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Coughing and Clapping
Investigating Audience Experience
Taschenbuch von Karen Burland (u. a.)
Sprache: Englisch

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Beschreibung
This collection explores the processes and experiences of attending live music events from the initial decision to attend through to audience responses and memories of a performance after it has happened. The book brings together international researchers who consider the experience of being an audience member from a range of theoretical and empirical perspectives and the question of what makes an audience, arguing convincingly for the practical and academic value of that question.
This collection explores the processes and experiences of attending live music events from the initial decision to attend through to audience responses and memories of a performance after it has happened. The book brings together international researchers who consider the experience of being an audience member from a range of theoretical and empirical perspectives and the question of what makes an audience, arguing convincingly for the practical and academic value of that question.
Über den Autor
Karen Burland is an Associate Professor in Music Psychology at the University of Leeds. Her published research focuses on jazz audiences and their engagement in live performances in different contexts; the environmental conditions leading to childhood musical success and the professional development of musicians during career transitions; professional and amateur musical identities; and music therapists' use of music technology in therapeutic settings. Karen is a member of the SEMPRE committee and Reviews Editor for British Journal of Music Education. Stephanie Pitts is a Professor of Music Education at the University of Sheffield, UK and author of A Century of Change in Music Education (Ashgate, 2000), Valuing Musical Participation (Ashgate, 2005) and Chances and Choices: Exploring the Impact of Music Education (2012).
Inhaltsverzeichnis
Chapter 1 Prelude, Stephanie Pitts, Karen Burland; Before the Event; Chapter 2 Marketing Live Music, Daragh O'Reilly, Gretchen Larsen, Krzysztof Kubacki; Chapter 3 Musical, Social and Moral Dilemmas, Stephanie Pitts; Chapter 4 Safe and Sound, Robert Kronenburg; During the Event; Chapter 5 Interlude - Audience Members as Researchers, Stephanie Pitts, Karen Burland; Chapter 6 The Value of 'Being There', Jennifer Radbourne, Katya Johanson, Hilary Glow; Chapter 7 In the Heat of the Moment, Catherine J. Stevens, Roger T. Dean, Kim Vincs, Emery Schubert; Chapter 8 Texting and Tweeting at Live Music Concerts, Lucy Bennett; Chapter 9 Moving the Gong, Karen Burland, Luke Windsor, Christophe de Bézenac, Matthew Bourne, Petter Frost Fadnes, Nick Katuszonek; Chapter 10 Context, Cohesion and Community, Sidsel Karlsen; Chapter 11 Interlude - Lasting Memories of Ephemeral Events, Karen Burland, Stephanie Pitts; Chapter 12 'The Gigs I've Gone To', Sara Cohen; Chapter 13 Warts and All, Paul Long; Chapter 14 Staying Behind, Melissa C. Dobson, John Sloboda; Chapter 15 Postlude, Karen Burland, Stephanie Pitts;
Details
Erscheinungsjahr: 2016
Fachbereich: Allgemeines
Rubrik: Sozialwissenschaften
Medium: Taschenbuch
ISBN-13: 9781138284586
ISBN-10: 1138284580
Sprache: Englisch
Einband: Kartoniert / Broschiert
Redaktion: Burland, Karen
Pitts, Stephanie
Hersteller: Taylor & Francis Ltd (Sales)
Maße: 234 x 154 x 17 mm
Von/Mit: Karen Burland (u. a.)
Erscheinungsdatum: 08.11.2016
Gewicht: 0,33 kg
Artikel-ID: 128431379
Über den Autor
Karen Burland is an Associate Professor in Music Psychology at the University of Leeds. Her published research focuses on jazz audiences and their engagement in live performances in different contexts; the environmental conditions leading to childhood musical success and the professional development of musicians during career transitions; professional and amateur musical identities; and music therapists' use of music technology in therapeutic settings. Karen is a member of the SEMPRE committee and Reviews Editor for British Journal of Music Education. Stephanie Pitts is a Professor of Music Education at the University of Sheffield, UK and author of A Century of Change in Music Education (Ashgate, 2000), Valuing Musical Participation (Ashgate, 2005) and Chances and Choices: Exploring the Impact of Music Education (2012).
Inhaltsverzeichnis
Chapter 1 Prelude, Stephanie Pitts, Karen Burland; Before the Event; Chapter 2 Marketing Live Music, Daragh O'Reilly, Gretchen Larsen, Krzysztof Kubacki; Chapter 3 Musical, Social and Moral Dilemmas, Stephanie Pitts; Chapter 4 Safe and Sound, Robert Kronenburg; During the Event; Chapter 5 Interlude - Audience Members as Researchers, Stephanie Pitts, Karen Burland; Chapter 6 The Value of 'Being There', Jennifer Radbourne, Katya Johanson, Hilary Glow; Chapter 7 In the Heat of the Moment, Catherine J. Stevens, Roger T. Dean, Kim Vincs, Emery Schubert; Chapter 8 Texting and Tweeting at Live Music Concerts, Lucy Bennett; Chapter 9 Moving the Gong, Karen Burland, Luke Windsor, Christophe de Bézenac, Matthew Bourne, Petter Frost Fadnes, Nick Katuszonek; Chapter 10 Context, Cohesion and Community, Sidsel Karlsen; Chapter 11 Interlude - Lasting Memories of Ephemeral Events, Karen Burland, Stephanie Pitts; Chapter 12 'The Gigs I've Gone To', Sara Cohen; Chapter 13 Warts and All, Paul Long; Chapter 14 Staying Behind, Melissa C. Dobson, John Sloboda; Chapter 15 Postlude, Karen Burland, Stephanie Pitts;
Details
Erscheinungsjahr: 2016
Fachbereich: Allgemeines
Rubrik: Sozialwissenschaften
Medium: Taschenbuch
ISBN-13: 9781138284586
ISBN-10: 1138284580
Sprache: Englisch
Einband: Kartoniert / Broschiert
Redaktion: Burland, Karen
Pitts, Stephanie
Hersteller: Taylor & Francis Ltd (Sales)
Maße: 234 x 154 x 17 mm
Von/Mit: Karen Burland (u. a.)
Erscheinungsdatum: 08.11.2016
Gewicht: 0,33 kg
Artikel-ID: 128431379
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