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listeners' responses move beyond mere registration of auditory events
to include the organization, interpretation, and remembrance of these
events in terms of their function in a musical context of pitch and
rhythm. Equally important, the work offers an analysis of the
relationship between the psychological organization of music and its
internal structure. Combining over a decade of original research on
music cognition with an overview of the available literature, the work
will be of interest to cognitive and physiological psychologists,
psychobiologists, musicians, music researchers, and music educators.
The author provides the necessary background in experimental
methodology and music theory so that no specialized knowledge is
required for following her major arguments.
listeners' responses move beyond mere registration of auditory events
to include the organization, interpretation, and remembrance of these
events in terms of their function in a musical context of pitch and
rhythm. Equally important, the work offers an analysis of the
relationship between the psychological organization of music and its
internal structure. Combining over a decade of original research on
music cognition with an overview of the available literature, the work
will be of interest to cognitive and physiological psychologists,
psychobiologists, musicians, music researchers, and music educators.
The author provides the necessary background in experimental
methodology and music theory so that no specialized knowledge is
required for following her major arguments.
- 1: Objectives and Methods
- 2: Quantifying Tonal Hierarchies and Key Distances
- 3: Musical Correlates of Perceived Tonal Hierarchies
- 4: A Key-Finding Algorithm Based on Tonal Hierarchies
- 5: Perceived Relations Between Musical Tones
- 6: Perceptual Organization and Pitch Memory
- 7: Quantifying Harmonic Hierarchies and Key Distances
- 8: Perceived Harmonic Relations
- 9: Perceiving Multiple Keys: Modulation and Polytonality
- 10: Tonal Hierarchies in Atonal and Non-Western Tonal Music
- 11: Music Cognition: Theoretical and Empirical Generalizations
| Erscheinungsjahr: | 2001 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Musiktheorie & Musiklehre |
| Medium: | Taschenbuch |
| ISBN-13: | 9780195148367 |
| ISBN-10: | 0195148363 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Krumhansl, Carol L. |
| Hersteller: | Oxford University Press |
| Maße: | 229 x 152 x 19 mm |
| Von/Mit: | Carol L. Krumhansl |
| Erscheinungsdatum: | 25.10.2001 |
| Gewicht: | 0,522 kg |
- 1: Objectives and Methods
- 2: Quantifying Tonal Hierarchies and Key Distances
- 3: Musical Correlates of Perceived Tonal Hierarchies
- 4: A Key-Finding Algorithm Based on Tonal Hierarchies
- 5: Perceived Relations Between Musical Tones
- 6: Perceptual Organization and Pitch Memory
- 7: Quantifying Harmonic Hierarchies and Key Distances
- 8: Perceived Harmonic Relations
- 9: Perceiving Multiple Keys: Modulation and Polytonality
- 10: Tonal Hierarchies in Atonal and Non-Western Tonal Music
- 11: Music Cognition: Theoretical and Empirical Generalizations
| Erscheinungsjahr: | 2001 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Musiktheorie & Musiklehre |
| Medium: | Taschenbuch |
| ISBN-13: | 9780195148367 |
| ISBN-10: | 0195148363 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Krumhansl, Carol L. |
| Hersteller: | Oxford University Press |
| Maße: | 229 x 152 x 19 mm |
| Von/Mit: | Carol L. Krumhansl |
| Erscheinungsdatum: | 25.10.2001 |
| Gewicht: | 0,522 kg |
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