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Seán Allan is senior Lecturer in German Studies at the University of Warwick.
Abbreviations
List of Illustrations
Preface
Chapter 1. DEFA: An Historical Overview
Seán Allan
Chapter 2. DEFA and the Traditions of International Cinema
Barton Byg
Chapter 3. 'Letting the Genie out of the Bottle': DEFA Film-Makers and Film und Fernsehen
Rosemary Stott
Chapter 4. The Anti-Fascist Past in DEFA Films
Christiane Mückenberger
Chapter 5. Discussion with Kurt Maetzig
Martin Brady
Chapter 6. Rebels with a Cause: The Development of the 'Berlin-Filme' by Gerhard Klein and Wolfgang Kohlhaase
Horst Claus
Chapter 7. DEFA: A Personal View
Wolfgang Kohlhaase
Chapter 8. Representations of Work in the Forbidden DEFA Films of 1965
Karen Ruoff Kramer
Chapter 9. Censorship and the Law: The Case of Das Kaninchen bin ich (I am the Rabbit)
Stefan Soldovieri
Chapter 10. Paths of Discovery: The Films of Konrad Wolf
Anthony S. Coulson
Chapter 11. From Models to Misfits: Women in the DEFA Films of the 1970s and 1980s
Andrea Rinke
Chapter 12. The Concept of 'Heimat-DGR' in DEFA Feature Films
Harry Blunk
Chapter 13. The Re-evaluation of Goethe and the Classical Tradition in the Films of Egon Günther and Siegfried Kühn
Daniella Berghahn
Chapter 14. Idealism takes on the Establishment: Social Criticism in Roland Gräf's Film Adaptations of Märkische Forschungen (Exploring the Brandenburg Marches) and Der Tangospieler (The Tango Player)
Detlef Gwosc
Chapter 15. The Documentary Work of Jürgen Böttcher: A Retrospective
Richard Kilborn
Chapter 16. Documenting the Wende: The Films of Andreas Voigt
Helen Hughes
Notes on Contributors
Appendix: Research Sources for East German Cinema
Select Bibliography
Index
Seán Allan is senior Lecturer in German Studies at the University of Warwick.
Abbreviations
List of Illustrations
Preface
Chapter 1. DEFA: An Historical Overview
Seán Allan
Chapter 2. DEFA and the Traditions of International Cinema
Barton Byg
Chapter 3. 'Letting the Genie out of the Bottle': DEFA Film-Makers and Film und Fernsehen
Rosemary Stott
Chapter 4. The Anti-Fascist Past in DEFA Films
Christiane Mückenberger
Chapter 5. Discussion with Kurt Maetzig
Martin Brady
Chapter 6. Rebels with a Cause: The Development of the 'Berlin-Filme' by Gerhard Klein and Wolfgang Kohlhaase
Horst Claus
Chapter 7. DEFA: A Personal View
Wolfgang Kohlhaase
Chapter 8. Representations of Work in the Forbidden DEFA Films of 1965
Karen Ruoff Kramer
Chapter 9. Censorship and the Law: The Case of Das Kaninchen bin ich (I am the Rabbit)
Stefan Soldovieri
Chapter 10. Paths of Discovery: The Films of Konrad Wolf
Anthony S. Coulson
Chapter 11. From Models to Misfits: Women in the DEFA Films of the 1970s and 1980s
Andrea Rinke
Chapter 12. The Concept of 'Heimat-DGR' in DEFA Feature Films
Harry Blunk
Chapter 13. The Re-evaluation of Goethe and the Classical Tradition in the Films of Egon Günther and Siegfried Kühn
Daniella Berghahn
Chapter 14. Idealism takes on the Establishment: Social Criticism in Roland Gräf's Film Adaptations of Märkische Forschungen (Exploring the Brandenburg Marches) and Der Tangospieler (The Tango Player)
Detlef Gwosc
Chapter 15. The Documentary Work of Jürgen Böttcher: A Retrospective
Richard Kilborn
Chapter 16. Documenting the Wende: The Films of Andreas Voigt
Helen Hughes
Notes on Contributors
Appendix: Research Sources for East German Cinema
Select Bibliography
Index