Dekorationsartikel gehören nicht zum Leistungsumfang.
Crafting in the World
Materiality in the Making
Buch von Suzanne M. Spencer-Wood (u. a.)
Sprache: Englisch

160,49 €*

inkl. MwSt.

Versandkostenfrei per Post / DHL

Aktuell nicht verfügbar

Kategorien:
Beschreibung
This volume expands understandings of crafting practices, which in the past was the major relational interaction between the social agency of materials, technology, and people, in co-creating an emergent ever-changing world. The chapters discuss different ways that crafting in the present is useful in understanding crafting experiences and methods in the past, including experiments to reproduce ancient excavated objects, historical accounts of crafting methods and experiences, craft revivals, and teaching historical crafts at museums and schools.

Crafting in the World is unique in the diversity of its theoretical and multidisciplinary approaches to researching crafting, not just as a set of techniques for producing functional objects, but as social practices and technical choices embodying cultural ideas, knowledge, and multiple interwoven social networks. Crafting expresses and constitutes mental schemas, identities, ideologies, and cultures. The multiple meanings and significances of crafting are explored from a great variety of disciplinary perspectives, including anthropology, archaeology, sociology, education, psychology, women¿s studies, and ethnic studies.

This book provides a deep temporal range and a global geographical scope, with case studies ranging from Europe, Africa, and Asia to the Americas and a global internet website for selling home crafted items.
This volume expands understandings of crafting practices, which in the past was the major relational interaction between the social agency of materials, technology, and people, in co-creating an emergent ever-changing world. The chapters discuss different ways that crafting in the present is useful in understanding crafting experiences and methods in the past, including experiments to reproduce ancient excavated objects, historical accounts of crafting methods and experiences, craft revivals, and teaching historical crafts at museums and schools.

Crafting in the World is unique in the diversity of its theoretical and multidisciplinary approaches to researching crafting, not just as a set of techniques for producing functional objects, but as social practices and technical choices embodying cultural ideas, knowledge, and multiple interwoven social networks. Crafting expresses and constitutes mental schemas, identities, ideologies, and cultures. The multiple meanings and significances of crafting are explored from a great variety of disciplinary perspectives, including anthropology, archaeology, sociology, education, psychology, women¿s studies, and ethnic studies.

This book provides a deep temporal range and a global geographical scope, with case studies ranging from Europe, Africa, and Asia to the Americas and a global internet website for selling home crafted items.
Über den Autor
¿Clare T. Burke is an archaeologist specialising in the study and scientific analysis of ceramic material culture. Her PhD at the University of Sheffield focused on the chaîne opératoire and habitus as conceptual frameworks for understanding past crafting practices in relation to the production of Early Bronze Age ceramics from mainland Greece. She currently works at the Institute for Oriental and European Archaeology of the Austrian Academy of Sciences in Vienna investigating prehistoric ceramics.Suzanne M. Spencer-Wood is a Professor of Anthropology at Oakland University and an Associate of the Peabody Museum of Archaeology and Ethnology at Harvard University. She organized and chaired the first two conference symposia on gender research in historical archaeology at the 1989 Conference on Historical and Underwater Archaeology in the First Joint Archaeological Congress in Baltimore, and at the 1989 Chacmool Conference in Calgary, Canada (proceedings published 1991). Professor Spencer-Wood¿s early feminist theorizing was also published in the 1992 Southern Illinois University Conference volume. She subsequently wrote feminist articles published in Historical Archaeology and the International Journal of Historical Archaeology, as well as book chapters, including those in volumes she edited for Springer, entitled The Archaeology and Preservation of Gendered Landscapes (co-edited with Sherene Baugher), and Historical and Archaeological Perspectives on Gender Transformations: From Private to Public.
Zusammenfassung

Increases the understanding of the multiple meanings of crafting experiences by interrelating theories about crafting and technology from several different disciplines

Theorizes a variety of new frameworks about psychological, social and cultural aspects of crafting

Provides exemplary case studies of crafting that relate diverse pasts to the present

Inhaltsverzeichnis

Introduction.- Section I: Reconstructing ancient craft practice through archaeology and experiment.- Ch 1. Made to Remake the World: Bronze-Age Tools and the idea of Craft.- Ch 2. Looking over the shoulder of the Bronze Age metalsmith: Using wear analysis to understand metalsmithing practices.- Ch 3. Grasping at Threads - a Discussion on Archaeology and the Study of Craft.- Section II: Reconceptualizing Crafting.- Ch 4. Crafting History: How the World is Made. The case of Islamic archaeology.- Ch 5. Crafting a progressive nostalgia: radical embroidery as a negotiation of the past into a positive future.- Ch 6. Beauty and Grace in making Artifacts: An Anthropological Gaze upon Crafting in the World.- Section III: Teaching and Experiencing Crafts.- Ch 7. The Temporal and Spatial Diffusion of the Sloyd Educational Crafting Tradition Across the Landscape of Western Culture.- Ch 8. Hold Infinity in the Palm of Your Hand: learning the world through place-based craft.- Ch 9. Crafts and Living History: Old Sturbridge Village.- Section IV: The Meanings of Crafting in Modern Societies.- Ch 10. Hands to the Potter¿s Wheel: A case of technological change in pottery production in Pomaire, Chile.- Ch 11. ¿El Proyecto Paraguas¿ (The Umbrella Project): Craft knowledge as tactical tool in marginalized communities in Argentina.- Ch 12. Etsy as a global community of practice?.- Ch 13. Commentary/conclusion.

Details
Erscheinungsjahr: 2018
Genre: Geschichte
Jahrhundert: Altertum
Rubrik: Geisteswissenschaften
Medium: Buch
Seiten: 308
Inhalt: ix
295 S.
31 s/w Illustr.
40 farbige Illustr.
295 p. 71 illus.
40 illus. in color.
ISBN-13: 9783319650876
ISBN-10: 3319650874
Sprache: Englisch
Herstellernummer: 978-3-319-65087-6
Ausstattung / Beilage: HC runder Rücken kaschiert
Einband: Gebunden
Redaktion: Spencer-Wood, Suzanne M.
Burke, Clare
Herausgeber: Clare Burke/Suzanne M Spencer-Wood
Auflage: 1st ed. 2019
Hersteller: Springer International Publishing
Springer International Publishing AG
Maße: 241 x 160 x 23 mm
Von/Mit: Suzanne M. Spencer-Wood (u. a.)
Erscheinungsdatum: 19.11.2018
Gewicht: 0,629 kg
preigu-id: 111055300
Über den Autor
¿Clare T. Burke is an archaeologist specialising in the study and scientific analysis of ceramic material culture. Her PhD at the University of Sheffield focused on the chaîne opératoire and habitus as conceptual frameworks for understanding past crafting practices in relation to the production of Early Bronze Age ceramics from mainland Greece. She currently works at the Institute for Oriental and European Archaeology of the Austrian Academy of Sciences in Vienna investigating prehistoric ceramics.Suzanne M. Spencer-Wood is a Professor of Anthropology at Oakland University and an Associate of the Peabody Museum of Archaeology and Ethnology at Harvard University. She organized and chaired the first two conference symposia on gender research in historical archaeology at the 1989 Conference on Historical and Underwater Archaeology in the First Joint Archaeological Congress in Baltimore, and at the 1989 Chacmool Conference in Calgary, Canada (proceedings published 1991). Professor Spencer-Wood¿s early feminist theorizing was also published in the 1992 Southern Illinois University Conference volume. She subsequently wrote feminist articles published in Historical Archaeology and the International Journal of Historical Archaeology, as well as book chapters, including those in volumes she edited for Springer, entitled The Archaeology and Preservation of Gendered Landscapes (co-edited with Sherene Baugher), and Historical and Archaeological Perspectives on Gender Transformations: From Private to Public.
Zusammenfassung

Increases the understanding of the multiple meanings of crafting experiences by interrelating theories about crafting and technology from several different disciplines

Theorizes a variety of new frameworks about psychological, social and cultural aspects of crafting

Provides exemplary case studies of crafting that relate diverse pasts to the present

Inhaltsverzeichnis

Introduction.- Section I: Reconstructing ancient craft practice through archaeology and experiment.- Ch 1. Made to Remake the World: Bronze-Age Tools and the idea of Craft.- Ch 2. Looking over the shoulder of the Bronze Age metalsmith: Using wear analysis to understand metalsmithing practices.- Ch 3. Grasping at Threads - a Discussion on Archaeology and the Study of Craft.- Section II: Reconceptualizing Crafting.- Ch 4. Crafting History: How the World is Made. The case of Islamic archaeology.- Ch 5. Crafting a progressive nostalgia: radical embroidery as a negotiation of the past into a positive future.- Ch 6. Beauty and Grace in making Artifacts: An Anthropological Gaze upon Crafting in the World.- Section III: Teaching and Experiencing Crafts.- Ch 7. The Temporal and Spatial Diffusion of the Sloyd Educational Crafting Tradition Across the Landscape of Western Culture.- Ch 8. Hold Infinity in the Palm of Your Hand: learning the world through place-based craft.- Ch 9. Crafts and Living History: Old Sturbridge Village.- Section IV: The Meanings of Crafting in Modern Societies.- Ch 10. Hands to the Potter¿s Wheel: A case of technological change in pottery production in Pomaire, Chile.- Ch 11. ¿El Proyecto Paraguas¿ (The Umbrella Project): Craft knowledge as tactical tool in marginalized communities in Argentina.- Ch 12. Etsy as a global community of practice?.- Ch 13. Commentary/conclusion.

Details
Erscheinungsjahr: 2018
Genre: Geschichte
Jahrhundert: Altertum
Rubrik: Geisteswissenschaften
Medium: Buch
Seiten: 308
Inhalt: ix
295 S.
31 s/w Illustr.
40 farbige Illustr.
295 p. 71 illus.
40 illus. in color.
ISBN-13: 9783319650876
ISBN-10: 3319650874
Sprache: Englisch
Herstellernummer: 978-3-319-65087-6
Ausstattung / Beilage: HC runder Rücken kaschiert
Einband: Gebunden
Redaktion: Spencer-Wood, Suzanne M.
Burke, Clare
Herausgeber: Clare Burke/Suzanne M Spencer-Wood
Auflage: 1st ed. 2019
Hersteller: Springer International Publishing
Springer International Publishing AG
Maße: 241 x 160 x 23 mm
Von/Mit: Suzanne M. Spencer-Wood (u. a.)
Erscheinungsdatum: 19.11.2018
Gewicht: 0,629 kg
preigu-id: 111055300
Warnhinweis

Ähnliche Produkte

Ähnliche Produkte