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models--and explores the part these play in theories of musical organization.
The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical
syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy.
The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.
models--and explores the part these play in theories of musical organization.
The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical
syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy.
The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.
- Introduction: Conceptualizing Music
- Part 1
- 1: Categorization
- 2: Cross-Domain Mapping
- 3: Conceptual Models and Theories
- Part 2
- 4: Categorization, Compositional Strategy and Musical Syntax
- 5: Cultural Knowledge and Musical Ontology
- 6: Words, Music, and Song: The Nineteenth Century Lied
- 7: Competing Models of Music: Theories of Musical Form and Hierarchy
- Conclusion: Cognitive Structure, Theory, and Analysis
| Erscheinungsjahr: | 2005 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Musiktheorie & Musiklehre |
| Medium: | Taschenbuch |
| ISBN-13: | 9780195187977 |
| ISBN-10: | 0195187970 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Zbikowski, Lawrence M. |
| Hersteller: | Oxford University Press |
| Maße: | 229 x 152 x 22 mm |
| Von/Mit: | Lawrence M. Zbikowski |
| Erscheinungsdatum: | 01.05.2005 |
| Gewicht: | 0,616 kg |
- Introduction: Conceptualizing Music
- Part 1
- 1: Categorization
- 2: Cross-Domain Mapping
- 3: Conceptual Models and Theories
- Part 2
- 4: Categorization, Compositional Strategy and Musical Syntax
- 5: Cultural Knowledge and Musical Ontology
- 6: Words, Music, and Song: The Nineteenth Century Lied
- 7: Competing Models of Music: Theories of Musical Form and Hierarchy
- Conclusion: Cognitive Structure, Theory, and Analysis
| Erscheinungsjahr: | 2005 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Musiktheorie & Musiklehre |
| Medium: | Taschenbuch |
| ISBN-13: | 9780195187977 |
| ISBN-10: | 0195187970 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Zbikowski, Lawrence M. |
| Hersteller: | Oxford University Press |
| Maße: | 229 x 152 x 22 mm |
| Von/Mit: | Lawrence M. Zbikowski |
| Erscheinungsdatum: | 01.05.2005 |
| Gewicht: | 0,616 kg |
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