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Beschreibung
This book offers new ways of thinking about dance-related artworks that have taken place in galleries, museums and biennales over the past two decades as part of the choreographic turn. It focuses on the concept of intersubjectivity and theorises about what happens when subjects meet within a performance artwork. The resulting relations are crucial to instances of performance art in which embodied subjects engage as spectators, participants and performers in orchestrated art events.
Choreographing Intersubjectivity in Performance Art deploys a multi-disciplinary approach across dance choreography and evolving manifestations of performance art. An innovative, overarching concept of choreography sustains the idea that intersubjectivity evolves through places, spaces, performance and spectatorship. Drawing upon international examples, the book introduces readers to performance art from the South Pacific and the complexities of de-colonising choreography. Artists Tino Sehgal, Xavier Le Roy, Jordan Wolfson, Alicia Frankovich and Shigeyuki Kihara are discussed.
This book offers new ways of thinking about dance-related artworks that have taken place in galleries, museums and biennales over the past two decades as part of the choreographic turn. It focuses on the concept of intersubjectivity and theorises about what happens when subjects meet within a performance artwork. The resulting relations are crucial to instances of performance art in which embodied subjects engage as spectators, participants and performers in orchestrated art events.
Choreographing Intersubjectivity in Performance Art deploys a multi-disciplinary approach across dance choreography and evolving manifestations of performance art. An innovative, overarching concept of choreography sustains the idea that intersubjectivity evolves through places, spaces, performance and spectatorship. Drawing upon international examples, the book introduces readers to performance art from the South Pacific and the complexities of de-colonising choreography. Artists Tino Sehgal, Xavier Le Roy, Jordan Wolfson, Alicia Frankovich and Shigeyuki Kihara are discussed.
Über den Autor
Victoria Wynne-Jones is an Auckland-based art historian, curator and writer. She currently lectures in the disciplinary areas of Art History, Fine Arts and Dance Studies. Her research focuses on the intersections between dance studies and performance art as well as curatorial practice, feminisms, contemporary art theory and philosophy.
Zusammenfassung

Focuses on the concept of intersubjectivity

Offers new ways of thinking about dance-related artworks in public spaces

Deploys a multi-disciplinary approach to dance choreography and performance art

Inhaltsverzeichnis
1. Chapter 1: Introduction.- 2. Chapter 2: Museum bodies: self-regulation, order, subjection, instruction and choreo-politics.- 3. Chapter 3: Self Unfinished: Choreography and subject constitution.- 4. Chapter 4: Theories of intersubjectivity: alterity, recognition and somatic attention.- 5. Chapter 5: Choreographing intersubjectivity: posthuman, post-internet, queer and decolonising choreographies.- 6. Chapter 6: Conclusion.
Details
Erscheinungsjahr: 2022
Genre: Geisteswissenschaften, Kunst, Musik
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Inhalt: xiv
255 S.
1 s/w Illustr.
15 farbige Illustr.
255 p. 16 illus.
15 illus. in color.
ISBN-13: 9783030405878
ISBN-10: 3030405877
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Wynne-Jones, Victoria
Auflage: 1st edition 2021
Hersteller: Springer Nature Switzerland
Springer International Publishing
Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, D-69121 Heidelberg, juergen.hartmann@springer.com
Maße: 210 x 148 x 15 mm
Von/Mit: Victoria Wynne-Jones
Erscheinungsdatum: 01.10.2022
Gewicht: 0,356 kg
Artikel-ID: 124266638

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