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Cinematic Corpographies
Re-Mapping the War Film Through the Body
Taschenbuch von Eileen Rositzka
Sprache: Englisch

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Beschreibung
Writing on the relationship between war and cinema has largely been dominated by an emphasis on optics and weaponised vision. However, as this analysis of the Hollywood war film will show, a wider sensory field is powerfully evoked in this genre. Contouring war cinema as representing a somatic experience of space, the study applies a term recently developed by Derek Gregory within the theoretical framework of Critical Geography. What he calls ¿corpography¿ implies a constant re-mapping of landscape through the soldier¿s body. These assumptions can be used as a connection between already established theories of cartographic film narration and ideas of (neo)phenomenological film experience, as they also entail the involvement of the spectator¿s body in sensuously grasping what is staged as a mediated experience of war. While cinematic codes of war have long been oriented almost exclusively to the visual, the notion of corpography can help to reframe the concept of film genre in terms of expressive movement patterns and genre memory, avoiding reverting to the usual taxonomies of generic texts.
Writing on the relationship between war and cinema has largely been dominated by an emphasis on optics and weaponised vision. However, as this analysis of the Hollywood war film will show, a wider sensory field is powerfully evoked in this genre. Contouring war cinema as representing a somatic experience of space, the study applies a term recently developed by Derek Gregory within the theoretical framework of Critical Geography. What he calls ¿corpography¿ implies a constant re-mapping of landscape through the soldier¿s body. These assumptions can be used as a connection between already established theories of cartographic film narration and ideas of (neo)phenomenological film experience, as they also entail the involvement of the spectator¿s body in sensuously grasping what is staged as a mediated experience of war. While cinematic codes of war have long been oriented almost exclusively to the visual, the notion of corpography can help to reframe the concept of film genre in terms of expressive movement patterns and genre memory, avoiding reverting to the usual taxonomies of generic texts.
Über den Autor

Eileen Rositzka, Freie Universität Berlin, Kolleg-Forschergruppe Cinepoetics - Poetologien audiovisueller Bilder,
Berlin, Germany.

Details
Erscheinungsjahr: 2020
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
Seiten: 212
Reihe: ISSN
Inhalt: VIII
202 S.
20 s/w Illustr.
20 b/w ill.
ISBN-13: 9783110709124
ISBN-10: 3110709120
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Rositzka, Eileen
Hersteller: De Gruyter
ISSN
Maße: 230 x 155 x 12 mm
Von/Mit: Eileen Rositzka
Erscheinungsdatum: 06.07.2020
Gewicht: 0,323 kg
preigu-id: 118337549
Über den Autor

Eileen Rositzka, Freie Universität Berlin, Kolleg-Forschergruppe Cinepoetics - Poetologien audiovisueller Bilder,
Berlin, Germany.

Details
Erscheinungsjahr: 2020
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
Seiten: 212
Reihe: ISSN
Inhalt: VIII
202 S.
20 s/w Illustr.
20 b/w ill.
ISBN-13: 9783110709124
ISBN-10: 3110709120
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Rositzka, Eileen
Hersteller: De Gruyter
ISSN
Maße: 230 x 155 x 12 mm
Von/Mit: Eileen Rositzka
Erscheinungsdatum: 06.07.2020
Gewicht: 0,323 kg
preigu-id: 118337549
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