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Cinema of Eisenstein
Taschenbuch von USA) David Bordwell (University of Wisconsin-Madison
Sprache: Englisch

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Preface 2005 -- Preface -- Abbreviations -- 1. A Life in Cinema -- From Theatre to Cinema -- The Silent Films -- Europe, Hollywood, and Mexico -- Projects and Problems -- Triumph and Decline -- The Particularities of Method -- 2. Monumental Heroics: The Silent Films -- Toward Plotless Cinema -- Strike -- Potemkin -- October -- Old and New -- A Note on Versions of Eisensteins Silent Films -- 3. Seizing the Spectator: Film Theory in the Silent Era -- Between Theory and Practice -- Agitation as Excitation -- Montage in Theatre and Film -- Film Language and Intellectual Cinema -- Film Formas Dialectics The Eclectic Modernist -- 4. Practical Aesthetics: Pedagogy -- Structure and Style: The Episode -- Structure and Style: From Episode to Work -- Assaulting the Eye -- 5. Cinema as Synthesis: Film Theory,-1948 -- From Agitprop Formalism to Socialist Realism -- Conceptions of Psychological Activity -- Film Form: Organic Unity -- Montage: The Musical Analogy Revisited -- PathosandEcstasy -- A Mature Poetics -- 6. History and Tragedy: The Late Films -- Alexander Nevsky -- Ivan the Terrible -- 7. The Making and Remaking of Segei Eisenstein -- Legend in Life -- The Assimilation into Orthodoxy -- The Exemplary Modernist -- Eisenstein Our Contemporary -- Chronology -- Filmography -- Further Reading -- Bibliography -- PhotoCredits -- Index.
Preface 2005 -- Preface -- Abbreviations -- 1. A Life in Cinema -- From Theatre to Cinema -- The Silent Films -- Europe, Hollywood, and Mexico -- Projects and Problems -- Triumph and Decline -- The Particularities of Method -- 2. Monumental Heroics: The Silent Films -- Toward Plotless Cinema -- Strike -- Potemkin -- October -- Old and New -- A Note on Versions of Eisensteins Silent Films -- 3. Seizing the Spectator: Film Theory in the Silent Era -- Between Theory and Practice -- Agitation as Excitation -- Montage in Theatre and Film -- Film Language and Intellectual Cinema -- Film Formas Dialectics The Eclectic Modernist -- 4. Practical Aesthetics: Pedagogy -- Structure and Style: The Episode -- Structure and Style: From Episode to Work -- Assaulting the Eye -- 5. Cinema as Synthesis: Film Theory,-1948 -- From Agitprop Formalism to Socialist Realism -- Conceptions of Psychological Activity -- Film Form: Organic Unity -- Montage: The Musical Analogy Revisited -- PathosandEcstasy -- A Mature Poetics -- 6. History and Tragedy: The Late Films -- Alexander Nevsky -- Ivan the Terrible -- 7. The Making and Remaking of Segei Eisenstein -- Legend in Life -- The Assimilation into Orthodoxy -- The Exemplary Modernist -- Eisenstein Our Contemporary -- Chronology -- Filmography -- Further Reading -- Bibliography -- PhotoCredits -- Index.
Details
Erscheinungsjahr: 2005
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780415973656
ISBN-10: 0415973651
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: David Bordwell (University of Wisconsin-Madison, USA)
Auflage: 1. Auflage
Hersteller: Taylor & Francis
Abbildungen: 326 schwarz-weiß Illustrationen|326 schwarz-weiß Fotos
Maße: 254 x 178 x 17 mm
Von/Mit: USA) David Bordwell (University of Wisconsin-Madison
Erscheinungsdatum: 02.05.2005
Gewicht: 0,28 kg
Artikel-ID: 127881853
Details
Erscheinungsjahr: 2005
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780415973656
ISBN-10: 0415973651
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: David Bordwell (University of Wisconsin-Madison, USA)
Auflage: 1. Auflage
Hersteller: Taylor & Francis
Abbildungen: 326 schwarz-weiß Illustrationen|326 schwarz-weiß Fotos
Maße: 254 x 178 x 17 mm
Von/Mit: USA) David Bordwell (University of Wisconsin-Madison
Erscheinungsdatum: 02.05.2005
Gewicht: 0,28 kg
Artikel-ID: 127881853
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