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Beschreibung
Unlike most screenwriting guides that generally analyze several aspects of screenwriting, Constructing Dialogue is devoted to a more analytical treatment of certain individual scenes and how those scenes were constructed to be the most highly dramatic vis á vis their dialogue. In the art of screenwriting, one cannot separate how the scene is constructed from how the dialogue is written. They are completely interwoven.

Each chapter deals with how a particular screenwriter approached dialogue relative to that particular scene's construction. From Citizen Kane to The Fisher King the storylines have changed, but the techniques used to construct scene and dialogue have fundamentally remained the same. The author maintains that there are four optimum requirements that each scene needs in order to be successful: maintaining scenic integrity; advancing the storyline, developing character, and eliciting conflict and engaging emotionally. Comparing the original script and viewing the final movie, the student is able to see what exactly was being accomplished to make both the scene and the dialogue work effectively.
Unlike most screenwriting guides that generally analyze several aspects of screenwriting, Constructing Dialogue is devoted to a more analytical treatment of certain individual scenes and how those scenes were constructed to be the most highly dramatic vis á vis their dialogue. In the art of screenwriting, one cannot separate how the scene is constructed from how the dialogue is written. They are completely interwoven.

Each chapter deals with how a particular screenwriter approached dialogue relative to that particular scene's construction. From Citizen Kane to The Fisher King the storylines have changed, but the techniques used to construct scene and dialogue have fundamentally remained the same. The author maintains that there are four optimum requirements that each scene needs in order to be successful: maintaining scenic integrity; advancing the storyline, developing character, and eliciting conflict and engaging emotionally. Comparing the original script and viewing the final movie, the student is able to see what exactly was being accomplished to make both the scene and the dialogue work effectively.
Über den Autor
Mark Axelrod is a Full Professor of English and Comparative Literature, and Director of the John Fowles Center for Creative Writing, at Chapman University, USA.
Zusammenfassung
Includes exercises to help the student work in the areas of scenic and dialogue construction
Inhaltsverzeichnis

1. Introduction
2. Citizen Kane (1941) Herman J. Mankiewicz, Orson Welles
3. Casablanca (1942) Murray Burnett, Joan Alison, Julius J. Epstein, Philip G. Epstein, Howard Koch, Casey Robinson
4. Sunset Boulevard (1950) Billy Wilder
5. North by Northwest (1959) Ernest Lehman
6. Jules & Jim (1962) François Truffaut, Jean Gruault
7. Lolita (1963) Vladimir Nabokov, Stanley Kubrick
8. Goldfinger (1964) Richard Maibaum, Paul Dehn
9. The Graduate (1969) Calder Willingham, Buck Henry
10. Midnight Cowboy (1969) Waldo Salt
11. Chinatown (1973) Robert Towne
12. Annie Hall (1977) Woody Allen, Marshall Brickman
13. When Harry Met Sally (1989) Nora Ephron
14. The Fisher King (1991) Richard LaGravanese
15. Thelma & Louise (1991) Callie Khouri
16. Toy Story (1995) John Lasseter
17. Good Will Hunting (1997) Matt Damon, Ben Affleck
18. Run Lola Run (1998) Tom Tykwer
19. American Beauty (1999) Alan Ball
20. Midnight in Paris (2010) Woody Allen

Exercises
Screenplay Bibliography
Index

Details
Erscheinungsjahr: 2013
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781441108517
ISBN-10: 1441108513
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Axelrod, Mark
Hersteller: Bloomsbury 3PL
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 229 x 152 x 18 mm
Von/Mit: Mark Axelrod
Erscheinungsdatum: 16.12.2013
Gewicht: 0,477 kg
Artikel-ID: 133033806