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Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's split allegiances between East and West (Five Women around Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's project to convey interiority through images (The Marquise of O), F. W. Murnau's debt to Romantic landscape painting (Nosferatu), Vincente Minnelli's affinities with American Abstract Expressionism (An American in Paris), and Alain Cavalier's use of still life and the close-up to explore the realms of mysticism and femininity (Thérèse).
While addressing issues of influence and intentionality, Dalle Vacche concludes that intertextuality is central to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting art history, defines itself in relation to national traditions and broadly shared visual cultures.
Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's split allegiances between East and West (Five Women around Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's project to convey interiority through images (The Marquise of O), F. W. Murnau's debt to Romantic landscape painting (Nosferatu), Vincente Minnelli's affinities with American Abstract Expressionism (An American in Paris), and Alain Cavalier's use of still life and the close-up to explore the realms of mysticism and femininity (Thérèse).
While addressing issues of influence and intentionality, Dalle Vacche concludes that intertextuality is central to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting art history, defines itself in relation to national traditions and broadly shared visual cultures.
- List of Illustrations
- Acknowledgments
- Introduction. A Thematic and Intertextual Approach
- Chapter 1. Vincente Minnelli's An American in Paris: Painting as Psychic Upheaval
- Chapter 2. Michelangelo Antomom's Red Desert: Painting as Ventriloquism and Color as Movement
- Chapter 3. Eric Rohmer's The Marquise of O: Painting Thoughts, Listening to Images
- Chapter 4. Jean-Luc Godard's Pierrot le Fou: Cinema as Collage against Painting
- Chapter 5. Andrei Tarkovsky's Andrei Rublev: Cinema as the Restoration of Icon Painting
- Chapter 6. F. W Murnau's Nosferatu: Romantic Painting as Horror and Desire in Expressionist Cinema
- Chapter 7. Kenji Mizoguchi's Five Women around Utamaro: Film between Woodblock Printing and Tattooing
- Chapter 8. Alain Cavalier's Thérèse: Still Life and the Close-Up as Feminine Space
- Notes
- Bibliography
- Index
| Erscheinungsjahr: | 1996 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Seiten: | 320 |
| ISBN-13: | 9780292715837 |
| ISBN-10: | 0292715838 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Dalle Vacche, Angela |
| Hersteller: | University of Texas Press |
| Maße: | 229 x 152 x 17 mm |
| Von/Mit: | Angela Dalle Vacche |
| Erscheinungsdatum: | 01.03.1996 |
| Gewicht: | 0,466 kg |
- List of Illustrations
- Acknowledgments
- Introduction. A Thematic and Intertextual Approach
- Chapter 1. Vincente Minnelli's An American in Paris: Painting as Psychic Upheaval
- Chapter 2. Michelangelo Antomom's Red Desert: Painting as Ventriloquism and Color as Movement
- Chapter 3. Eric Rohmer's The Marquise of O: Painting Thoughts, Listening to Images
- Chapter 4. Jean-Luc Godard's Pierrot le Fou: Cinema as Collage against Painting
- Chapter 5. Andrei Tarkovsky's Andrei Rublev: Cinema as the Restoration of Icon Painting
- Chapter 6. F. W Murnau's Nosferatu: Romantic Painting as Horror and Desire in Expressionist Cinema
- Chapter 7. Kenji Mizoguchi's Five Women around Utamaro: Film between Woodblock Printing and Tattooing
- Chapter 8. Alain Cavalier's Thérèse: Still Life and the Close-Up as Feminine Space
- Notes
- Bibliography
- Index
| Erscheinungsjahr: | 1996 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Seiten: | 320 |
| ISBN-13: | 9780292715837 |
| ISBN-10: | 0292715838 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Dalle Vacche, Angela |
| Hersteller: | University of Texas Press |
| Maße: | 229 x 152 x 17 mm |
| Von/Mit: | Angela Dalle Vacche |
| Erscheinungsdatum: | 01.03.1996 |
| Gewicht: | 0,466 kg |
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