De-globalizing the Art World examines the political and aesthetic transformations of global contemporary art from the 1990s to the present. Centered on documenta fifteen and the controversies surrounding ruangrupa's lumbung model, the book traces how Indonesian artistic collectives, Palestinian cultural institutions, and curatorial experiments navigated the shift from post-Cold War globalization to today's fractured landscape of de-globalization and renewed claims to rootedness. By analyzing tensions between postcolonial critique, German memory politics, and NGO-driven cultural infrastructures, the book situates contemporary art within the broader contradictions of financialization, sovereignty, and affect. Offering both historical depth and critical intervention, this book illuminates how the art world's infrastructures of solidarity, militancy, and collectivism have been transformed-and constrained-over the past three decades.
De-globalizing the Art World examines the political and aesthetic transformations of global contemporary art from the 1990s to the present. Centered on documenta fifteen and the controversies surrounding ruangrupa's lumbung model, the book traces how Indonesian artistic collectives, Palestinian cultural institutions, and curatorial experiments navigated the shift from post-Cold War globalization to today's fractured landscape of de-globalization and renewed claims to rootedness. By analyzing tensions between postcolonial critique, German memory politics, and NGO-driven cultural infrastructures, the book situates contemporary art within the broader contradictions of financialization, sovereignty, and affect. Offering both historical depth and critical intervention, this book illuminates how the art world's infrastructures of solidarity, militancy, and collectivism have been transformed-and constrained-over the past three decades.
Über den Autor
Adrian Anagnost is associate professor of modern and contemporary art at Tulane University in New Orleans and the author of Spatial Orders, Social Forms: Art and the City in Modern Brazil (2022).
Inhaltsverzeichnis
Acknowledgments; Introduction; 1. The Long 1990s: "The Global" and Utopias of Circulation; 2. Infrastructures of Radicality: From Militancy to the NGO Art World; 3. Autonomy after Oslo: Palestinian Artists and the Bureaucracy of Solidarity; 4. BDS and Germany's Politics of Accusation; 5. The Antideutsche Impasse; 6. Taring Padi, Indonesian Political Art, and the Limits of Global Legibility; 7. Militancy and Merch: Genealogies of Collectivism at documenta fifteen 8. Ruangrupa, Majelis, and Managerial Mysticism; 9. Network Effect: The Ends of Circulation; 10. Conclusion: The 1990s Called; They Want Their Politics Back; Bibliography; Index.