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Beschreibung
"Severo Sarduy was among the most important figures in twentieth-century Latin American fiction and a major representative of the literary tendency to which he gave the name Neobaroque. While most of Sarduy's literary work is available in English, his theoretical writings have largely remained untranslated. This volume--presenting Sarduy's central theoretical contribution, Barroco (1974), alongside other related works--remedies that oversight. Barroco marks a watershed in postwar thought on the Baroque, both in French post-structuralism and in the Latin American context. Sarduy traces a double history, reading events in the history of science alongside developments in the history of art, architecture, and literature. What emerges is a theory of the Baroque as decentering and displacement, as supplement and excess, a theory capacious enough to account for the old European Baroque as well as its queer, Latin American and global futures. In addition to Barroco, this volume includes texts spanning Sarduy's career, from 1960s essays published originally in Tel Quel to late works from the 1980s and '90s. It thus offers a complete picture of Sarduy's thinking on the Baroque"--
"Severo Sarduy was among the most important figures in twentieth-century Latin American fiction and a major representative of the literary tendency to which he gave the name Neobaroque. While most of Sarduy's literary work is available in English, his theoretical writings have largely remained untranslated. This volume--presenting Sarduy's central theoretical contribution, Barroco (1974), alongside other related works--remedies that oversight. Barroco marks a watershed in postwar thought on the Baroque, both in French post-structuralism and in the Latin American context. Sarduy traces a double history, reading events in the history of science alongside developments in the history of art, architecture, and literature. What emerges is a theory of the Baroque as decentering and displacement, as supplement and excess, a theory capacious enough to account for the old European Baroque as well as its queer, Latin American and global futures. In addition to Barroco, this volume includes texts spanning Sarduy's career, from 1960s essays published originally in Tel Quel to late works from the 1980s and '90s. It thus offers a complete picture of Sarduy's thinking on the Baroque"--
Über den Autor
Severo Sarduy (1937-1993) was a Cuban novelist, poet, playwright, painter, critic, and winner of the Prix Médicis Étranger.Alex Verdolini is a PhD candidate in Comparative Literature at Yale University and teaches at the Cooper Union. Iván Hofman is a PhD candidate in Comparative Literature at New York University.
Inhaltsverzeichnis
Note on Texts and Translation

Introduction

ONE

0. Echo Chamber I. The Word "Barroco

I. The Word "Barroco

II. Cosmology before the Baroque

III. Baroque Cosmology: Kepler

IV. Cosmology after the Baroque

V. Supplement

TWO

I. Zero

II. Circle

III. Cycle

Other Writings

Metaphor Squared: On Góngora

Cubes

The Fury of the Paintbrush

Furious Baroque

The Heir

Fractal Baroque

Notes
Details
Erscheinungsjahr: 2024
Genre: Importe, Philosophie
Jahrhundert: 20. & 21. Jahrhundert
Rubrik: Geisteswissenschaften
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9781503641136
ISBN-10: 1503641139
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Sarduy, Severo
Übersetzung: Verdolini, Alex
Hersteller: Stanford University Press
Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, ?-4831 GR Breda, gpsr@mare-nostrum.co.uk
Maße: 213 x 140 x 15 mm
Von/Mit: Severo Sarduy
Erscheinungsdatum: 12.11.2024
Gewicht: 0,255 kg
Artikel-ID: 128634503