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Beschreibung
Black Screens, White Frames offers a new understanding of cinematic blankness. Drawing on Gilles Deleuze's philosophy and pursuing an affirmative approach to non-images through the concept of the filmmaking machine, Tanya Shilina-Conte shows how absence as a productive mode alters the ways in which we study film.
Black Screens, White Frames offers a new understanding of cinematic blankness. Drawing on Gilles Deleuze's philosophy and pursuing an affirmative approach to non-images through the concept of the filmmaking machine, Tanya Shilina-Conte shows how absence as a productive mode alters the ways in which we study film.
Über den Autor
Tanya Shilina-Conte is Assistant Professor of Global Film Studies in the Department of English, University at Buffalo. Her essays have appeared in Screen, Film-Philosophy, Frames Cinema Journal, Word & Image, Studia Phænomenologica, In Media Res, Iran Namag, Leitura: Teoria & Prática, Studia Linguistica, Border Visions: Identity and Diaspora in Film, and elsewhere.
Inhaltsverzeichnis
Acknowledgments
Fade-In: Introduction. The Filmmaking Machine, or Thirteen Ways of Looking at the Black or White Screen
Chapter 1. Divergent Darkness: The Black Screen in Early Cinema
Chapter 2. Convergent Codes: Fade-ins and Fade-outs as Rational Transitions in Classical Cinema
Chapter 3. The Black or White Screen as a Tool of Deterritorialization in Modern and Experimental Cinema
Chapter 4. One Chapter Less: The Black or White Screen in Minor Cinema
Chapter 5. Folds to Black or White in Minor Cinema and Art Practice
Chapter 6. Alternate Endings: The Black or White Screen in Post-Cinema
Fade-Out: Conclusion. This Video Does Not Exist: The Remix of Black or White Screens and Multimodal Scholarship
Notes
Index
Fade-In: Introduction. The Filmmaking Machine, or Thirteen Ways of Looking at the Black or White Screen
Chapter 1. Divergent Darkness: The Black Screen in Early Cinema
Chapter 2. Convergent Codes: Fade-ins and Fade-outs as Rational Transitions in Classical Cinema
Chapter 3. The Black or White Screen as a Tool of Deterritorialization in Modern and Experimental Cinema
Chapter 4. One Chapter Less: The Black or White Screen in Minor Cinema
Chapter 5. Folds to Black or White in Minor Cinema and Art Practice
Chapter 6. Alternate Endings: The Black or White Screen in Post-Cinema
Fade-Out: Conclusion. This Video Does Not Exist: The Remix of Black or White Screens and Multimodal Scholarship
Notes
Index
Details
Erscheinungsjahr: | 2025 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
ISBN-13: | 9780197511336 |
ISBN-10: | 0197511333 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Shilina-Conte, Tanya |
Hersteller: |
Oxford University Press
OUP USA |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Abbildungen: | 60 b/w photographs |
Maße: | 232 x 153 x 22 mm |
Von/Mit: | Tanya Shilina-Conte |
Erscheinungsdatum: | 03.02.2025 |
Gewicht: | 0,468 kg |
Über den Autor
Tanya Shilina-Conte is Assistant Professor of Global Film Studies in the Department of English, University at Buffalo. Her essays have appeared in Screen, Film-Philosophy, Frames Cinema Journal, Word & Image, Studia Phænomenologica, In Media Res, Iran Namag, Leitura: Teoria & Prática, Studia Linguistica, Border Visions: Identity and Diaspora in Film, and elsewhere.
Inhaltsverzeichnis
Acknowledgments
Fade-In: Introduction. The Filmmaking Machine, or Thirteen Ways of Looking at the Black or White Screen
Chapter 1. Divergent Darkness: The Black Screen in Early Cinema
Chapter 2. Convergent Codes: Fade-ins and Fade-outs as Rational Transitions in Classical Cinema
Chapter 3. The Black or White Screen as a Tool of Deterritorialization in Modern and Experimental Cinema
Chapter 4. One Chapter Less: The Black or White Screen in Minor Cinema
Chapter 5. Folds to Black or White in Minor Cinema and Art Practice
Chapter 6. Alternate Endings: The Black or White Screen in Post-Cinema
Fade-Out: Conclusion. This Video Does Not Exist: The Remix of Black or White Screens and Multimodal Scholarship
Notes
Index
Fade-In: Introduction. The Filmmaking Machine, or Thirteen Ways of Looking at the Black or White Screen
Chapter 1. Divergent Darkness: The Black Screen in Early Cinema
Chapter 2. Convergent Codes: Fade-ins and Fade-outs as Rational Transitions in Classical Cinema
Chapter 3. The Black or White Screen as a Tool of Deterritorialization in Modern and Experimental Cinema
Chapter 4. One Chapter Less: The Black or White Screen in Minor Cinema
Chapter 5. Folds to Black or White in Minor Cinema and Art Practice
Chapter 6. Alternate Endings: The Black or White Screen in Post-Cinema
Fade-Out: Conclusion. This Video Does Not Exist: The Remix of Black or White Screens and Multimodal Scholarship
Notes
Index
Details
Erscheinungsjahr: | 2025 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
ISBN-13: | 9780197511336 |
ISBN-10: | 0197511333 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Shilina-Conte, Tanya |
Hersteller: |
Oxford University Press
OUP USA |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Abbildungen: | 60 b/w photographs |
Maße: | 232 x 153 x 22 mm |
Von/Mit: | Tanya Shilina-Conte |
Erscheinungsdatum: | 03.02.2025 |
Gewicht: | 0,468 kg |
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