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Cover: 9781478025412 | Deathlife | Hip Hop and Thanatological Narrations of Blackness | Pinn
Rückseite: 9781478025412 | Deathlife | Hip Hop and Thanatological Narrations of Blackness | Pinn
Cover: 9781478025412 | Deathlife | Hip Hop and Thanatological Narrations of Blackness | Pinn
Rückseite: 9781478025412 | Deathlife | Hip Hop and Thanatological Narrations of Blackness | Pinn
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Deathlife
Hip Hop and Thanatological Narrations of Blackness
Taschenbuch von Anthony B. Pinn
Sprache: Englisch

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Beschreibung
In Deathlife, Anthony B. Pinn analyzes hip hop to explore how Blackness serves as a framework for defining and guiding the relationship between life and death in the United States. Pinn argues that white supremacy and white privilege operate based on the right to distinguish death from life. This distinction is produced and maintained through the construction of Blackness as deathlife. Drawing on Afropessimism and Black moralism, Pinn theorizes deathlife as a technology of whiteness that projects whites' anxieties about the end of their lives onto the Black other. Examining the music of Jay-Z; Kendrick Lamar; Tyler, the Creator; and others, Pinn shows how hip hop configures the interconnection and dependence between death and life in such a way that death and life become indistinguishable. In so doing, Pinn demonstrates that hip hop presents an alternative to deathlife that challenges the white supremacist definitions of Blackness and anti-Blackness more generally.
In Deathlife, Anthony B. Pinn analyzes hip hop to explore how Blackness serves as a framework for defining and guiding the relationship between life and death in the United States. Pinn argues that white supremacy and white privilege operate based on the right to distinguish death from life. This distinction is produced and maintained through the construction of Blackness as deathlife. Drawing on Afropessimism and Black moralism, Pinn theorizes deathlife as a technology of whiteness that projects whites' anxieties about the end of their lives onto the Black other. Examining the music of Jay-Z; Kendrick Lamar; Tyler, the Creator; and others, Pinn shows how hip hop configures the interconnection and dependence between death and life in such a way that death and life become indistinguishable. In so doing, Pinn demonstrates that hip hop presents an alternative to deathlife that challenges the white supremacist definitions of Blackness and anti-Blackness more generally.
Über den Autor
Anthony B. Pinn is the Agnes Cullen Arnold Professor of Humanities and Professor of Religious Studies at Rice University. He is the author or editor of seventeen books including African American Humanist Principles: Living and Thinking Like the Children of Nimrod (Palgrave Macmillan, 2004) and Terror and Triumph: The Nature of Black Religion (Fortress, 2003).

Gregory M. T. Colleton is a screenwriter, actor, and director. Born in Evanston, Illinois, Colleton attended Macalester College and later joined the Teach for America program, where he taught composition, history, and violin to middle-school kids while spreading the gospel of Michael Jordan. He resides in Los Angeles but dreams of living back near the Windy City.
Inhaltsverzeichnis
Acknowledgments ix
Introduction. Paradigms of Death (or Life) and Deathlife 1
Part I. Signifying Deathlife
1. The Orphic Hustler 45
2. The Anithero 73
Part II. Consuming Deathlife
3. Bacchic Intent 97
4. Zombic Hunger 125
Epilogue. Two Types of Melancholia 149
Notes 165
Discography 201
Bibliography 207
Index 223
Details
Erscheinungsjahr: 2024
Genre: Importe, Soziologie
Rubrik: Wissenschaften
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9781478025412
ISBN-10: 1478025417
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Pinn, Anthony B.
Hersteller: Duke University Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 229 x 152 x 13 mm
Von/Mit: Anthony B. Pinn
Erscheinungsdatum: 12.01.2024
Gewicht: 0,354 kg
Artikel-ID: 126948581
Über den Autor
Anthony B. Pinn is the Agnes Cullen Arnold Professor of Humanities and Professor of Religious Studies at Rice University. He is the author or editor of seventeen books including African American Humanist Principles: Living and Thinking Like the Children of Nimrod (Palgrave Macmillan, 2004) and Terror and Triumph: The Nature of Black Religion (Fortress, 2003).

Gregory M. T. Colleton is a screenwriter, actor, and director. Born in Evanston, Illinois, Colleton attended Macalester College and later joined the Teach for America program, where he taught composition, history, and violin to middle-school kids while spreading the gospel of Michael Jordan. He resides in Los Angeles but dreams of living back near the Windy City.
Inhaltsverzeichnis
Acknowledgments ix
Introduction. Paradigms of Death (or Life) and Deathlife 1
Part I. Signifying Deathlife
1. The Orphic Hustler 45
2. The Anithero 73
Part II. Consuming Deathlife
3. Bacchic Intent 97
4. Zombic Hunger 125
Epilogue. Two Types of Melancholia 149
Notes 165
Discography 201
Bibliography 207
Index 223
Details
Erscheinungsjahr: 2024
Genre: Importe, Soziologie
Rubrik: Wissenschaften
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9781478025412
ISBN-10: 1478025417
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Pinn, Anthony B.
Hersteller: Duke University Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 229 x 152 x 13 mm
Von/Mit: Anthony B. Pinn
Erscheinungsdatum: 12.01.2024
Gewicht: 0,354 kg
Artikel-ID: 126948581
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