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Dada and Surrealism: A Very Short Introduction
Taschenbuch von David Hopkins
Sprache: Englisch

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Beschreibung
The avant-garde movements of Dada and Surrealism continue to have a huge influence on cultural practice, especially in contemporary art, with its obsession with sexuality, fetishism, and shock tactics. In this new treatment of the subject, Hopkins focuses on the many debates surrounding these
movements: the Marquis de Sade's Surrealist deification, issues of quality (How good is Dali?), the idea of the 'readymade', attitudes towards the city, the impact of Freud, attitudes to women, fetishism, and primitivism. The international nature of these movements is examined, covering the cities
of Zurich, New York, Berlin, Cologne, Barcelona, Paris, London, and recently discovered examples in Eastern Europe.
Hopkins explores the huge range of media employed by both Dada and Surrealism (collage, painting, found objects, performance art, photography, film), whilst at the same time establishing the aesthetic differences between the movements. He also examines the Dadaist obsession with the
body-as-mechanism in relation to the Surrealists' return to the fetishized/eroticized body.
The avant-garde movements of Dada and Surrealism continue to have a huge influence on cultural practice, especially in contemporary art, with its obsession with sexuality, fetishism, and shock tactics. In this new treatment of the subject, Hopkins focuses on the many debates surrounding these
movements: the Marquis de Sade's Surrealist deification, issues of quality (How good is Dali?), the idea of the 'readymade', attitudes towards the city, the impact of Freud, attitudes to women, fetishism, and primitivism. The international nature of these movements is examined, covering the cities
of Zurich, New York, Berlin, Cologne, Barcelona, Paris, London, and recently discovered examples in Eastern Europe.
Hopkins explores the huge range of media employed by both Dada and Surrealism (collage, painting, found objects, performance art, photography, film), whilst at the same time establishing the aesthetic differences between the movements. He also examines the Dadaist obsession with the
body-as-mechanism in relation to the Surrealists' return to the fetishized/eroticized body.
Über den Autor
Dr David Hopkins is lecturer in Art History at Glasgow University. He is the author of After Modern Art: 1045-2000 (OUP, 2000); previous publications include Marcel Duchamp and Max Ernst: the Bride Shared (OUP, 1988).
Inhaltsverzeichnis
  • 1: Histories

  • 2: Geographies

  • 3: Art and Anti-Art

  • 4: Actions

  • 5: Politics

  • 6: Minds

  • 7: Bodies

  • 8: Endings

Details
Erscheinungsjahr: 2004
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
Seiten: 208
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780192802545
ISBN-10: 0192802542
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Hopkins, David
Hersteller: Oxford University Press
Maße: 173 x 112 x 12 mm
Von/Mit: David Hopkins
Erscheinungsdatum: 08.04.2004
Gewicht: 0,177 kg
preigu-id: 102565270
Über den Autor
Dr David Hopkins is lecturer in Art History at Glasgow University. He is the author of After Modern Art: 1045-2000 (OUP, 2000); previous publications include Marcel Duchamp and Max Ernst: the Bride Shared (OUP, 1988).
Inhaltsverzeichnis
  • 1: Histories

  • 2: Geographies

  • 3: Art and Anti-Art

  • 4: Actions

  • 5: Politics

  • 6: Minds

  • 7: Bodies

  • 8: Endings

Details
Erscheinungsjahr: 2004
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
Seiten: 208
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780192802545
ISBN-10: 0192802542
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Hopkins, David
Hersteller: Oxford University Press
Maße: 173 x 112 x 12 mm
Von/Mit: David Hopkins
Erscheinungsdatum: 08.04.2004
Gewicht: 0,177 kg
preigu-id: 102565270
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