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Black Girl (La Noire de...)
Taschenbuch von Vlad Dima
Sprache: Englisch

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Beschreibung
Ousmane Sembène was one of the greatest, most groundbreaking filmmakers in the history of cinema, an acclaimed novelist, and the most renowned African director of the twentieth century. Black Girl was his brilliant, blistering debut. Released in 1966, it won the Prix Jean Vigo at the Cannes Film Festival that year. The film is about a young Senegalese woman, played powerfully by M'Bissine Thérèse Diop, who moves to France to work for a wealthy white family as a nanny, but quickly discovers that life in their apartment is a prison, both figuratively and literally; but it is also a searing, nuanced critique of the lingering colonialism in the supposedly postcolonial world. Vlad Dima's study of Black Girl argues that the film helped to map the future of African cinema. He situates it within its postcolonial context, considering its adaptation from the eponymous short story first published in 1962. He examines the performances of Mbissine Thérèse Diop (Diouana), Anne-Marie Jelinek (Madame) and Robert Fontaine (Monsieur), considering the ways in which they embody or subvert postcolonial, French archetypes, and then goes on to examine the technical aspects of Sembene's filmmaking, such as his innovative use of framing and aural composition. Finally, he traces the film's lasting influence on African cinema, from Sembène's own Xala (1975), to Safi Faye's Mossane (1996), Joseph Gaï Ramaka's Karmen Geï (2001), Jean-Pierre Bekolo's Saignantes (2005), and Mati Diop's Atlantics (2019).
Ousmane Sembène was one of the greatest, most groundbreaking filmmakers in the history of cinema, an acclaimed novelist, and the most renowned African director of the twentieth century. Black Girl was his brilliant, blistering debut. Released in 1966, it won the Prix Jean Vigo at the Cannes Film Festival that year. The film is about a young Senegalese woman, played powerfully by M'Bissine Thérèse Diop, who moves to France to work for a wealthy white family as a nanny, but quickly discovers that life in their apartment is a prison, both figuratively and literally; but it is also a searing, nuanced critique of the lingering colonialism in the supposedly postcolonial world. Vlad Dima's study of Black Girl argues that the film helped to map the future of African cinema. He situates it within its postcolonial context, considering its adaptation from the eponymous short story first published in 1962. He examines the performances of Mbissine Thérèse Diop (Diouana), Anne-Marie Jelinek (Madame) and Robert Fontaine (Monsieur), considering the ways in which they embody or subvert postcolonial, French archetypes, and then goes on to examine the technical aspects of Sembene's filmmaking, such as his innovative use of framing and aural composition. Finally, he traces the film's lasting influence on African cinema, from Sembène's own Xala (1975), to Safi Faye's Mossane (1996), Joseph Gaï Ramaka's Karmen Geï (2001), Jean-Pierre Bekolo's Saignantes (2005), and Mati Diop's Atlantics (2019).
Über den Autor
Vlad Dima is Professor and Chair of the Department of African American Studies at Syracuse University, USA. His books include Sonic Space in Djibril Diop Mambety's Films (2017), The Beautiful Skin: Football, Fantasy, and Cinematic Bodies in Africa (2020), and Meaninglessness: Time, Rhythm, and the Undead in in Postcolonial Cinema (2022). He has published numerous articles, mainly on French and francophone cinemas, but also on Francophone literature, comics, American cinema, and television.
Inhaltsverzeichnis

1. Sonic Frames: Where it Begins
2. Characters
3. Objects
4. Visual Frames: Where it Ends
Credits
Endnotes

Details
Erscheinungsjahr: 2025
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Reihe: BFI Film Classics
ISBN-13: 9781839027352
ISBN-10: 1839027355
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Dima, Vlad
Hersteller: Bloomsbury Academic
British Film Institute
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Abbildungen: 60 bw illus
Maße: 187 x 133 x 8 mm
Von/Mit: Vlad Dima
Erscheinungsdatum: 12.06.2025
Gewicht: 0,16 kg
Artikel-ID: 133371433
Über den Autor
Vlad Dima is Professor and Chair of the Department of African American Studies at Syracuse University, USA. His books include Sonic Space in Djibril Diop Mambety's Films (2017), The Beautiful Skin: Football, Fantasy, and Cinematic Bodies in Africa (2020), and Meaninglessness: Time, Rhythm, and the Undead in in Postcolonial Cinema (2022). He has published numerous articles, mainly on French and francophone cinemas, but also on Francophone literature, comics, American cinema, and television.
Inhaltsverzeichnis

1. Sonic Frames: Where it Begins
2. Characters
3. Objects
4. Visual Frames: Where it Ends
Credits
Endnotes

Details
Erscheinungsjahr: 2025
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Reihe: BFI Film Classics
ISBN-13: 9781839027352
ISBN-10: 1839027355
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Dima, Vlad
Hersteller: Bloomsbury Academic
British Film Institute
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Abbildungen: 60 bw illus
Maße: 187 x 133 x 8 mm
Von/Mit: Vlad Dima
Erscheinungsdatum: 12.06.2025
Gewicht: 0,16 kg
Artikel-ID: 133371433
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