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Brahms's Song Collections
Taschenbuch von Inge van Rij
Sprache: Englisch

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Beschreibung
A detailed analysis of the songs of Johannes Brahms.
A detailed analysis of the songs of Johannes Brahms.
Inhaltsverzeichnis
Introduction; Part I: Context; Organicism; Lyric cycles; Self-reflexivity, fragments, and Hoffmann's Kater Murr; Textual coherence in the song-cycle canon; Key sequence; Key characteristics and other alternative approaches to tonal sequence; Part II: Conception to publication; Before composing: texts and notebooks; From conception to arrangement: 'Heine cycles'; Ordering for publication; Titles and title pages; Flower imagery; Part III: Arrangement; Plot archetypes: sorrow to comfort; Narrative; Op. 32 as narrative; Op. 57 as narrative; Narrative elements in other bouquets; Self-reflexivity; Alternatives to narrative: juxtaposition and resonance; Tempo, closure, and cyclic patterning; 'Wie Melodien'; Part IV: Performance; Performance contexts; Criteria in assembling a recital programme; Gender and dramatic characterisation; Identification between singer and narrator; Tessitura, range, and performance by several singers; Transposition; Performance and coherence in the Ophelia-Lieder; Part V: Reception; Reviews; Responses of Brahms's acquaintances; Identification of composer with narrator; Dedicatory cycles and the composer's voice; The graphic cycles of Max Klinger; Part VI: Cyclic Intent.
Details
Erscheinungsjahr: 2009
Genre: Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Taschenbuch
Seiten: 284
ISBN-13: 9780521121828
ISBN-10: 0521121825
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Rij, Inge van
Hersteller: Cambridge University Press
Maße: 244 x 170 x 15 mm
Von/Mit: Inge van Rij
Erscheinungsdatum: 24.08.2009
Gewicht: 0,495 kg
preigu-id: 101503022
Inhaltsverzeichnis
Introduction; Part I: Context; Organicism; Lyric cycles; Self-reflexivity, fragments, and Hoffmann's Kater Murr; Textual coherence in the song-cycle canon; Key sequence; Key characteristics and other alternative approaches to tonal sequence; Part II: Conception to publication; Before composing: texts and notebooks; From conception to arrangement: 'Heine cycles'; Ordering for publication; Titles and title pages; Flower imagery; Part III: Arrangement; Plot archetypes: sorrow to comfort; Narrative; Op. 32 as narrative; Op. 57 as narrative; Narrative elements in other bouquets; Self-reflexivity; Alternatives to narrative: juxtaposition and resonance; Tempo, closure, and cyclic patterning; 'Wie Melodien'; Part IV: Performance; Performance contexts; Criteria in assembling a recital programme; Gender and dramatic characterisation; Identification between singer and narrator; Tessitura, range, and performance by several singers; Transposition; Performance and coherence in the Ophelia-Lieder; Part V: Reception; Reviews; Responses of Brahms's acquaintances; Identification of composer with narrator; Dedicatory cycles and the composer's voice; The graphic cycles of Max Klinger; Part VI: Cyclic Intent.
Details
Erscheinungsjahr: 2009
Genre: Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Taschenbuch
Seiten: 284
ISBN-13: 9780521121828
ISBN-10: 0521121825
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Rij, Inge van
Hersteller: Cambridge University Press
Maße: 244 x 170 x 15 mm
Von/Mit: Inge van Rij
Erscheinungsdatum: 24.08.2009
Gewicht: 0,495 kg
preigu-id: 101503022
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