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Introduction
Part 1: The creative process
1: Stimulating creativity and imagination
2: Writing what you know
3: Writing what you come to know
Part 2: Writing fiction
4: Character
5: Setting
6: Point of view
7: Showing and telling
8: Structure and time
9: The story and your readers
10: Editing fiction
Part 3: Writing poetry
11: Introduction to poetry
12: Voice and language
13: Poetic structure
14: Rhyme and metre
15: Revising poetry
Part 4: Life writing
16: Starting out
17: Finding a form
18: Using memory
19: Versions of a life
20: Life characters
Part 5: Going public
21: Going public
22: Presenting your work
READINGS
Part 1: The creative process
1.1 from `Fires´
1.2 from `A Real-life Education´
2.1 `Death of a Naturalist´
2.2 from `Netherley´
2.3 from `Tomorrow is Too Far´
2.4 `Memory: The True Key to Real Imagining´
3.1`The Captain of the 1964 Top of the Form Team´
3.2 from Backtalk: Women Writers Speak Out
Part 2: Writing fiction
4.1 from `A Sheltered Woman´
5.1 from `The Edge of the Shoal´
6.1 `First Journeyman´
6.2 `Becky Finch´
6.3 `Love Silk Food´
7.1 `Going the Last Inch: Some Thoughts on Showing and Telling´
7.2 `The Dream´
7.3 `Moonlight´
7.4 from `Freddy Barrandov Checks ... in?´
7.5 from `Byron Francis´
7.6 `I Could See the Smallest Things´
7.7 `Tomorrow is Too Far´
8.1 from The Art of Writing Fiction
8.2 `Pigeons at Daybreak´
9.1 `Bodies´
9.2 `Tattoo´
10.1 `Through a Tangle of Branches: Reworking the Poem´
10.2 from `Putting Coyolxauhqui Together: A Creative Process´
10.3 from `Redrafting and Editing´
10.4 from Steering the Craft
Part 4: Life writing
16.1 from Long Time No See
16.2 from `Little Boxes´
17.1 from The Haunting of Alma Fielding
17.2 `Red Riviera´
17. 3 `Well done, No. 3777!´
18.1 from Giving Up the Ghost: A Memoir
18.2 from Shame on Me: An Anatomy of Race and Belonging
18.3 from Shame on Me: An Anatomy of Race and Belonging
19.1 from The Diary of a Young Girl
19.2 `Darkness and Light´
19.3 from Footsteps: Adventures of a Romantic Biographer
19.4 from `Time Travel on the St. Lawrence River´
20.1 from Bad Blood
20.2 from Bedsit Disco Queen: How I Grew Up and Tried to Be a Pop Star
20.3 from Foreigners: Three English Lives
Part 5: Going public
21.1 from Tips From a Publisher
21.2 `Considering Self-Publishing: A Guide´
22.1 Synopsis for Dark Aemilia
Glossary
Acknowledgements
Index
Introduction
Part 1: The creative process
1: Stimulating creativity and imagination
2: Writing what you know
3: Writing what you come to know
Part 2: Writing fiction
4: Character
5: Setting
6: Point of view
7: Showing and telling
8: Structure and time
9: The story and your readers
10: Editing fiction
Part 3: Writing poetry
11: Introduction to poetry
12: Voice and language
13: Poetic structure
14: Rhyme and metre
15: Revising poetry
Part 4: Life writing
16: Starting out
17: Finding a form
18: Using memory
19: Versions of a life
20: Life characters
Part 5: Going public
21: Going public
22: Presenting your work
READINGS
Part 1: The creative process
1.1 from `Fires´
1.2 from `A Real-life Education´
2.1 `Death of a Naturalist´
2.2 from `Netherley´
2.3 from `Tomorrow is Too Far´
2.4 `Memory: The True Key to Real Imagining´
3.1`The Captain of the 1964 Top of the Form Team´
3.2 from Backtalk: Women Writers Speak Out
Part 2: Writing fiction
4.1 from `A Sheltered Woman´
5.1 from `The Edge of the Shoal´
6.1 `First Journeyman´
6.2 `Becky Finch´
6.3 `Love Silk Food´
7.1 `Going the Last Inch: Some Thoughts on Showing and Telling´
7.2 `The Dream´
7.3 `Moonlight´
7.4 from `Freddy Barrandov Checks ... in?´
7.5 from `Byron Francis´
7.6 `I Could See the Smallest Things´
7.7 `Tomorrow is Too Far´
8.1 from The Art of Writing Fiction
8.2 `Pigeons at Daybreak´
9.1 `Bodies´
9.2 `Tattoo´
10.1 `Through a Tangle of Branches: Reworking the Poem´
10.2 from `Putting Coyolxauhqui Together: A Creative Process´
10.3 from `Redrafting and Editing´
10.4 from Steering the Craft
Part 4: Life writing
16.1 from Long Time No See
16.2 from `Little Boxes´
17.1 from The Haunting of Alma Fielding
17.2 `Red Riviera´
17. 3 `Well done, No. 3777!´
18.1 from Giving Up the Ghost: A Memoir
18.2 from Shame on Me: An Anatomy of Race and Belonging
18.3 from Shame on Me: An Anatomy of Race and Belonging
19.1 from The Diary of a Young Girl
19.2 `Darkness and Light´
19.3 from Footsteps: Adventures of a Romantic Biographer
19.4 from `Time Travel on the St. Lawrence River´
20.1 from Bad Blood
20.2 from Bedsit Disco Queen: How I Grew Up and Tried to Be a Pop Star
20.3 from Foreigners: Three English Lives
Part 5: Going public
21.1 from Tips From a Publisher
21.2 `Considering Self-Publishing: A Guide´
22.1 Synopsis for Dark Aemilia
Glossary
Acknowledgements
Index
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Gattungen & Methoden, Importe |
Rubrik: | Literaturwissenschaft |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9781032036731 |
ISBN-10: | 1032036737 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Yeh, Jane |
Redaktion: |
Yeh, Jane
O'Reilly, Sally |
Auflage: | 2. Auflage |
Hersteller: | Taylor & Francis Ltd |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 261 x 213 x 35 mm |
Von/Mit: | Jane Yeh (u. a.) |
Erscheinungsdatum: | 10.11.2022 |
Gewicht: | 1,81 kg |
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Gattungen & Methoden, Importe |
Rubrik: | Literaturwissenschaft |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9781032036731 |
ISBN-10: | 1032036737 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Yeh, Jane |
Redaktion: |
Yeh, Jane
O'Reilly, Sally |
Auflage: | 2. Auflage |
Hersteller: | Taylor & Francis Ltd |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 261 x 213 x 35 mm |
Von/Mit: | Jane Yeh (u. a.) |
Erscheinungsdatum: | 10.11.2022 |
Gewicht: | 1,81 kg |