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Black Screens, White Frames
Gilles Deleuze and the Filmmaking Machine
Taschenbuch von Tanya Shilina-Conte
Sprache: Englisch

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Beschreibung
Black Screens, White Frames offers a new understanding of cinematic blankness. Drawing on Gilles Deleuze's philosophy and pursuing an affirmative approach to non-images through the concept of the filmmaking machine, Tanya Shilina-Conte shows how absence as a productive mode alters the ways in which we study film.
Black Screens, White Frames offers a new understanding of cinematic blankness. Drawing on Gilles Deleuze's philosophy and pursuing an affirmative approach to non-images through the concept of the filmmaking machine, Tanya Shilina-Conte shows how absence as a productive mode alters the ways in which we study film.
Über den Autor
Tanya Shilina-Conte is Assistant Professor of Global Film Studies in the Department of English, University at Buffalo. Her essays have appeared in Screen, Film-Philosophy, Frames Cinema Journal, Word & Image, Studia Phænomenologica, In Media Res, Iran Namag, Leitura: Teoria & Prática, Studia Linguistica, Border Visions: Identity and Diaspora in Film, and elsewhere.
Inhaltsverzeichnis
Acknowledgments

Fade-In: Introduction. The Filmmaking Machine, or Thirteen Ways of Looking at the Black or White Screen
Chapter 1. Divergent Darkness: The Black Screen in Early Cinema
Chapter 2. Convergent Codes: Fade-ins and Fade-outs as Rational Transitions in Classical Cinema
Chapter 3. The Black or White Screen as a Tool of Deterritorialization in Modern and Experimental Cinema
Chapter 4. One Chapter Less: The Black or White Screen in Minor Cinema
Chapter 5. Folds to Black or White in Minor Cinema and Art Practice
Chapter 6. Alternate Endings: The Black or White Screen in Post-Cinema
Fade-Out: Conclusion. This Video Does Not Exist: The Remix of Black or White Screens and Multimodal Scholarship
Notes
Index
Details
Erscheinungsjahr: 2025
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
ISBN-13: 9780197511336
ISBN-10: 0197511333
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Shilina-Conte, Tanya
Hersteller: Oxford University Press
OUP USA
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Abbildungen: 60 b/w photographs
Maße: 232 x 153 x 22 mm
Von/Mit: Tanya Shilina-Conte
Erscheinungsdatum: 03.02.2025
Gewicht: 0,468 kg
Artikel-ID: 129521630
Über den Autor
Tanya Shilina-Conte is Assistant Professor of Global Film Studies in the Department of English, University at Buffalo. Her essays have appeared in Screen, Film-Philosophy, Frames Cinema Journal, Word & Image, Studia Phænomenologica, In Media Res, Iran Namag, Leitura: Teoria & Prática, Studia Linguistica, Border Visions: Identity and Diaspora in Film, and elsewhere.
Inhaltsverzeichnis
Acknowledgments

Fade-In: Introduction. The Filmmaking Machine, or Thirteen Ways of Looking at the Black or White Screen
Chapter 1. Divergent Darkness: The Black Screen in Early Cinema
Chapter 2. Convergent Codes: Fade-ins and Fade-outs as Rational Transitions in Classical Cinema
Chapter 3. The Black or White Screen as a Tool of Deterritorialization in Modern and Experimental Cinema
Chapter 4. One Chapter Less: The Black or White Screen in Minor Cinema
Chapter 5. Folds to Black or White in Minor Cinema and Art Practice
Chapter 6. Alternate Endings: The Black or White Screen in Post-Cinema
Fade-Out: Conclusion. This Video Does Not Exist: The Remix of Black or White Screens and Multimodal Scholarship
Notes
Index
Details
Erscheinungsjahr: 2025
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
ISBN-13: 9780197511336
ISBN-10: 0197511333
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Shilina-Conte, Tanya
Hersteller: Oxford University Press
OUP USA
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Abbildungen: 60 b/w photographs
Maße: 232 x 153 x 22 mm
Von/Mit: Tanya Shilina-Conte
Erscheinungsdatum: 03.02.2025
Gewicht: 0,468 kg
Artikel-ID: 129521630
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