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Beschreibung
Germany's past in relation to Blackness is often dismissed as peripheral: its colonial enterprise lasted merely three decades, and, until the end of World War Two, the Black population in Germany was small. Yet debates about Blackness, especially in the 1920s, were part of wider discussions in which social and political problems were articulated through race--problems the Nazis later claimed to have answers for. Through a deep exploration of Germany's imperial experiences in Africa, Stefan Ihrig reveals that ideas about Blackness played a significant role in German history, even when there were few Black people in Germany or, as under Hitler, Africa largely fell outside the regime's predatory gaze. He examines the Weimar period, when Blackness served as a symbol--and to some extent the embodiment--of the Jazz Age. And he analyses how anxieties about racial mixing, the New Woman and the perceived corrupting influence of a Black and American modernity fueled the cultural backlash in the years up to Hitler's appointment as Chancellor. As Ihrig uncovers, anti-Blackness was a central theme in Nazi discourse. This illuminating investigation is both a prehistory of the Third Reich and a history of an important, often overlooked dimension of modern Germany.
Germany's past in relation to Blackness is often dismissed as peripheral: its colonial enterprise lasted merely three decades, and, until the end of World War Two, the Black population in Germany was small. Yet debates about Blackness, especially in the 1920s, were part of wider discussions in which social and political problems were articulated through race--problems the Nazis later claimed to have answers for. Through a deep exploration of Germany's imperial experiences in Africa, Stefan Ihrig reveals that ideas about Blackness played a significant role in German history, even when there were few Black people in Germany or, as under Hitler, Africa largely fell outside the regime's predatory gaze. He examines the Weimar period, when Blackness served as a symbol--and to some extent the embodiment--of the Jazz Age. And he analyses how anxieties about racial mixing, the New Woman and the perceived corrupting influence of a Black and American modernity fueled the cultural backlash in the years up to Hitler's appointment as Chancellor. As Ihrig uncovers, anti-Blackness was a central theme in Nazi discourse. This illuminating investigation is both a prehistory of the Third Reich and a history of an important, often overlooked dimension of modern Germany.
Über den Autor
Stefan Ihrig is a historian of German and Turkish history. His book Atatürk in the Nazi Imagination has been translated into five languages, and Justifying Genocide won the 2017 Dr. Sona Aronian Book Prize for Excellence in Armenian Studies. He divides his time between the Eastern Mediterranean and northern France.
Details
| Erscheinungsjahr: | 2026 |
|---|---|
| Genre: | Geschichte, Importe |
| Rubrik: | Geisteswissenschaften |
| Medium: | Taschenbuch |
| ISBN-13: | 9781805266839 |
| ISBN-10: | 1805266837 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Ihrig, Stefan |
| Hersteller: | C Hurst & Co Publishers |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 139 x 214 x 28 mm |
| Von/Mit: | Stefan Ihrig |
| Erscheinungsdatum: | 22.10.2026 |
| Gewicht: | 0,388 kg |