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Illustrated throughout, The Penguin Classics Marvel Collection presents specially curated comic book anthologies of the origin stories, seminal tales, and characters of the Marvel Universe to explore Marvel's transformative and timeless influence on an entire genre of fantasy.
A Penguin Classics Marvel Collection Edition
It is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as explorations of the relationship between power and responsibility; as metaphors for the experience of difference and otherness; as meditations on the pain of adolescence and the fluid nature of identity; as examinations of the meaning, and limits, of patriotism; as ironic juxtapositions of the cosmic and the quotidian; as resources for the understanding of political and social history; and as high watermarks in the artistic tradition of American cartooning. For the first time, these classic stories of some of the most iconic super heroes in the history of American comics are Penguin Classics.
Debuting in 1941-almost a year before the events of Pearl Harbor- Captain America was initially conceived by Joe Simon and Jack Kirby as a pop culture argument for US intervention in the European war against fascism. This collection includes his first appearances from 1941 alongside key examples of his first solo stories of the 1960s, in which the newly resurrected hero of World War II struggles to find his place in an unfamiliar world. The transformation of this American icon thus marks a parallel transformation in the nation itself. The introduction offers insight into the social and political significance of Captain America as a character and a national symbol, while a critical apparatus and appendices shed further light on his creative development.
A Penguin Classics Marvel Collection Edition
It is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as explorations of the relationship between power and responsibility; as metaphors for the experience of difference and otherness; as meditations on the pain of adolescence and the fluid nature of identity; as examinations of the meaning, and limits, of patriotism; as ironic juxtapositions of the cosmic and the quotidian; as resources for the understanding of political and social history; and as high watermarks in the artistic tradition of American cartooning. For the first time, these classic stories of some of the most iconic super heroes in the history of American comics are Penguin Classics.
Debuting in 1941-almost a year before the events of Pearl Harbor- Captain America was initially conceived by Joe Simon and Jack Kirby as a pop culture argument for US intervention in the European war against fascism. This collection includes his first appearances from 1941 alongside key examples of his first solo stories of the 1960s, in which the newly resurrected hero of World War II struggles to find his place in an unfamiliar world. The transformation of this American icon thus marks a parallel transformation in the nation itself. The introduction offers insight into the social and political significance of Captain America as a character and a national symbol, while a critical apparatus and appendices shed further light on his creative development.
Illustrated throughout, The Penguin Classics Marvel Collection presents specially curated comic book anthologies of the origin stories, seminal tales, and characters of the Marvel Universe to explore Marvel's transformative and timeless influence on an entire genre of fantasy.
A Penguin Classics Marvel Collection Edition
It is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as explorations of the relationship between power and responsibility; as metaphors for the experience of difference and otherness; as meditations on the pain of adolescence and the fluid nature of identity; as examinations of the meaning, and limits, of patriotism; as ironic juxtapositions of the cosmic and the quotidian; as resources for the understanding of political and social history; and as high watermarks in the artistic tradition of American cartooning. For the first time, these classic stories of some of the most iconic super heroes in the history of American comics are Penguin Classics.
Debuting in 1941-almost a year before the events of Pearl Harbor- Captain America was initially conceived by Joe Simon and Jack Kirby as a pop culture argument for US intervention in the European war against fascism. This collection includes his first appearances from 1941 alongside key examples of his first solo stories of the 1960s, in which the newly resurrected hero of World War II struggles to find his place in an unfamiliar world. The transformation of this American icon thus marks a parallel transformation in the nation itself. The introduction offers insight into the social and political significance of Captain America as a character and a national symbol, while a critical apparatus and appendices shed further light on his creative development.
A Penguin Classics Marvel Collection Edition
It is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as explorations of the relationship between power and responsibility; as metaphors for the experience of difference and otherness; as meditations on the pain of adolescence and the fluid nature of identity; as examinations of the meaning, and limits, of patriotism; as ironic juxtapositions of the cosmic and the quotidian; as resources for the understanding of political and social history; and as high watermarks in the artistic tradition of American cartooning. For the first time, these classic stories of some of the most iconic super heroes in the history of American comics are Penguin Classics.
Debuting in 1941-almost a year before the events of Pearl Harbor- Captain America was initially conceived by Joe Simon and Jack Kirby as a pop culture argument for US intervention in the European war against fascism. This collection includes his first appearances from 1941 alongside key examples of his first solo stories of the 1960s, in which the newly resurrected hero of World War II struggles to find his place in an unfamiliar world. The transformation of this American icon thus marks a parallel transformation in the nation itself. The introduction offers insight into the social and political significance of Captain America as a character and a national symbol, while a critical apparatus and appendices shed further light on his creative development.
Über den Autor
Jack Kirby (Author)
Born Jacob Kurtzberg in 1917 to Jewish-Austrian parents on New York's Lower East Side, Jack Kirby came of age at the birth of the American comic book industry. Horrified by the rise of Nazism, Kirby co-created the patriotic hero Captain America with Joe Simon in 1940. Cap's exploits on the comic book page entertained millions of American readers at home and inspired US troops fighting the enemy abroad. Kirby's partnership with Simon continued throughout the 1940s and early '50s; together, they produced comics in every popular genre, from Western to romance. In 1958, Kirby began his equally fruitful collaboration with writer- editor Stan Lee, and in 1961 the two men co-created the foundational text of the modern Marvel Universe: The Fantastic Four. Over the next decade, Kirby and Lee would introduce a mind- boggling array of new characters- including the Avengers, the Hulk, Thor, Iron Man, the Silver Surfer, and the X-Men. Kirby's groundbreaking work with Lee formed the foundation of the Marvel Universe. In the early 1970s, Kirby moved to DC Comics, where he created his interconnected Fourth World series, as well as freestanding titles such as The Demon. He returned to Marvel in 1975, writing and illustrating The Black Panther and Captain America, and introducing series such as Devil Dinosaur, and the Eternals. Kirby died in 1994. Today, he is generally regarded as one of the most important and influential creators in the history of American comics. His work has inspired multiple generations of writers, artists, designers, and filmmakers, who continue to explore his vast universe of concepts and characters. He was an inaugural inductee into the Eisner Hall of Fame in 1987.
Joe Simon (Author)
While sharing a studio with Jack Kirby, artist Joe Simon co-created Captain America, a stirring symbol of American idealism and pride during the war-torn 1940s. Simon and Kirby would go on to form one of the most productive partnerships of the early American comic book industry. The two men co-created comics in every genre-crime, war, horror, science fiction, Western, humor, and romance-for numerous different publishers between 1940 and 1954. Noted characters and series included the Sandman and the Newsboy Legion for DC Comics, Young Romance for Crestwood, and Boys' Ranch for Harvey. Simon also wrote two autobiographies-The Comic Book Makers (1990), coauthored with his son, Jim Simon, and Joe Simon: My Life in Comics (2011)- essential reading for any historian of comic book history and culture.
Stan Lee (Author)
Stan Lee (1922- 2018) and artist Jack Kirby made comic book history in 1961 with The Fantastic Four #1. Lee oversaw the adventures of many super hero creations for over a decade before handing over the editorial reins at Marvel to others. For the remainder of his long life, he continued to serve as a creative figurehead at Marvel and an ambassador for the comics medium.
Jim Steranko (Author)
Jim Steranko rocked the comic book world in the late 1960s with a revolutionary approach to design and narrative, influenced by the contemporary worlds of both commercial and fine art. Steranko produced very little comics work after the 1970s, but his illustrations would grace the covers of numerous science fiction and fantasy novels, as well as film posters and record album sleeves. He has also produced character designs for a number of filmmakers, including George Lucas, Steven Spielberg, and Francis Ford Coppola. His two- volume History of Comics was one of the first modern works of comics scholarship, and his film industry magazine Prevue enjoyed an impressive twenty- five- year run. Steranko was inducted into the Eisner Hall of Fame in 2006.
John Romita, Sr. (Author)
John Romita Sr. was born in Brooklyn in 1930 and attended Manhattan's School of Industrial Art before entering the comic book industry in 1949. He drew many comics for Marvel (then known as Timely or Atlas) during the early 1950s before moving to DC Comics in 1958, where he established a reputation as a master of romance comics. In 1965 he returned to Marvel, inking Don Heck's pencils on an issue of the Avengers. After a short stint penciling Daredevil, Romita Sr. was tapped by Stan Lee to take over The Amazing Spider-Man when original artist Steve Ditko left the book. Romita Sr. brought a new emotional warmth to the series, while his slick, clean craftsmanship took the title to even greater commercial heights. His renditions of the title character, as well as supporting cast members such as Gwen Stacy and Mary Jane Watson, were considered definitive by a generation of fans. In the 1970s, Stan Lee appointed Romita Sr. as art director for the company; while in this position, he helped design numerous characters (including the Punisher, Wolverine, and Luke Cage). He was inducted into the Eisner Hall of Fame in 2002.
Gene Luen Yang (Foreword By)
Gene Luen Yang is the author of the half-million-copy New York Times bestselling graphic novel and National Book Award finalist American Born Chinese, which features the character of Monkey King throughout.
Ben Saunders (Introducer)
Ben Saunders is a professor of English at the University of Oregon. He is the author of Desiring Donne: Poetry, Sexuality, Interpretation and Do the Gods Wear Capes?: Spirituality, Fantasy, and Superheroes, as well as numerous critical essays on subjects ranging from the writings of Shakespeare to the recordings of Little Richard. He has also curated several museum exhibitions of comics art, including the record-breaking multimedia touring show Marvel: Universe of Super Heroes-a retrospective exploring the artistic and cultural impact of Marvel Comics from 1939 to the present.
Born Jacob Kurtzberg in 1917 to Jewish-Austrian parents on New York's Lower East Side, Jack Kirby came of age at the birth of the American comic book industry. Horrified by the rise of Nazism, Kirby co-created the patriotic hero Captain America with Joe Simon in 1940. Cap's exploits on the comic book page entertained millions of American readers at home and inspired US troops fighting the enemy abroad. Kirby's partnership with Simon continued throughout the 1940s and early '50s; together, they produced comics in every popular genre, from Western to romance. In 1958, Kirby began his equally fruitful collaboration with writer- editor Stan Lee, and in 1961 the two men co-created the foundational text of the modern Marvel Universe: The Fantastic Four. Over the next decade, Kirby and Lee would introduce a mind- boggling array of new characters- including the Avengers, the Hulk, Thor, Iron Man, the Silver Surfer, and the X-Men. Kirby's groundbreaking work with Lee formed the foundation of the Marvel Universe. In the early 1970s, Kirby moved to DC Comics, where he created his interconnected Fourth World series, as well as freestanding titles such as The Demon. He returned to Marvel in 1975, writing and illustrating The Black Panther and Captain America, and introducing series such as Devil Dinosaur, and the Eternals. Kirby died in 1994. Today, he is generally regarded as one of the most important and influential creators in the history of American comics. His work has inspired multiple generations of writers, artists, designers, and filmmakers, who continue to explore his vast universe of concepts and characters. He was an inaugural inductee into the Eisner Hall of Fame in 1987.
Joe Simon (Author)
While sharing a studio with Jack Kirby, artist Joe Simon co-created Captain America, a stirring symbol of American idealism and pride during the war-torn 1940s. Simon and Kirby would go on to form one of the most productive partnerships of the early American comic book industry. The two men co-created comics in every genre-crime, war, horror, science fiction, Western, humor, and romance-for numerous different publishers between 1940 and 1954. Noted characters and series included the Sandman and the Newsboy Legion for DC Comics, Young Romance for Crestwood, and Boys' Ranch for Harvey. Simon also wrote two autobiographies-The Comic Book Makers (1990), coauthored with his son, Jim Simon, and Joe Simon: My Life in Comics (2011)- essential reading for any historian of comic book history and culture.
Stan Lee (Author)
Stan Lee (1922- 2018) and artist Jack Kirby made comic book history in 1961 with The Fantastic Four #1. Lee oversaw the adventures of many super hero creations for over a decade before handing over the editorial reins at Marvel to others. For the remainder of his long life, he continued to serve as a creative figurehead at Marvel and an ambassador for the comics medium.
Jim Steranko (Author)
Jim Steranko rocked the comic book world in the late 1960s with a revolutionary approach to design and narrative, influenced by the contemporary worlds of both commercial and fine art. Steranko produced very little comics work after the 1970s, but his illustrations would grace the covers of numerous science fiction and fantasy novels, as well as film posters and record album sleeves. He has also produced character designs for a number of filmmakers, including George Lucas, Steven Spielberg, and Francis Ford Coppola. His two- volume History of Comics was one of the first modern works of comics scholarship, and his film industry magazine Prevue enjoyed an impressive twenty- five- year run. Steranko was inducted into the Eisner Hall of Fame in 2006.
John Romita, Sr. (Author)
John Romita Sr. was born in Brooklyn in 1930 and attended Manhattan's School of Industrial Art before entering the comic book industry in 1949. He drew many comics for Marvel (then known as Timely or Atlas) during the early 1950s before moving to DC Comics in 1958, where he established a reputation as a master of romance comics. In 1965 he returned to Marvel, inking Don Heck's pencils on an issue of the Avengers. After a short stint penciling Daredevil, Romita Sr. was tapped by Stan Lee to take over The Amazing Spider-Man when original artist Steve Ditko left the book. Romita Sr. brought a new emotional warmth to the series, while his slick, clean craftsmanship took the title to even greater commercial heights. His renditions of the title character, as well as supporting cast members such as Gwen Stacy and Mary Jane Watson, were considered definitive by a generation of fans. In the 1970s, Stan Lee appointed Romita Sr. as art director for the company; while in this position, he helped design numerous characters (including the Punisher, Wolverine, and Luke Cage). He was inducted into the Eisner Hall of Fame in 2002.
Gene Luen Yang (Foreword By)
Gene Luen Yang is the author of the half-million-copy New York Times bestselling graphic novel and National Book Award finalist American Born Chinese, which features the character of Monkey King throughout.
Ben Saunders (Introducer)
Ben Saunders is a professor of English at the University of Oregon. He is the author of Desiring Donne: Poetry, Sexuality, Interpretation and Do the Gods Wear Capes?: Spirituality, Fantasy, and Superheroes, as well as numerous critical essays on subjects ranging from the writings of Shakespeare to the recordings of Little Richard. He has also curated several museum exhibitions of comics art, including the record-breaking multimedia touring show Marvel: Universe of Super Heroes-a retrospective exploring the artistic and cultural impact of Marvel Comics from 1939 to the present.
Zusammenfassung
PENGUIN CLASSICS MARVEL COLLECTION: Features six full-color titles in black spine paperback and hardcover format: The Amazing Spider-Man, Captain America, Black Panther (Summer 2022), X-Men, Fantastic Four and The Avengers (TBD).
MARVEL CINEMATIC UNIVERSE AND COMICS AUDIENCE: The Marvel Cinematic Universe series is the highest grossing film franchise in the world, with total worldwide box office revenue of [...]+ billion. MCU's Phase 4 has 10 films slated for release through 2022 with additional series releases on Disney+. Many of MCU's primary source materials lie with the Marvel comics and super heroes highlighted in this series.
FOREWORD BY NYT BESTSELLING YA AUTHOR GENE LUEN YANG: Gene Luen Yang is the author of the half-million-copy New York Times-bestselling graphic novel and National Book Award finalist American Born Chinese.
MARVEL CINEMATIC UNIVERSE AND COMICS AUDIENCE: The Marvel Cinematic Universe series is the highest grossing film franchise in the world, with total worldwide box office revenue of [...]+ billion. MCU's Phase 4 has 10 films slated for release through 2022 with additional series releases on Disney+. Many of MCU's primary source materials lie with the Marvel comics and super heroes highlighted in this series.
FOREWORD BY NYT BESTSELLING YA AUTHOR GENE LUEN YANG: Gene Luen Yang is the author of the half-million-copy New York Times-bestselling graphic novel and National Book Award finalist American Born Chinese.
Details
| Erscheinungsjahr: | 2022 |
|---|---|
| Produktart: | Humor, Comics & Cartoons |
| Rubrik: | Belletristik |
| Medium: | Taschenbuch |
| Seiten: | 400 |
| Reihe: | Penguin Classics Marvel Collection |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9780143135753 |
| ISBN-10: | 0143135759 |
| Sprache: | Englisch |
| Herstellernummer: | 781687 |
| Einband: | Kartoniert / Broschiert |
| Autor: |
Kirby, Jack
Simon, Joe Lee, Stan Steranko, Jim Romita, John |
| Redaktion: | Saunders, Ben |
| Hersteller: |
Penguin LLC US
Penguin Classics |
| Abbildungen: | COLOR ILLUSTRATIONS THROUGHOUT |
| Maße: | 251 x 184 x 30 mm |
| Von/Mit: | Jack Kirby (u. a.) |
| Erscheinungsdatum: | 14.06.2022 |
| Gewicht: | 0,924 kg |
Über den Autor
Jack Kirby (Author)
Born Jacob Kurtzberg in 1917 to Jewish-Austrian parents on New York's Lower East Side, Jack Kirby came of age at the birth of the American comic book industry. Horrified by the rise of Nazism, Kirby co-created the patriotic hero Captain America with Joe Simon in 1940. Cap's exploits on the comic book page entertained millions of American readers at home and inspired US troops fighting the enemy abroad. Kirby's partnership with Simon continued throughout the 1940s and early '50s; together, they produced comics in every popular genre, from Western to romance. In 1958, Kirby began his equally fruitful collaboration with writer- editor Stan Lee, and in 1961 the two men co-created the foundational text of the modern Marvel Universe: The Fantastic Four. Over the next decade, Kirby and Lee would introduce a mind- boggling array of new characters- including the Avengers, the Hulk, Thor, Iron Man, the Silver Surfer, and the X-Men. Kirby's groundbreaking work with Lee formed the foundation of the Marvel Universe. In the early 1970s, Kirby moved to DC Comics, where he created his interconnected Fourth World series, as well as freestanding titles such as The Demon. He returned to Marvel in 1975, writing and illustrating The Black Panther and Captain America, and introducing series such as Devil Dinosaur, and the Eternals. Kirby died in 1994. Today, he is generally regarded as one of the most important and influential creators in the history of American comics. His work has inspired multiple generations of writers, artists, designers, and filmmakers, who continue to explore his vast universe of concepts and characters. He was an inaugural inductee into the Eisner Hall of Fame in 1987.
Joe Simon (Author)
While sharing a studio with Jack Kirby, artist Joe Simon co-created Captain America, a stirring symbol of American idealism and pride during the war-torn 1940s. Simon and Kirby would go on to form one of the most productive partnerships of the early American comic book industry. The two men co-created comics in every genre-crime, war, horror, science fiction, Western, humor, and romance-for numerous different publishers between 1940 and 1954. Noted characters and series included the Sandman and the Newsboy Legion for DC Comics, Young Romance for Crestwood, and Boys' Ranch for Harvey. Simon also wrote two autobiographies-The Comic Book Makers (1990), coauthored with his son, Jim Simon, and Joe Simon: My Life in Comics (2011)- essential reading for any historian of comic book history and culture.
Stan Lee (Author)
Stan Lee (1922- 2018) and artist Jack Kirby made comic book history in 1961 with The Fantastic Four #1. Lee oversaw the adventures of many super hero creations for over a decade before handing over the editorial reins at Marvel to others. For the remainder of his long life, he continued to serve as a creative figurehead at Marvel and an ambassador for the comics medium.
Jim Steranko (Author)
Jim Steranko rocked the comic book world in the late 1960s with a revolutionary approach to design and narrative, influenced by the contemporary worlds of both commercial and fine art. Steranko produced very little comics work after the 1970s, but his illustrations would grace the covers of numerous science fiction and fantasy novels, as well as film posters and record album sleeves. He has also produced character designs for a number of filmmakers, including George Lucas, Steven Spielberg, and Francis Ford Coppola. His two- volume History of Comics was one of the first modern works of comics scholarship, and his film industry magazine Prevue enjoyed an impressive twenty- five- year run. Steranko was inducted into the Eisner Hall of Fame in 2006.
John Romita, Sr. (Author)
John Romita Sr. was born in Brooklyn in 1930 and attended Manhattan's School of Industrial Art before entering the comic book industry in 1949. He drew many comics for Marvel (then known as Timely or Atlas) during the early 1950s before moving to DC Comics in 1958, where he established a reputation as a master of romance comics. In 1965 he returned to Marvel, inking Don Heck's pencils on an issue of the Avengers. After a short stint penciling Daredevil, Romita Sr. was tapped by Stan Lee to take over The Amazing Spider-Man when original artist Steve Ditko left the book. Romita Sr. brought a new emotional warmth to the series, while his slick, clean craftsmanship took the title to even greater commercial heights. His renditions of the title character, as well as supporting cast members such as Gwen Stacy and Mary Jane Watson, were considered definitive by a generation of fans. In the 1970s, Stan Lee appointed Romita Sr. as art director for the company; while in this position, he helped design numerous characters (including the Punisher, Wolverine, and Luke Cage). He was inducted into the Eisner Hall of Fame in 2002.
Gene Luen Yang (Foreword By)
Gene Luen Yang is the author of the half-million-copy New York Times bestselling graphic novel and National Book Award finalist American Born Chinese, which features the character of Monkey King throughout.
Ben Saunders (Introducer)
Ben Saunders is a professor of English at the University of Oregon. He is the author of Desiring Donne: Poetry, Sexuality, Interpretation and Do the Gods Wear Capes?: Spirituality, Fantasy, and Superheroes, as well as numerous critical essays on subjects ranging from the writings of Shakespeare to the recordings of Little Richard. He has also curated several museum exhibitions of comics art, including the record-breaking multimedia touring show Marvel: Universe of Super Heroes-a retrospective exploring the artistic and cultural impact of Marvel Comics from 1939 to the present.
Born Jacob Kurtzberg in 1917 to Jewish-Austrian parents on New York's Lower East Side, Jack Kirby came of age at the birth of the American comic book industry. Horrified by the rise of Nazism, Kirby co-created the patriotic hero Captain America with Joe Simon in 1940. Cap's exploits on the comic book page entertained millions of American readers at home and inspired US troops fighting the enemy abroad. Kirby's partnership with Simon continued throughout the 1940s and early '50s; together, they produced comics in every popular genre, from Western to romance. In 1958, Kirby began his equally fruitful collaboration with writer- editor Stan Lee, and in 1961 the two men co-created the foundational text of the modern Marvel Universe: The Fantastic Four. Over the next decade, Kirby and Lee would introduce a mind- boggling array of new characters- including the Avengers, the Hulk, Thor, Iron Man, the Silver Surfer, and the X-Men. Kirby's groundbreaking work with Lee formed the foundation of the Marvel Universe. In the early 1970s, Kirby moved to DC Comics, where he created his interconnected Fourth World series, as well as freestanding titles such as The Demon. He returned to Marvel in 1975, writing and illustrating The Black Panther and Captain America, and introducing series such as Devil Dinosaur, and the Eternals. Kirby died in 1994. Today, he is generally regarded as one of the most important and influential creators in the history of American comics. His work has inspired multiple generations of writers, artists, designers, and filmmakers, who continue to explore his vast universe of concepts and characters. He was an inaugural inductee into the Eisner Hall of Fame in 1987.
Joe Simon (Author)
While sharing a studio with Jack Kirby, artist Joe Simon co-created Captain America, a stirring symbol of American idealism and pride during the war-torn 1940s. Simon and Kirby would go on to form one of the most productive partnerships of the early American comic book industry. The two men co-created comics in every genre-crime, war, horror, science fiction, Western, humor, and romance-for numerous different publishers between 1940 and 1954. Noted characters and series included the Sandman and the Newsboy Legion for DC Comics, Young Romance for Crestwood, and Boys' Ranch for Harvey. Simon also wrote two autobiographies-The Comic Book Makers (1990), coauthored with his son, Jim Simon, and Joe Simon: My Life in Comics (2011)- essential reading for any historian of comic book history and culture.
Stan Lee (Author)
Stan Lee (1922- 2018) and artist Jack Kirby made comic book history in 1961 with The Fantastic Four #1. Lee oversaw the adventures of many super hero creations for over a decade before handing over the editorial reins at Marvel to others. For the remainder of his long life, he continued to serve as a creative figurehead at Marvel and an ambassador for the comics medium.
Jim Steranko (Author)
Jim Steranko rocked the comic book world in the late 1960s with a revolutionary approach to design and narrative, influenced by the contemporary worlds of both commercial and fine art. Steranko produced very little comics work after the 1970s, but his illustrations would grace the covers of numerous science fiction and fantasy novels, as well as film posters and record album sleeves. He has also produced character designs for a number of filmmakers, including George Lucas, Steven Spielberg, and Francis Ford Coppola. His two- volume History of Comics was one of the first modern works of comics scholarship, and his film industry magazine Prevue enjoyed an impressive twenty- five- year run. Steranko was inducted into the Eisner Hall of Fame in 2006.
John Romita, Sr. (Author)
John Romita Sr. was born in Brooklyn in 1930 and attended Manhattan's School of Industrial Art before entering the comic book industry in 1949. He drew many comics for Marvel (then known as Timely or Atlas) during the early 1950s before moving to DC Comics in 1958, where he established a reputation as a master of romance comics. In 1965 he returned to Marvel, inking Don Heck's pencils on an issue of the Avengers. After a short stint penciling Daredevil, Romita Sr. was tapped by Stan Lee to take over The Amazing Spider-Man when original artist Steve Ditko left the book. Romita Sr. brought a new emotional warmth to the series, while his slick, clean craftsmanship took the title to even greater commercial heights. His renditions of the title character, as well as supporting cast members such as Gwen Stacy and Mary Jane Watson, were considered definitive by a generation of fans. In the 1970s, Stan Lee appointed Romita Sr. as art director for the company; while in this position, he helped design numerous characters (including the Punisher, Wolverine, and Luke Cage). He was inducted into the Eisner Hall of Fame in 2002.
Gene Luen Yang (Foreword By)
Gene Luen Yang is the author of the half-million-copy New York Times bestselling graphic novel and National Book Award finalist American Born Chinese, which features the character of Monkey King throughout.
Ben Saunders (Introducer)
Ben Saunders is a professor of English at the University of Oregon. He is the author of Desiring Donne: Poetry, Sexuality, Interpretation and Do the Gods Wear Capes?: Spirituality, Fantasy, and Superheroes, as well as numerous critical essays on subjects ranging from the writings of Shakespeare to the recordings of Little Richard. He has also curated several museum exhibitions of comics art, including the record-breaking multimedia touring show Marvel: Universe of Super Heroes-a retrospective exploring the artistic and cultural impact of Marvel Comics from 1939 to the present.
Zusammenfassung
PENGUIN CLASSICS MARVEL COLLECTION: Features six full-color titles in black spine paperback and hardcover format: The Amazing Spider-Man, Captain America, Black Panther (Summer 2022), X-Men, Fantastic Four and The Avengers (TBD).
MARVEL CINEMATIC UNIVERSE AND COMICS AUDIENCE: The Marvel Cinematic Universe series is the highest grossing film franchise in the world, with total worldwide box office revenue of [...]+ billion. MCU's Phase 4 has 10 films slated for release through 2022 with additional series releases on Disney+. Many of MCU's primary source materials lie with the Marvel comics and super heroes highlighted in this series.
FOREWORD BY NYT BESTSELLING YA AUTHOR GENE LUEN YANG: Gene Luen Yang is the author of the half-million-copy New York Times-bestselling graphic novel and National Book Award finalist American Born Chinese.
MARVEL CINEMATIC UNIVERSE AND COMICS AUDIENCE: The Marvel Cinematic Universe series is the highest grossing film franchise in the world, with total worldwide box office revenue of [...]+ billion. MCU's Phase 4 has 10 films slated for release through 2022 with additional series releases on Disney+. Many of MCU's primary source materials lie with the Marvel comics and super heroes highlighted in this series.
FOREWORD BY NYT BESTSELLING YA AUTHOR GENE LUEN YANG: Gene Luen Yang is the author of the half-million-copy New York Times-bestselling graphic novel and National Book Award finalist American Born Chinese.
Details
| Erscheinungsjahr: | 2022 |
|---|---|
| Produktart: | Humor, Comics & Cartoons |
| Rubrik: | Belletristik |
| Medium: | Taschenbuch |
| Seiten: | 400 |
| Reihe: | Penguin Classics Marvel Collection |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9780143135753 |
| ISBN-10: | 0143135759 |
| Sprache: | Englisch |
| Herstellernummer: | 781687 |
| Einband: | Kartoniert / Broschiert |
| Autor: |
Kirby, Jack
Simon, Joe Lee, Stan Steranko, Jim Romita, John |
| Redaktion: | Saunders, Ben |
| Hersteller: |
Penguin LLC US
Penguin Classics |
| Abbildungen: | COLOR ILLUSTRATIONS THROUGHOUT |
| Maße: | 251 x 184 x 30 mm |
| Von/Mit: | Jack Kirby (u. a.) |
| Erscheinungsdatum: | 14.06.2022 |
| Gewicht: | 0,924 kg |
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