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Englisch
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Beschreibung
Creating Sounds from Scratch is a practical, in-depth resource on the most common forms of music synthesis. It includes historical context, an overview of concepts in sound and hearing, and practical training examples to help sound designers and electronic music producers to effectively manipulate presets and create new sounds from scratch.
Creating Sounds from Scratch is a practical, in-depth resource on the most common forms of music synthesis. It includes historical context, an overview of concepts in sound and hearing, and practical training examples to help sound designers and electronic music producers to effectively manipulate presets and create new sounds from scratch.
Über den Autor
Andrea Pejrolo is Chair of the Contemporary Writing and Production department at Berklee College of Music in Boston. He is the author of Creative Sequencing Techniques for Music Production (Focal Press, 2005, Second Edition 2011) and Acoustic and MIDI Orchestration for the Contemporary Composer (Focal Press, 2007). Scott Metcalfe is Director of Recording Arts and Sciences at the Peabody Conservatory of The Johns Hopkins University.
Inhaltsverzeichnis
- Acknowledgments
- About the Companion Website
- Introduction
- Chapter 1: How did we get here?
- Chapter 2 - Understanding Sound and Hearing
- Chapter 3: The Tools of the Trade
- Chapter 4: Subtractive Synthesis
- Chapter 5: Frequency Modulation Synthesis (FM)
- Chapter 6: Additive Synthesis
- Chapter 7: Sample-based Synthesis
- Chapter 8 -- Physical Modeling
- Chapter 9: Wavetable and Granular Synthesis
- Index
Details
Erscheinungsjahr: | 2017 |
---|---|
Genre: | Musik |
Rubrik: | Kunst & Musik |
Thema: | Musiktheorie & Musiklehre |
Medium: | Taschenbuch |
Seiten: | 352 |
Inhalt: | Buch |
ISBN-13: | 9780199921898 |
ISBN-10: | 019992189X |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: |
Pejrolo, Andrea
Metcalfe, Scott B |
Komponist: | Andrea Pejrolo_Scott B. Metcalfe |
Hersteller: | Oxford University Press, USA |
Maße: | 277 x 215 x 25 mm |
Von/Mit: | Andrea Pejrolo (u. a.) |
Erscheinungsdatum: | 02.02.2017 |
Gewicht: | 0,952 kg |
Über den Autor
Andrea Pejrolo is Chair of the Contemporary Writing and Production department at Berklee College of Music in Boston. He is the author of Creative Sequencing Techniques for Music Production (Focal Press, 2005, Second Edition 2011) and Acoustic and MIDI Orchestration for the Contemporary Composer (Focal Press, 2007). Scott Metcalfe is Director of Recording Arts and Sciences at the Peabody Conservatory of The Johns Hopkins University.
Inhaltsverzeichnis
- Acknowledgments
- About the Companion Website
- Introduction
- Chapter 1: How did we get here?
- Chapter 2 - Understanding Sound and Hearing
- Chapter 3: The Tools of the Trade
- Chapter 4: Subtractive Synthesis
- Chapter 5: Frequency Modulation Synthesis (FM)
- Chapter 6: Additive Synthesis
- Chapter 7: Sample-based Synthesis
- Chapter 8 -- Physical Modeling
- Chapter 9: Wavetable and Granular Synthesis
- Index
Details
Erscheinungsjahr: | 2017 |
---|---|
Genre: | Musik |
Rubrik: | Kunst & Musik |
Thema: | Musiktheorie & Musiklehre |
Medium: | Taschenbuch |
Seiten: | 352 |
Inhalt: | Buch |
ISBN-13: | 9780199921898 |
ISBN-10: | 019992189X |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: |
Pejrolo, Andrea
Metcalfe, Scott B |
Komponist: | Andrea Pejrolo_Scott B. Metcalfe |
Hersteller: | Oxford University Press, USA |
Maße: | 277 x 215 x 25 mm |
Von/Mit: | Andrea Pejrolo (u. a.) |
Erscheinungsdatum: | 02.02.2017 |
Gewicht: | 0,952 kg |
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