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Beschreibung
Brahms has long been considered an arch-conservative, the last Classical master, but modern research reveals a troubled and self-critical Romantic whose genius united the emotionalism of his times with Classical principles. Malcolm MacDonald demonstrates how the musical and personal character of this great composer are inextricably intwined: how the man speaks in his music.
Brahms has long been considered an arch-conservative, the last Classical master, but modern research reveals a troubled and self-critical Romantic whose genius united the emotionalism of his times with Classical principles. Malcolm MacDonald demonstrates how the musical and personal character of this great composer are inextricably intwined: how the man speaks in his music.
Inhaltsverzeichnis
  • Preface
  • List of Illustrations
  • Prelude, in Canon
  • 2.: The Romantic foreground
  • 3.: Storm and stress (1854-60)
  • 4.: Fully armed like Minerva: the music to 1860
  • 5.: Not quite a Viennese (1860-72)
  • 6.: The sense of the past
  • 7.: The music of the middle years, 1860-75
  • 8.: 'Frei aber froh'
  • 9.: The music of the middle years, 1876-82
  • 10.: The final phase
  • 11.: The later music, 1883-96
  • 12.: Music and [Menschenbild]
  • 13.: A Music of the Future
  • Appendices
  • Index
Details
Erscheinungsjahr: 2002
Genre: Importe, Musik
Rubrik: Kunst & Musik
Medium: Taschenbuch
Inhalt: Buch
ISBN-13: 9780198164845
ISBN-10: 019816484X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Macdonald, Malcolm
Komponist: Malcolm MacDonald
Hersteller: OUP UK
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 234 x 156 x 27 mm
Von/Mit: Malcolm Macdonald
Erscheinungsdatum: 07.03.2002
Gewicht: 0,772 kg
Artikel-ID: 120660227