In his last years D. H. Lawrence often wrote for newspapers; he needed the money, and clearly enjoyed the work. He also wrote several substantial essays during the same period. This meticulously-edited collection brings together major essays such as Pornography and Obscenity and Lawrence's spirited Introduction to the volume of his Paintings; a group of autobiographical pieces, two of which are published here for the first time; and the articles Lawrence wrote at the invitation of newspaper and magazine editors. There are thirty-nine items in total, thirty-five of them deriving from original manuscripts; all were written between 1926 and Lawrence's death in March 1930. They are ordered chronologically according to the date of composition; each is preceded by an account of the circumstances in which it came to be published. The volume is introduced by a substantial survey of Lawrence's career as a writer responding directly to public interests and concerns.
In his last years D. H. Lawrence often wrote for newspapers; he needed the money, and clearly enjoyed the work. He also wrote several substantial essays during the same period. This meticulously-edited collection brings together major essays such as Pornography and Obscenity and Lawrence's spirited Introduction to the volume of his Paintings; a group of autobiographical pieces, two of which are published here for the first time; and the articles Lawrence wrote at the invitation of newspaper and magazine editors. There are thirty-nine items in total, thirty-five of them deriving from original manuscripts; all were written between 1926 and Lawrence's death in March 1930. They are ordered chronologically according to the date of composition; each is preceded by an account of the circumstances in which it came to be published. The volume is introduced by a substantial survey of Lawrence's career as a writer responding directly to public interests and concerns.
Über den Autor
Born on September 11, 1885, in Eastwood, Nottinghamshire, England, David Herbert Lawrence was the fourth child of a coal miner and a former schoolteacher. His upbringing in a working-class family deeply influenced his literary themes, particularly the tensions between industrialization and nature. Lawrence's early education and experiences in his hometown laid the foundation for his future [...] 1912, Lawrence met Frieda Weekley, with whom he eloped to Europe, marking the beginning of his extensive travels. This period saw the creation of some of his most significant novels, including Sons and Lovers (1913) and The Rainbow (1915), which explored complex human relationships and societal constraints. His candid portrayal of sexuality and critique of industrial society often led to controversy and censorship.Despite facing persecution and public misrepresentation, Lawrence continued to produce influential works across various genres. His final novel, Lady Chatterley's Lover (1928), was notorious for its explicit content and faced numerous legal challenges. Lawrence's relentless exploration of human emotions and social norms has solidified his legacy as a pivotal figure in modernist literature.
Inhaltsverzeichnis
General editor's preface; Prefatory note; Acknowledgements; Chronology; Cue-titles; Introduction; Late essays and articles: Note on the texts; Mercury; [Return to Bestwood]; Getting on; Which class I belong to; Newthorpe in 2927; The 'Jeune Fille' wants to know; Laura Philippine; That women know best; All there; Thinking about oneself; Insouciance; Master in his own house; Matriarchy; Ownership; Autobiography; Women are so cocksure; Why I don't like living in London; Cocksure women and hen-sure men; Hymns in a man's life; Red trousers; Is England still a man's country?; Sex appeal; Do women change; Enslaved by civilisation; Give her a pattern; Introduction to pictures; Myself revealed; Introduction to these paintings; The state of funk; Making pictures; Pornography and obscenity; Pictures on the wall; The risen lord; Men must work and women as well; Nottingham and the mining countryside; We need one another; The real thing; Nobody loves me; Appendix 1. Early draft of 'The 'Jeune Fille' Wants to Know'; Appendix 2. Vanity Fair version of 'Do Women Change'; Appendix 3. 'Mushrooms': an autobiographical fragment; Explanatory notes; Textual apparatus; A note on pounds, shillings and pence.
