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Das Rote Wien
Schlüsseltexte der Zweiten Wiener Moderne 1919¿1934
Taschenbuch von Rob Mcfarland (u. a.)
Sprache: Deutsch

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Das Rote Wien war lange ein Kampfbegriff, der auf die politischen Mehrheitsverhältnisse in Österreich anspielte: eine sozialdemokratische Insel innerhalb einer konservativ regierten Republik. In der internationalen Forschung ist daraus ein alternativer Epochenbegriff geworden, der die Jahre 1919-1934 bezeichnet und das Spannungsfeld zwischen den politischen Lagern, aber auch die Wissenschaft, Kunst und Kultur dieser Zeit umfasst. Das Rote Wien steht für die Zweite Wiener Moderne mit ihren Hoffnungen, konkreten Utopien und Entwürfen einer neuen Gesellschaft. Das Massenelend nach dem Ende des Ersten Weltkriegs, die Flüchtlingskrise nach dem Zusammenbruch des Vielvölkerstaates, die Finanz- und Wirtschaftskrise, die prekären Lebensverhältnisse und die Herausbildung einer neuen Konsum- und Freizeitkultur sind die Rahmenbedingungen dieses gesellschaftspolitischen Experiments. Wie baut man eine Großstadt ohne Slums und Ghettos, wie gewährleistet man Gesundheitsversorgung für alle, wie schafft man ein sozial durchlässiges Bildungssystem: heutige Fragen als ferne Echos aus einer Zeit, in der politischer Gestaltungswille und Aufklärung eine zerbrechliche Allianz eingingen.
Das Rote Wien war lange ein Kampfbegriff, der auf die politischen Mehrheitsverhältnisse in Österreich anspielte: eine sozialdemokratische Insel innerhalb einer konservativ regierten Republik. In der internationalen Forschung ist daraus ein alternativer Epochenbegriff geworden, der die Jahre 1919-1934 bezeichnet und das Spannungsfeld zwischen den politischen Lagern, aber auch die Wissenschaft, Kunst und Kultur dieser Zeit umfasst. Das Rote Wien steht für die Zweite Wiener Moderne mit ihren Hoffnungen, konkreten Utopien und Entwürfen einer neuen Gesellschaft. Das Massenelend nach dem Ende des Ersten Weltkriegs, die Flüchtlingskrise nach dem Zusammenbruch des Vielvölkerstaates, die Finanz- und Wirtschaftskrise, die prekären Lebensverhältnisse und die Herausbildung einer neuen Konsum- und Freizeitkultur sind die Rahmenbedingungen dieses gesellschaftspolitischen Experiments. Wie baut man eine Großstadt ohne Slums und Ghettos, wie gewährleistet man Gesundheitsversorgung für alle, wie schafft man ein sozial durchlässiges Bildungssystem: heutige Fragen als ferne Echos aus einer Zeit, in der politischer Gestaltungswille und Aufklärung eine zerbrechliche Allianz eingingen.
Über den Autor

Ingo Zechner is a philosopher and historian who earned his Dr. in philosophy at the University of Vienna in 2002. He has been the director of the Ludwig Boltzmann Institute for History and Society (LBIGG) in Vienna since 2015. As an academic staff member at the Jewish Community Vienna (2000-2008), he was head of the Community's Holocaust Victims' Information and Support Center (2003-2008) and, after developing this project for years (2003-2008), he was the Founding Business Manager of the Vienna Wiesenthal Institute for Holocaust Studies (VWI) (2009). Since 2010 he has been a project manager and participant of several research projects at VGA and LBIGG, including the project "Ephemeral Films: National Socialism in Austria" (2011-2016). Dr. Zechner served as associate director of the IFK International Research Center for Cultural Studies in Vienna (2013-2016). He has been a member of the Berkeley/Tübingen/Wien/Harvard Research Network (BTWH) since 1999 and was a visiting scholar at the University of California, Berkeley (2003) and a fellow at the United States Holocaust Memorial Museum in Washington DC (2013). Dr. Zechner has published two books (on philosophical aesthetics and post-structuralist philosophy), co-edited an exhibition catalogue, two volumes, and two journals, and written on film, literature, music, archival theory and practice, and Holocaust Studies, i.a.:
Bild und Ereignis,
Vienna 1999 (
Image and Event
), Deleuze
. Der Gesang des Werdens,
Munich 2003 (
Deleuze. The Chant of Becoming
);
Die helle und die dunkle Seite der Moderne,
Vienna-Berlin 2014 (
The Bright and the Dark Side of Modernity
, ed. with Werner Michael Schwarz);
Abenteuer Alltag. Zur Archäologie des Amateurfilms,
Vienna 2015 (
Everyday Life as an Adventure. Amateur Film Archeology
, ed. with Siegfried Mattl et. al.). [...] | [...]

Georg Spitaler, is a researcher at the Austrian Labor History Society (VGA) in Vienna. He studied political science and history at the University of Vienna and was a Junior Fellow at the IFK International Research Center for Cultural Studies in Vienna (2002-2003) and Duke University (2004). He held a post-doctoral position at the Department of Political Science of the University of Vienna (2008-2014) and serves as a lecturer at several Austrian Universities. Dr. Spitaler has been a member of the Berkeley/Tübingen/Wien/Harvard Research Network (BTWH) since 2014. He has published several books, edited volumes and articles on labor history, political aspects of sport and political theory, i.a.:
Friedrich Adler vor dem Ausnahmegericht. Das Attentat gegen den Ersten Weltkrieg
, Vienna 2016 (
Friedrich Adler's special court trial. A call against the First World War
); Julius Deutsch.
Kriegserlebnisse eines Friedliebenden. Aufzeichnungen aus dem Ersten Weltkrieg
(
Wartime Experiences of a Peace-Lover. Notes from the First World War
, both ed. with Michaela Maier),
Fußball unterm Hakenkreuz in der "Ostmark"
(
Soccer under the Swastica in the "Ostmark"
, ed. with David Forster and Jakob Rosenberg);
Theoriearbeit in der Politikwissenschaft
(
Doing Theory in Political Science
, ed. with Eva Kreisky and Marion Löffler). [...] | [...]

Rob McFarland earned his Ph.D. in German at the University of California, Berkeley in 2000. He has been a Professor of German Literature, Film and Culture at Brigham Young University since 2001, and was promoted to full professor in 2017. He is currently a Steuber-Veinz Fellow of the BYU College of Humanities, and he held the BYU General Education Professorship from 2012-2015. Prof. McFarland was the head of the German Section of the BYU Department of German and Russian from 2011-2017. He is a member of the Steering Committee of the Coalition of Women in German (WiG) and has served for 17 years as the Co-Director of
Sophie: A Digital Library of Works by German-Speaking Women.
([...].edu). He is a founding member of the Berkeley/Tübingen/Wien/Harvard Research Network (BTWH). Recent Books:
Red Vienna, White Socialism and the Blues: Ann Tizia Leitich's America
(2015),
Sophie Discovers Amerika: German-Speaking Women Write the New World
(2014, ed. with Michelle Stott James). Prof. McFarland has written regular academic articles over the last 18 years about film, literature, architecture history, representations of cities, and the European reception of America.

Details
Erscheinungsjahr: 2022
Genre: Geisteswissenschaften, Geschichte, Kunst, Musik
Jahrhundert: 20. Jahrhundert
Rubrik: Geisteswissenschaften
Medium: Taschenbuch
Inhalt: XX
956 S.
35 s/w Illustr.
35 b/w ill.
ISBN-13: 9783110991901
ISBN-10: 311099190X
Sprache: Deutsch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Redaktion: Mcfarland, Rob
Zechner, Ingo
Spitaler, Georg
Herausgeber: Rob McFarland/Georg Spitaler/Ingo Zechner
Hersteller: De Gruyter Oldenbourg
Maße: 240 x 170 x 52 mm
Von/Mit: Rob Mcfarland (u. a.)
Erscheinungsdatum: 18.07.2022
Gewicht: 1,619 kg
Artikel-ID: 121566364
Über den Autor

Ingo Zechner is a philosopher and historian who earned his Dr. in philosophy at the University of Vienna in 2002. He has been the director of the Ludwig Boltzmann Institute for History and Society (LBIGG) in Vienna since 2015. As an academic staff member at the Jewish Community Vienna (2000-2008), he was head of the Community's Holocaust Victims' Information and Support Center (2003-2008) and, after developing this project for years (2003-2008), he was the Founding Business Manager of the Vienna Wiesenthal Institute for Holocaust Studies (VWI) (2009). Since 2010 he has been a project manager and participant of several research projects at VGA and LBIGG, including the project "Ephemeral Films: National Socialism in Austria" (2011-2016). Dr. Zechner served as associate director of the IFK International Research Center for Cultural Studies in Vienna (2013-2016). He has been a member of the Berkeley/Tübingen/Wien/Harvard Research Network (BTWH) since 1999 and was a visiting scholar at the University of California, Berkeley (2003) and a fellow at the United States Holocaust Memorial Museum in Washington DC (2013). Dr. Zechner has published two books (on philosophical aesthetics and post-structuralist philosophy), co-edited an exhibition catalogue, two volumes, and two journals, and written on film, literature, music, archival theory and practice, and Holocaust Studies, i.a.:
Bild und Ereignis,
Vienna 1999 (
Image and Event
), Deleuze
. Der Gesang des Werdens,
Munich 2003 (
Deleuze. The Chant of Becoming
);
Die helle und die dunkle Seite der Moderne,
Vienna-Berlin 2014 (
The Bright and the Dark Side of Modernity
, ed. with Werner Michael Schwarz);
Abenteuer Alltag. Zur Archäologie des Amateurfilms,
Vienna 2015 (
Everyday Life as an Adventure. Amateur Film Archeology
, ed. with Siegfried Mattl et. al.). [...] | [...]

Georg Spitaler, is a researcher at the Austrian Labor History Society (VGA) in Vienna. He studied political science and history at the University of Vienna and was a Junior Fellow at the IFK International Research Center for Cultural Studies in Vienna (2002-2003) and Duke University (2004). He held a post-doctoral position at the Department of Political Science of the University of Vienna (2008-2014) and serves as a lecturer at several Austrian Universities. Dr. Spitaler has been a member of the Berkeley/Tübingen/Wien/Harvard Research Network (BTWH) since 2014. He has published several books, edited volumes and articles on labor history, political aspects of sport and political theory, i.a.:
Friedrich Adler vor dem Ausnahmegericht. Das Attentat gegen den Ersten Weltkrieg
, Vienna 2016 (
Friedrich Adler's special court trial. A call against the First World War
); Julius Deutsch.
Kriegserlebnisse eines Friedliebenden. Aufzeichnungen aus dem Ersten Weltkrieg
(
Wartime Experiences of a Peace-Lover. Notes from the First World War
, both ed. with Michaela Maier),
Fußball unterm Hakenkreuz in der "Ostmark"
(
Soccer under the Swastica in the "Ostmark"
, ed. with David Forster and Jakob Rosenberg);
Theoriearbeit in der Politikwissenschaft
(
Doing Theory in Political Science
, ed. with Eva Kreisky and Marion Löffler). [...] | [...]

Rob McFarland earned his Ph.D. in German at the University of California, Berkeley in 2000. He has been a Professor of German Literature, Film and Culture at Brigham Young University since 2001, and was promoted to full professor in 2017. He is currently a Steuber-Veinz Fellow of the BYU College of Humanities, and he held the BYU General Education Professorship from 2012-2015. Prof. McFarland was the head of the German Section of the BYU Department of German and Russian from 2011-2017. He is a member of the Steering Committee of the Coalition of Women in German (WiG) and has served for 17 years as the Co-Director of
Sophie: A Digital Library of Works by German-Speaking Women.
([...].edu). He is a founding member of the Berkeley/Tübingen/Wien/Harvard Research Network (BTWH). Recent Books:
Red Vienna, White Socialism and the Blues: Ann Tizia Leitich's America
(2015),
Sophie Discovers Amerika: German-Speaking Women Write the New World
(2014, ed. with Michelle Stott James). Prof. McFarland has written regular academic articles over the last 18 years about film, literature, architecture history, representations of cities, and the European reception of America.

Details
Erscheinungsjahr: 2022
Genre: Geisteswissenschaften, Geschichte, Kunst, Musik
Jahrhundert: 20. Jahrhundert
Rubrik: Geisteswissenschaften
Medium: Taschenbuch
Inhalt: XX
956 S.
35 s/w Illustr.
35 b/w ill.
ISBN-13: 9783110991901
ISBN-10: 311099190X
Sprache: Deutsch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Redaktion: Mcfarland, Rob
Zechner, Ingo
Spitaler, Georg
Herausgeber: Rob McFarland/Georg Spitaler/Ingo Zechner
Hersteller: De Gruyter Oldenbourg
Maße: 240 x 170 x 52 mm
Von/Mit: Rob Mcfarland (u. a.)
Erscheinungsdatum: 18.07.2022
Gewicht: 1,619 kg
Artikel-ID: 121566364
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