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Adrian Ghenie is one of the most acclaimed artists
of his generation. He is interested in the dangers and
catastrophes caused by the ideologies of the 20th century,
which the artist describes as the century of "humiliation."
The gloomy setting of his paintings and the
deformed figures reveal the physical and psychological
injuries caused by dictatorship and war. In the group of
current charcoal drawings, Ghenie transfers his theme
to the present and deals with the effects of digital media
on people. The now extensive oeuvre of drawings and
collages plays a central role in the pictorial alienation
through motif montage and abstraction, which is presented
for the first time in the Dresden Kupferstich-Kabinett
in its development from the beginnings to the
present day.
Adrian Ghenie (*1977 in Baia Mare, Romania), is one of the most celebrated painters of his generation. His work is considered "posthumously born" in the Nietzschean sense, blending past influences with contemporary themes. Ghenie is known for merging personal, political, and art historical themes, combining abstract and figurative elements, and exploring the possibilities of his medium. He draws on personal memories, art historical references, film stills, and internet visuals.
Adrian Ghenie is one of the most acclaimed artists
of his generation. He is interested in the dangers and
catastrophes caused by the ideologies of the 20th century,
which the artist describes as the century of "humiliation."
The gloomy setting of his paintings and the
deformed figures reveal the physical and psychological
injuries caused by dictatorship and war. In the group of
current charcoal drawings, Ghenie transfers his theme
to the present and deals with the effects of digital media
on people. The now extensive oeuvre of drawings and
collages plays a central role in the pictorial alienation
through motif montage and abstraction, which is presented
for the first time in the Dresden Kupferstich-Kabinett
in its development from the beginnings to the
present day.
Adrian Ghenie (*1977 in Baia Mare, Romania), is one of the most celebrated painters of his generation. His work is considered "posthumously born" in the Nietzschean sense, blending past influences with contemporary themes. Ghenie is known for merging personal, political, and art historical themes, combining abstract and figurative elements, and exploring the possibilities of his medium. He draws on personal memories, art historical references, film stills, and internet visuals.
Schmutztitel
Titelseite
Inhalt
Preface - Björn Egging Curator
Before the Battle: On the collages and drawings of Adrian Ghenie - Björn Egging
War Is Not Over: Adrian Ghenie after Otto Dix - Jan-Markus Göttsch
The Great Nothing: Notes on some of Adrian Ghenie's more recent pictures - Holger Liebs
Vorwort - Björn Egging Kurator
Vor der Schlacht: Zu den Collagen und Zeichnungen von Adrian Ghenie - Björn Egging
War Is Not Over: Adrian Ghenie nach Otto Dix - Jan-Markus Göttsch
Das große Nichts: Über einige von Adrian Ghenies neueren Bildern - Holger Liebs
Chronology
Selected Solo Exhibitions
Selected Group Exhibitions
Selected Publications
Solo Exhibition Catalogues
Photo credits
Impressum
Back Cover
| Erscheinungsjahr: | 2025 |
|---|---|
| Genre: | Geisteswissenschaften, Kunst, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Bildende Kunst |
| Medium: | Taschenbuch |
| Titel: | Battleground Studio: Adrian Ghenie - The Works on Paper. Zeichnungen, Collagen und digitale Ästhetik im Wandel der Zeit. Ausstellungskatalog |
| Inhalt: |
144 S.
70 Fotos |
| ISBN-13: | 9783775759175 |
| ISBN-10: | 3775759174 |
| Sprache: |
Englisch
Deutsch |
| Einband: | Klappenbroschur |
| Autor: | Egging, Björn/Liebs, Holger/Göttsch, Jan-Markus |
| Redaktion: |
Staatliche Kunstsammlungen Dresden
Egging, Björn |
| Herausgeber: | Staatliche Kunstsammlungen Dresden/Björn Egging |
| Hersteller: | Hatje Cantz Verlag GmbH |
| Verantwortliche Person für die EU: | HATJE CANTZ VERLAG GmbH, Mommsenstr. 27, D-10629 Berlin, contact@hatjecantz.de |
| Abbildungen: | 70 Fotos |
| Maße: | 286 x 245 x 20 mm |
| Von/Mit: | Staatliche Kunstsammlungen Dresden (u. a.) |
| Erscheinungsdatum: | 07.03.2025 |
| Gewicht: | 0,823 kg |
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