Frida Beckman is Professor of Comparative Literature at Stockholm University, Sweden. Her books include Control Culture: Foucault and Deleuze after Discipline (Edinburgh University Press, 2018) and Culture Control Critique: Allegories of Reading the Present (Rowman & Littlefield International, 2016). She has also published extensively on Deleuze, where her books include Gilles Deleuze: A Critical Life (Reaktion Books, 2017), Between Desire and Pleasure: A Deleuzian Theory of Sexuality (Edinburgh University Press, 2013) and the edited collection Deleuze and Sex (Edinburgh University Press, 2011).

Acknowledgements; Introduction. Control of What?, Frida Beckman; 1. Notes from an Investigation of 'Control Society', Gregg Lambert; 2. Post- Mortem on Race and Control, Neel Ahuja; 3. Periodising (With) Control, Seb Franklin; 4. Subjects of Sovereign Control and the Art of Critique in the Early Modern Period, Carin Franzén; 5. Posthumanism, Social Complexity, and the Political: A Genealogy for Foucault's The Birth of Biopolitics, Cary Wolfe; 6. 'That Path is For Your Steps Alone': Popular Music, Neoliberalism and Biopolitics, Jeffrey T. Nealon; 7. Cinema in the Age of Control, Gregory Flaxman; 8. Towards a 'Minor' Fascism: Panoptic Control and Resistant Multiplicity in TV's Spooks, Colin Gardner; 9. Species States: Animal Control in Phil Klay's Redeployment, Colleen Glenney Boggs; 10. Control and a Minor Literature, Frida Beckman; 11. Philosophy and Control, Paul Patton; Notes on the Contributors, Index.