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Englisch
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Beschreibung
Brahms has long been considered an arch-conservative, the last Classical master, but modern research reveals a troubled and self-critical Romantic whose genius united the emotionalism of his times with Classical principles. Malcolm MacDonald demonstrates how the musical and personal character of this great composer are inextricably intwined: how the man speaks in his music.
Brahms has long been considered an arch-conservative, the last Classical master, but modern research reveals a troubled and self-critical Romantic whose genius united the emotionalism of his times with Classical principles. Malcolm MacDonald demonstrates how the musical and personal character of this great composer are inextricably intwined: how the man speaks in his music.
Inhaltsverzeichnis
- Preface
- List of Illustrations
- Prelude, in Canon
- 2.: The Romantic foreground
- 3.: Storm and stress (1854-60)
- 4.: Fully armed like Minerva: the music to 1860
- 5.: Not quite a Viennese (1860-72)
- 6.: The sense of the past
- 7.: The music of the middle years, 1860-75
- 8.: 'Frei aber froh'
- 9.: The music of the middle years, 1876-82
- 10.: The final phase
- 11.: The later music, 1883-96
- 12.: Music and [Menschenbild]
- 13.: A Music of the Future
- Appendices
- Index
Details
| Erscheinungsjahr: | 2002 |
|---|---|
| Genre: | Importe, Musik |
| Rubrik: | Kunst & Musik |
| Medium: | Taschenbuch |
| Inhalt: | Buch |
| ISBN-13: | 9780198164845 |
| ISBN-10: | 019816484X |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Macdonald, Malcolm |
| Komponist: | Malcolm MacDonald |
| Hersteller: | OUP UK |
| Verantwortliche Person für die EU: | Deutsche Bibelgesellschaft, Postfach:81 03 40, D-70567 Stuttgart, vertrieb@dbg.de |
| Maße: | 234 x 156 x 27 mm |
| Von/Mit: | Malcolm Macdonald |
| Erscheinungsdatum: | 07.03.2002 |
| Gewicht: | 0,772 kg |