf

Chapter 15. Carl Mayer: Years of Exile in London
Brigitte Mayr

Chapter 16. Music for the People: Escapism and Social Comment in the Work of Hans May and Ernst Meyer
Geoff Brown

Chapter 17. I Know Where I'm Going! Hearing Germanic Music in the Scottish Isles
K.J. Donnelly

Chapter 18. 'An Animated Quest for Freedom': Mátyás Seiber's Score for The Magic Canvas
Florian Scheding

Notes on Contributors

Bibliography

Index