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Cover: 9780521034333 | Chopin Studies 2 | Jim Samson | Taschenbuch | Paperback | Englisch
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Chopin Studies 2
Taschenbuch von Jim Samson
Sprache: Englisch

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Beschreibung
It has been our intention in commissioning this book to complement the documentary and analytical focus of Cambridge University Press's first volume of Chopin studies, published in 1988. This new collection targets three main areas of research--reception history, aesthetics and criticism, and performance studies--although the boundaries between these are by no means tightly drawn.
It has been our intention in commissioning this book to complement the documentary and analytical focus of Cambridge University Press's first volume of Chopin studies, published in 1988. This new collection targets three main areas of research--reception history, aesthetics and criticism, and performance studies--although the boundaries between these are by no means tightly drawn.
Inhaltsverzeichnis
Preface; 1. Chopin reception: theory, history, analysis Jim Samson; 2. Chopin as 'salon composer' in nineteenth-century German criticism Andreas Ballstaedt; 3. Chopin as modernist in nineteenth-century Russia Anne Swartz; 4. Small fairy voices: sex, history and meaning in Chopin Jeffrey Kallberg; 5. Chopin's Ballade Op. 23 and the revolution of the intellectuals Karol Berger; 6. The Polonaise-Fantasy and issues of musical narrative Anthony Newcomb; 7. Placing Chopin: reflections on a compositional aesthetic Jean-Jacques Eigeldinger; 8. Ambiguity and reinterpretation in Chopin Edward T. Cone; 9. The Prelude in E minor Op. 28 No. 4: autograph sources and interpretation Carl Schachter; 10. Performing the F# minor Prelude Op. 28 No. 8 L. Henry Shaffer; 11. Chopin's tempo rubato in context David Rowland; 12. Authentic Chopin: history, analysis and intuition in performance John Rink; Appendix: encounters with Chopin: Fanny Erskine's Paris diary, 1847-8 Jeremy Barlow; Index.
Details
Erscheinungsjahr: 2006
Genre: Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Taschenbuch
Seiten: 264
ISBN-13: 9780521034333
ISBN-10: 0521034337
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Redaktion: Samson, Jim
Hersteller: Cambridge University Press
Maße: 229 x 152 x 16 mm
Von/Mit: Jim Samson
Erscheinungsdatum: 27.10.2006
Gewicht: 0,434 kg
preigu-id: 102114760
Inhaltsverzeichnis
Preface; 1. Chopin reception: theory, history, analysis Jim Samson; 2. Chopin as 'salon composer' in nineteenth-century German criticism Andreas Ballstaedt; 3. Chopin as modernist in nineteenth-century Russia Anne Swartz; 4. Small fairy voices: sex, history and meaning in Chopin Jeffrey Kallberg; 5. Chopin's Ballade Op. 23 and the revolution of the intellectuals Karol Berger; 6. The Polonaise-Fantasy and issues of musical narrative Anthony Newcomb; 7. Placing Chopin: reflections on a compositional aesthetic Jean-Jacques Eigeldinger; 8. Ambiguity and reinterpretation in Chopin Edward T. Cone; 9. The Prelude in E minor Op. 28 No. 4: autograph sources and interpretation Carl Schachter; 10. Performing the F# minor Prelude Op. 28 No. 8 L. Henry Shaffer; 11. Chopin's tempo rubato in context David Rowland; 12. Authentic Chopin: history, analysis and intuition in performance John Rink; Appendix: encounters with Chopin: Fanny Erskine's Paris diary, 1847-8 Jeremy Barlow; Index.
Details
Erscheinungsjahr: 2006
Genre: Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Taschenbuch
Seiten: 264
ISBN-13: 9780521034333
ISBN-10: 0521034337
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Redaktion: Samson, Jim
Hersteller: Cambridge University Press
Maße: 229 x 152 x 16 mm
Von/Mit: Jim Samson
Erscheinungsdatum: 27.10.2006
Gewicht: 0,434 kg
preigu-id: 102114760
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