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Beschreibung
The central image of David Bowie's "Life on Mars?" could have been ripped from his own experience: a child sits "hooked to the silver screen," reliving fantastical scenes played out on film. Throughout his life, Bowie was similarly transfixed by the power of film. From his first film role in The Image to his final music video before his death, "Lazarus," Bowie's musical output has long been intrinsically linked to images.

Analyzing Bowie's music videos, planned film projects, acting roles, and depictions in film, David Bowie and the Moving Imageprovides a comprehensive view of Bowie's work with film and informs our understanding of all areas of his work, from music to fashion to visual art. It enters the debate about Bowie's artistic legacy by addressing Bowie as musician, actor, and auteur.
The central image of David Bowie's "Life on Mars?" could have been ripped from his own experience: a child sits "hooked to the silver screen," reliving fantastical scenes played out on film. Throughout his life, Bowie was similarly transfixed by the power of film. From his first film role in The Image to his final music video before his death, "Lazarus," Bowie's musical output has long been intrinsically linked to images.

Analyzing Bowie's music videos, planned film projects, acting roles, and depictions in film, David Bowie and the Moving Imageprovides a comprehensive view of Bowie's work with film and informs our understanding of all areas of his work, from music to fashion to visual art. It enters the debate about Bowie's artistic legacy by addressing Bowie as musician, actor, and auteur.
Über den Autor
Katherine Reed is Associate Professor of Musicology at California State University, Fullerton, USA. Reed's work on popular music, musical semiotics, and film music has appeared in Popular Music & Society, Music and the Moving Image, and the Society for American Music's Digital Lecture Series. She co-edited the collection Music in Twin Peaks: Listen to the Sounds(2021).
Inhaltsverzeichnis

List of Figures
1. Introduction: Sons of the Silent Age
Part I: Bowie as Auteur
2. Semiotics and the Creation of "David Bowie"
3. Cracked Actor: The Music Video and Bowie as Moving Image
4. Screen Dreams: Theatrical Staging, Film, and Diamond Dogs
Part II: Bowie as Sign
5. Hollywood Highs: Acting Roles and Bowie's Star Image
6. "Mass Motivation": Advertising, Audience, and the Bowie Star Image
7. Who Can I Be Now?: Fannish Creation and Depictions of Bowie on Film
8. Conclusion: Living On
Bibliography
Media Bibliography
Acknowledgments
Index

Details
Erscheinungsjahr: 2025
Genre: Importe, Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Taschenbuch
ISBN-13: 9781501371400
ISBN-10: 1501371401
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Reed, Katherine
Hersteller: Bloomsbury Academic
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 229 x 152 x 13 mm
Von/Mit: Katherine Reed
Erscheinungsdatum: 24.07.2025
Gewicht: 0,362 kg
Artikel-ID: 136360257