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Beschreibung
This book focuses on a rising generation of female storytellers, analysing their innovation in interdisciplinary collaboration, and their creation of new multimedia platforms for story-led performance.
This book focuses on a rising generation of female storytellers, analysing their innovation in interdisciplinary collaboration, and their creation of new multimedia platforms for story-led performance.
Über den Autor

Stephe Harrop is Associate Professor of Drama at Liverpool Hope University. She is also a contemporary storyteller, creating and touring work across the UK and beyond.

Inhaltsverzeichnis

List of Figures

List of Interviews

Acknowledgements

Introduction

0.1 Storytelling as Professional Performance

0.2 Female Artists as Storytellers

0.3 Talking to Storytellers

0.4 Storytelling Presences

Chapter 1 - Storytelling Presences

1.1 Sarah Rundle, The Poorest Hee (2013)

1.2 Clare Murphy, The Nine Muses of Queen's Crescent (2022)

1.3 Jo Blake, Blodeuwedd Untold (2018)

1.4 Summary: Contemporary Presences

Chapter 2 - Storytelling Authorship

2.1 Alys Torrance, Up Endings! (2021)

2.2 Rachel Rose Reid, Silence (2018)

2.3 Mara Menzies, Blood and Gold (2019)

2.4 Summary: Authoring Storytelling Performances

Chapter 3 - Devising Storytelling

3.1 Sarah Liisa Wilkinson, The Girl and The Snake Witch (2018)

3.2 Alys Torrance, Stoopid (2019)

3.3 Debs Newbold, Outrageous Fortune (2020)

3.4 Summary: Devising New Storytellings

Chapter 4 - Aural Storytelling

4.1 Sarah Liisa Wilkinson, The Devil's Violin (2019)

4.2 Laura Sampson, Three-Crossing River (2022)

4.3 Debs Newbold, Lost in Blue (2022)

4.4 Summary: Aurality and Story Performance

Chapter 5 - Sites of Storytelling

5.1 Tamar Eluned Williams, Pathways/Llwybrau (2020)

5.2 Vanessa Woolf, Trees (2021) and Ghosts of the Thames (2020)

5.3 Tim Ralphs and Sarah Liisa Wilkinson, The Game of Seven Candles (2021)

5.4 Summary: Sites of Storytelling

Chapter 6 - Story-Performance in New Media

6.1 Mara Menzies, The Giver of Joy (2021)

6.2 Jo Blake, What Do You See With Your Eye to the Keyhole? (2020)

6.3 Xanthe Gresham-Knight, Kitchen Goddess (2020)

6.4 Summary: Story, Media, and Emergent Spaces

Chapter 7 - Story-Performance and Social Practice

7.1 Rachel Rose Reid, Sofa Story Club (2020)

7.2 Xanthe Gresham-Knight, Goddess Lounge (2020-21)

7.3 Pyn Stockman, Tell It To The Bees (2022)

7.4 Summary: Making Social Rituals

Chapter 8 - Storytelling and Slam

8.1 Clare Murphy, Myth Off (2011)

8.2 Lucy Lill & Alys Torrance, Women Who Gave No F**ks (2019)

8.3 Summary: Story, Slam, and Inventing Traditions

Conclusion

9.1 Sally Pomme Clayton, The Frog Princess Punked (2019)

9.2 Contemporary Storytelling Performance

Index

Details
Erscheinungsjahr: 2024
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780367698676
ISBN-10: 0367698676
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Harrop, Stephe
Hersteller: Routledge
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 234 x 156 x 14 mm
Von/Mit: Stephe Harrop
Erscheinungsdatum: 18.12.2024
Gewicht: 0,401 kg
Artikel-ID: 130441574

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