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In his oracular 1995 book Being Digital, Nicholas Negroponte predicted that social relations, media, and commerce would move from the realm of "atoms to bits”—that human affairs would be increasingly untethered from the material world. And yet in 2019, an age dominated by the digital, we have not quite left the material world behind. In Being Material, artists and technologists explore the relationship of the digital to the material, demonstrating that processes that seem wholly immaterial function within material constraints. Digital technologies themselves, they remind us, are material things—constituted by atoms of gold, silver, silicon, copper, tin, tungsten, and more.
The contributors explore five modes of being material: programmable, wearable, livable, invisible, and audible. Their contributions take the form of reports, manifestos, philosophical essays, and artist portfolios, among other configurations. The book's cover merges the possibilities of paper with those of the digital, featuring a bookmark-like card that, when "seen” by a smartphone, generates graphic arrangements that unlock films, music, and other dynamic content on the book's website. At once artist's book, digitally activated object, and collection of scholarship, this book both demonstrates and chronicles the many ways of being material.
Contributors
Christina Agapakis, Azra Aksamija, Sandy Alexandre, Dewa Alit, George Barbastathis, Maya Beiser, Marie-Pier Boucher, Benjamin H. Bratton, Hussein Chalayan, Jim Cybulski, Tal Danino, Deborah G. Douglas, Arnold Dreyblatt, M. Amah Edoh, Michelle Tolini Finamore, Team Foldscope and Global Foldscope community, Ben Fry, Victor Gama, Stefan Helmreich, Hyphen-Labs, Leila Kinney, Rebecca Konte, Winona LaDuke, Brendan Landis, Grace Leslie, Bill Maurer, Lucy McRae, Tom Özden-Schilling, Trevor Paglen, Lisa Parks, Nadya Peek, Claire Pentecost, Manu Prakash,Casey Reas, Pawel Romanczuk, Natasha D. Schüll, Nick Shapiro, Skylar Tibbits, Rebecca Uchill, Evan Ziporyn
Book Design: E Roon Kang
Electronics, interactions, and product designer: Marcelo Coelho
In his oracular 1995 book Being Digital, Nicholas Negroponte predicted that social relations, media, and commerce would move from the realm of "atoms to bits”—that human affairs would be increasingly untethered from the material world. And yet in 2019, an age dominated by the digital, we have not quite left the material world behind. In Being Material, artists and technologists explore the relationship of the digital to the material, demonstrating that processes that seem wholly immaterial function within material constraints. Digital technologies themselves, they remind us, are material things—constituted by atoms of gold, silver, silicon, copper, tin, tungsten, and more.
The contributors explore five modes of being material: programmable, wearable, livable, invisible, and audible. Their contributions take the form of reports, manifestos, philosophical essays, and artist portfolios, among other configurations. The book's cover merges the possibilities of paper with those of the digital, featuring a bookmark-like card that, when "seen” by a smartphone, generates graphic arrangements that unlock films, music, and other dynamic content on the book's website. At once artist's book, digitally activated object, and collection of scholarship, this book both demonstrates and chronicles the many ways of being material.
Contributors
Christina Agapakis, Azra Aksamija, Sandy Alexandre, Dewa Alit, George Barbastathis, Maya Beiser, Marie-Pier Boucher, Benjamin H. Bratton, Hussein Chalayan, Jim Cybulski, Tal Danino, Deborah G. Douglas, Arnold Dreyblatt, M. Amah Edoh, Michelle Tolini Finamore, Team Foldscope and Global Foldscope community, Ben Fry, Victor Gama, Stefan Helmreich, Hyphen-Labs, Leila Kinney, Rebecca Konte, Winona LaDuke, Brendan Landis, Grace Leslie, Bill Maurer, Lucy McRae, Tom Özden-Schilling, Trevor Paglen, Lisa Parks, Nadya Peek, Claire Pentecost, Manu Prakash,Casey Reas, Pawel Romanczuk, Natasha D. Schüll, Nick Shapiro, Skylar Tibbits, Rebecca Uchill, Evan Ziporyn
Book Design: E Roon Kang
Electronics, interactions, and product designer: Marcelo Coelho
Empfohlen (von): | 22 |
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Erscheinungsjahr: | 2019 |
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Antiquitäten |
Medium: | Buch |
Reihe: | Mit Press |
Inhalt: | Einband - fest (Hardcover) |
ISBN-13: | 9780262043281 |
ISBN-10: | 0262043289 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: |
Boucher, Marie-pier
Helmreich, Stefan Kinney, Leila W Tibbits, Skylar Uchill, Rebecca |
Redaktion: |
Boucher, Marie-Pier
Helmreich, Stefan Kinney, Leila W. |
Hersteller: |
Penguin Random House LLC
Mit Press |
Maße: | 315 x 240 x 22 mm |
Von/Mit: | Marie-Pier Boucher (u. a.) |
Erscheinungsdatum: | 22.10.2019 |
Gewicht: | 1,304 kg |
Empfohlen (von): | 22 |
---|---|
Erscheinungsjahr: | 2019 |
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Antiquitäten |
Medium: | Buch |
Reihe: | Mit Press |
Inhalt: | Einband - fest (Hardcover) |
ISBN-13: | 9780262043281 |
ISBN-10: | 0262043289 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: |
Boucher, Marie-pier
Helmreich, Stefan Kinney, Leila W Tibbits, Skylar Uchill, Rebecca |
Redaktion: |
Boucher, Marie-Pier
Helmreich, Stefan Kinney, Leila W. |
Hersteller: |
Penguin Random House LLC
Mit Press |
Maße: | 315 x 240 x 22 mm |
Von/Mit: | Marie-Pier Boucher (u. a.) |
Erscheinungsdatum: | 22.10.2019 |
Gewicht: | 1,304 kg |