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Beschreibung
The end of authoritarian rule in 1998 ushered in an exhilarating but unsettled period of democratization in Indonesia. A more open political climate converged with a rapidly changing media landscape, yielding a vibrant and volatile public sphere within which Indonesians grappled with the possibilities and limits of democracy amid entrenched corruption, state violence, and rising forms of intolerance. In Demanding Images Karen Strassler theorizes image-events as political processes in which publicly circulating images become the material ground of struggles over the nation's past, present, and future. Considering photographs, posters, contemporary art, graffiti, selfies, memes, and other visual media, she argues that people increasingly engage with politics through acts of making, circulating, manipulating, and scrutinizing images. Demanding Images is both a closely observed account of Indonesia's turbulent democratic transition and a globally salient analysis of the work of images in the era of digital media and neoliberal democracy. Strassler reveals politics today to be an unruly enterprise profoundly shaped by the affective and evidentiary force of images.
The end of authoritarian rule in 1998 ushered in an exhilarating but unsettled period of democratization in Indonesia. A more open political climate converged with a rapidly changing media landscape, yielding a vibrant and volatile public sphere within which Indonesians grappled with the possibilities and limits of democracy amid entrenched corruption, state violence, and rising forms of intolerance. In Demanding Images Karen Strassler theorizes image-events as political processes in which publicly circulating images become the material ground of struggles over the nation's past, present, and future. Considering photographs, posters, contemporary art, graffiti, selfies, memes, and other visual media, she argues that people increasingly engage with politics through acts of making, circulating, manipulating, and scrutinizing images. Demanding Images is both a closely observed account of Indonesia's turbulent democratic transition and a globally salient analysis of the work of images in the era of digital media and neoliberal democracy. Strassler reveals politics today to be an unruly enterprise profoundly shaped by the affective and evidentiary force of images.
Über den Autor
Karen Strassler is Associate Professor of Anthropology at Queens College and The Graduate Center, City University of New York, and author of Refracted Visions: Popular Photography and National Modernity in Java, also published by Duke University Press.
Inhaltsverzeichnis
Preface VII
Acknowledgments XI
Introduction. The Eventfulness of Images 3
1. Face Value 33
2. The Gender of Transparency 67
3. The Scandal of Exposure 95
4. Naked Effects 133
5. Street Signs 169
Conclusion. The Eye of the Crowd 221
Notes 247
Bibliography 299
Index 319
Acknowledgments XI
Introduction. The Eventfulness of Images 3
1. Face Value 33
2. The Gender of Transparency 67
3. The Scandal of Exposure 95
4. Naked Effects 133
5. Street Signs 169
Conclusion. The Eye of the Crowd 221
Notes 247
Bibliography 299
Index 319
Details
| Erscheinungsjahr: | 2020 |
|---|---|
| Genre: | Geschichte, Importe |
| Rubrik: | Geisteswissenschaften |
| Medium: | Taschenbuch |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9781478004691 |
| ISBN-10: | 147800469X |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Strassler, Karen |
| Hersteller: | Duke University Press |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 228 x 151 x 25 mm |
| Von/Mit: | Karen Strassler |
| Erscheinungsdatum: | 20.03.2020 |
| Gewicht: | 0,694 kg |