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With its roots as early as the 1970s, industrial music emerged as a harsh, transgressive, and radically charged genre. The soundscape of the industrial is intense and powerful, adorned with taboo images, and thematically concerned with authority and control. Elemental to the genre is critical engagement with configurations of the body and related power. Adopting an interdisciplinary approach, this collection analyses the treatment of subjects like the Body (animal, human, machine), Noise (rhythmic, harsh) and Power (authority, institutions, law) in a variety of industrial music¿s elements. Throughout the collection, these three subjects are interrogated by examining lyrics, aesthetics, music videos, song writing, performance and audience reception.
The chapters havebeen carefully selected to produce a diverse and intersectional perspective, including work on Black industrial musicians and Arabic and North African women¿s collaborations. Rather than providing historical context, the contributors interpret the finer elements of the aesthetics and discourses around physical bodies and power as expressed in the genre, expanding the ¿industrial¿ boundary and broadening the focus beyond white European industrial music.
With its roots as early as the 1970s, industrial music emerged as a harsh, transgressive, and radically charged genre. The soundscape of the industrial is intense and powerful, adorned with taboo images, and thematically concerned with authority and control. Elemental to the genre is critical engagement with configurations of the body and related power. Adopting an interdisciplinary approach, this collection analyses the treatment of subjects like the Body (animal, human, machine), Noise (rhythmic, harsh) and Power (authority, institutions, law) in a variety of industrial music¿s elements. Throughout the collection, these three subjects are interrogated by examining lyrics, aesthetics, music videos, song writing, performance and audience reception.
The chapters havebeen carefully selected to produce a diverse and intersectional perspective, including work on Black industrial musicians and Arabic and North African women¿s collaborations. Rather than providing historical context, the contributors interpret the finer elements of the aesthetics and discourses around physical bodies and power as expressed in the genre, expanding the ¿industrial¿ boundary and broadening the focus beyond white European industrial music.
Jason Whittaker is Head of English and Journalism at the University of Lincoln. He mainly writes on the reception of William Blake, but also has published on digital technologies and culture as well as post-punk and industrial music. His most recent books include Tech Giants, Artificial Intelligence and the Future of Journalism (2019) and Divine Images: The Life and Work of William Blake (2021).
Elizabeth Potter is a PhD student at the University of York. Her thesis focuses on William Blake's marginalia to The Works of Sir Joshua Reynolds (1798). She analyses the manuscript notes on material and conceptual levels to provide insight into Blake's aesthetics and artistic philosophies. Beyond her thesis, she is also interested in transatlantic studies, visual culture, and affect theory.
Offers a multi-disciplinary perspective on the key aspects of industrial music
The book includes analysis and interviews with artists, bands and video makers involved in the scene
First book on industrial music and culture to address explicitly intersectional elements on race, gender and sexuality
| Erscheinungsjahr: | 2022 |
|---|---|
| Genre: | Geisteswissenschaften, Kunst, Musik |
| Rubrik: | Kunst & Musik |
| Medium: | Buch |
| Inhalt: |
xi
202 S. 2 s/w Illustr. 202 p. 2 illus. |
| ISBN-13: | 9783030924614 |
| ISBN-10: | 3030924610 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Redaktion: |
Potter, Elizabeth
Whittaker, Jason |
| Herausgeber: | Jason Whittaker/Elizabeth Potter |
| Auflage: | 1st edition 2022 |
| Hersteller: |
Springer Nature Switzerland
Springer International Publishing Springer International Publishing AG |
| Verantwortliche Person für die EU: | Springer Verlag GmbH, Tiergartenstr. 17, D-69121 Heidelberg, juergen.hartmann@springer.com |
| Maße: | 216 x 153 x 17 mm |
| Von/Mit: | Elizabeth Potter (u. a.) |
| Erscheinungsdatum: | 10.03.2022 |
| Gewicht: | 0,398 kg |
Jason Whittaker is Head of English and Journalism at the University of Lincoln. He mainly writes on the reception of William Blake, but also has published on digital technologies and culture as well as post-punk and industrial music. His most recent books include Tech Giants, Artificial Intelligence and the Future of Journalism (2019) and Divine Images: The Life and Work of William Blake (2021).
Elizabeth Potter is a PhD student at the University of York. Her thesis focuses on William Blake's marginalia to The Works of Sir Joshua Reynolds (1798). She analyses the manuscript notes on material and conceptual levels to provide insight into Blake's aesthetics and artistic philosophies. Beyond her thesis, she is also interested in transatlantic studies, visual culture, and affect theory.
Offers a multi-disciplinary perspective on the key aspects of industrial music
The book includes analysis and interviews with artists, bands and video makers involved in the scene
First book on industrial music and culture to address explicitly intersectional elements on race, gender and sexuality
| Erscheinungsjahr: | 2022 |
|---|---|
| Genre: | Geisteswissenschaften, Kunst, Musik |
| Rubrik: | Kunst & Musik |
| Medium: | Buch |
| Inhalt: |
xi
202 S. 2 s/w Illustr. 202 p. 2 illus. |
| ISBN-13: | 9783030924614 |
| ISBN-10: | 3030924610 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Redaktion: |
Potter, Elizabeth
Whittaker, Jason |
| Herausgeber: | Jason Whittaker/Elizabeth Potter |
| Auflage: | 1st edition 2022 |
| Hersteller: |
Springer Nature Switzerland
Springer International Publishing Springer International Publishing AG |
| Verantwortliche Person für die EU: | Springer Verlag GmbH, Tiergartenstr. 17, D-69121 Heidelberg, juergen.hartmann@springer.com |
| Maße: | 216 x 153 x 17 mm |
| Von/Mit: | Elizabeth Potter (u. a.) |
| Erscheinungsdatum: | 10.03.2022 |
| Gewicht: | 0,398 kg |
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