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Cover: 9781108465595 | Composing Community in Late Medieval Music | Jane D. Hatter | Buch
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Composing Community in Late Medieval Music
Taschenbuch von Jane D. Hatter
Sprache: Englisch

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Beschreibung
Self-referential music illuminates connections between musicians and reveals similarities between their networks and those of other professionals, especially visual artists. This book will appeal to readers interested in music and culture of the late medieval and early modern eras - musicians, musicologists, and historians of art and culture.
Self-referential music illuminates connections between musicians and reveals similarities between their networks and those of other professionals, especially visual artists. This book will appeal to readers interested in music and culture of the late medieval and early modern eras - musicians, musicologists, and historians of art and culture.
Über den Autor
Jane D. Hatter is an assistant professor of musicology at the University of Utah. Her research delves into the musical communities that developed around fifteenth- and sixteenth-century music, including musical self-reference and intersections between music and the visual arts. Her examination of musical time and sexuality in early sixteenth-century Italian paintings is one of the five most read articles in the Oxford journal Early Music.
Inhaltsverzeichnis
Introduction; Part I. Music about Musicians: 1. Paintings about painters to music about musicians; 2. Miserere Supplicanti Du Fay: building community through musical devotions at Cambrai Cathedral; 3. Ora Pro Nobis: forms of self-reference in musical prayers for musicians; 4. Plorer, Gemir, Crier: musical mourning and the composer; Part II. Music about Music: 5. Paintings about painting and music about music-making; 6. Simple lessons? Music theory as emblem of composition; 7. Constructing the composer: symbolic use of the hexachord in compositions c.1500; 8. Conclusion.
Details
Erscheinungsjahr: 2021
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musikgeschichte
Medium: Taschenbuch
Seiten: 300
ISBN-13: 9781108465595
ISBN-10: 1108465595
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Hatter, Jane D.
Hersteller: Cambridge University Press
Maße: 244 x 170 x 16 mm
Von/Mit: Jane D. Hatter
Erscheinungsdatum: 19.08.2021
Gewicht: 0,522 kg
preigu-id: 120259678
Über den Autor
Jane D. Hatter is an assistant professor of musicology at the University of Utah. Her research delves into the musical communities that developed around fifteenth- and sixteenth-century music, including musical self-reference and intersections between music and the visual arts. Her examination of musical time and sexuality in early sixteenth-century Italian paintings is one of the five most read articles in the Oxford journal Early Music.
Inhaltsverzeichnis
Introduction; Part I. Music about Musicians: 1. Paintings about painters to music about musicians; 2. Miserere Supplicanti Du Fay: building community through musical devotions at Cambrai Cathedral; 3. Ora Pro Nobis: forms of self-reference in musical prayers for musicians; 4. Plorer, Gemir, Crier: musical mourning and the composer; Part II. Music about Music: 5. Paintings about painting and music about music-making; 6. Simple lessons? Music theory as emblem of composition; 7. Constructing the composer: symbolic use of the hexachord in compositions c.1500; 8. Conclusion.
Details
Erscheinungsjahr: 2021
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musikgeschichte
Medium: Taschenbuch
Seiten: 300
ISBN-13: 9781108465595
ISBN-10: 1108465595
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Hatter, Jane D.
Hersteller: Cambridge University Press
Maße: 244 x 170 x 16 mm
Von/Mit: Jane D. Hatter
Erscheinungsdatum: 19.08.2021
Gewicht: 0,522 kg
preigu-id: 120259678
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