Dekorationsartikel gehören nicht zum Leistungsumfang.
Sprache:
Englisch
61,20 €*
Versandkostenfrei per Post / DHL
Lieferzeit 1-2 Wochen
Kategorien:
Beschreibung
A groundbreaking pedagogical work, The Baroque Violin & Viola, Volume II: A Fifty-Lesson Course blends Walter Reiter's experience as a renowned teacher and performer to guide the reader through the techniques and interpretive complexities of the Baroque violin repertory.
A groundbreaking pedagogical work, The Baroque Violin & Viola, Volume II: A Fifty-Lesson Course blends Walter Reiter's experience as a renowned teacher and performer to guide the reader through the techniques and interpretive complexities of the Baroque violin repertory.
Über den Autor
Walter Reiter is internationally recognized as a leading Baroque violinist, leader and conductor. He has made countless recordings with both British and European Baroque orchestras as well as several highly acclaimed solo CDs. A devoted and experienced teacher of both modern and Baroque violin, he is currently Professor of Baroque Violin and Viola in the Royal Conservatory of The Hague in the Netherlands.
Inhaltsverzeichnis
- Foreword
- Introductory quotes
- Questions and Answers
- Part Three
- Approaching the Early Seventeenth Century Italian Sonata
- Lesson Twenty-Four. Stepping Back in Time: Division Manuals 1535-1624. Ornamentation, Module Two
- Divisions - Learning to Dare: Developing Basic Improvisational Skills - Sylvestro Ganassi's 'Fontegara' (Venice, 1535) - Studying Divisions from Ganassi's 'Fontegara' - Learning to Read Sixteenth and Seventeenth-century Music from Facsimiles - Note Values - Giovanni Bassano: 'Ricercate, passaggi et cadentie,' (Venice 1585) - Cadences - Aurelio Virgiliano: 'Regole Della Diminutione' (c 1600) - G. B. Spadi: 'Libro de passaggi ascendenti e descendenti' (Venice, 1624).
- A Florentine Interlude. Towards 'The New Music:' from Plato to Caccini
- Lesson Twenty-Five. The Noble Manner of Singing: Caccini's 'Le Nuove Musiche' (1602)
- Passaggi - Three ways to Sing a Note - The Intonatio - Con Grazia - The Esclamazione - Transferring Caccini's 'Cor mio, deh! non languire' to the Violin - The Trillo and the Gruppo - Transferring the Vocal Trillo to the Violin - The Gruppo - Transferring the Vocal Gruppo to the Violin - Rhythmic Alteration - Transferring the Vocal Cascata to the Violin - Sprezzatura - Transferring Caccini's 'Deh, dove son fuggiti' to the Violin.
- Lesson Twenty-Six. A Lesson from Francesco Rognoni Taeggio: Applying Vocal Technique to the Violin
- El Portar della Voce - The Accento - The Tremolo - The Groppo - Del principiar sotto la nota - The Esclamatione - La Selva, Part Two - Francesco Rognoni's 'Way of slurring' -
- Lesson Twenty-Seven. Giovanni Battista Fontana (1589 (?) - 1630) Sonata Terza
- The Tactus - Reading this Sonata in the Original Notation Clefs - Rests - Coloration - Tempo Relationships and Proportional Notation.
- Lesson Twenty-Eight. Dario Castello: Sonata Prima, for Soprano Solo
- Lesson Twenty-Nine. Giovanni Antonio Pandolfi Mealli: Sonata Quarta Opus 4, La Biancuccia
- 'Stylus Phantasticus' - Musica Ficta.
- Lesson Thirty: Ornamentation, Module Three, including Tables of Ornaments Derived from the Sonatas of Corelli and Babell
- A Roman Interlude: Transforming Visual Gestures into Sound
- Part Four
- Church Militant: The Sonatas of Schmelzer and Biber
- Lesson Thirty-One. Johann Heinrich Schmelzer: Sonata Quarta from 'Sonatae unarum fidium' (1664)
- Lesson Thirty-Two. Heinrich Ignaz Franz von Biber: the Mystery Sonatas. Sonata No 1: the Annunciation
- The Mystery Sonatas: an Introduction - Reference to the Texts.
- Lesson Thirty-Three. Heinrich Ignaz Franz von Biber: the Mystery Sonatas. Sonata No 10: The Crucifixion
- Scordatura - Symbolism and the Jesuits - The Rhetorical Fragments Described.
- Part Five
- Supreme Refinement of the Human Spirit
- François Couperin and the Music of France
- Interlude in Versailles: Approaching the Music of the French Baroque
- The Sun King and the Culture of Versailles - The Social Status of the Violin in France.
- Lesson Thirty-Four. The 'Concerts Royaux' of François Couperin. Ornamentation, Module Four
- The 'Concerts Royaux,' an Introduction - Couperin's Agrémens, as found in the Septiéme Concert Royal - The Tremblement - The Pincé - The Port de voix - The Tierce de coulé - The comma (petit silence) - Notes inégales - Slurs - Pitch - Addendum: The Doublé - The Aspiration - The Suspension.
- Lesson Thirty-Five. To Soothe the Sorrows of a King. François Couperin: Septiéme Concert Royal (I)
- Movement One (no title) - Allemande, Gayement - Postscript: Dynamic and Rhythmical inégalité, a Personal View.
- Lesson Thirty-Six. François Couperin: Septiéme Concert Royal (II)
- Sarabande Grave - Georg Muffat on Lully's Bowings.
- Lesson Thirty-Seven. François Couperin: Septiéme Concert Royal (III)
- Fuguéte - Gavote - Siciliéne.
- Part Six
- Approaching the Galant
- Lesson Thirty-Eight. Beyond 'Beautiful': Searching for Meaning in Music. Handel: Sonata in A Major
- Beautiful Sights and Beautiful Sounds - Handel and Mattheson - Der Vollkommene Capellmeister - Identifying Affects in the Handel Sonata Movement - Punctuation.
- Lesson Thirty-Nine. Into the Galant: Tartini, Telemann, Quantz and Zuccari. Ornamentation Module Five
- Tartini: Grace notes - Trills - Vibrato (Tremolo) - The Turn - The Mordent - Cadences. Telemann's Methodical Sonatas. Telemann's Ornaments: Rising and falling appoggiaturas - Trills - Passing notes - Harmonising ornaments - Turns - Rhythmic variation - Ornamented Cadences - Tiratas. Quantz - A Lesson from the Master: Quantz's Notated Adagio - Zuccari.
- Part Seven
- J.S. Bach
- Lesson Forty. A Brief History of Baroque Romanticism: Bach's 'Sei Solo'
- Lesson Forty-One. Johann Sebastian Bach, Sonata I, BWV 1001. Adagio
- Bach's Written-out Ornamentation - The Necessity of Illusion - A Controversial Note - Afterthought.
- Lesson Forty-Two. Johann Sebastian Bach, Sonata I, BWV 1001. Fuga
- A Note on Resonance
- Lesson Forty-Three. Johann Sebastian Bach, Sonata I, BWV 1001. Siciliana
- Hooked Bowings
- Lesson Forty-Four. Johann Sebastian Bach, Sonata I, BWV 1001. Presto
- Bach and Rhetoric - On Slow practice.
- Lesson Forty-Five. Intonation in Bach's 'Sei Solo.'
- The Training of the Ear - Intonation Analysis - Learning to hear quickly - The Training of the Left Hand - Playing Chords: the Left Hand
- Lesson Forty-Six. Johann Sebastian Bach, Partita III in E Major, BWV 1006. Preludio
- Interlude: Bach and the Influence of French Culture in the German Lands
- Bach and Dance
- Lesson Forty-Seven. Johann Sebastian Bach: Partita III in E Major, BWV 1006
- Loure
- Tempo and Bowings in Bach's Loure - Punctuation and Articulation in Dance Movements - Punctuation and Articulation in Bach's Loure - Ornamentation in Bach's Dances.
- Lesson Forty-Eight. Johann Sebastian Bach. Partita III in E Major, BWV 1006. Gavotte en Rondeaux
- Lesson Forty-Nine. Johann Sebastian Bach. Partita III in E Major, BWV 1006. Minuets I and II
- Lesson Fifty. Johann Sebastian. Bach. Partita III in E Major, BWV 1006. Bourée and Giga
- Notes to Lessons
- Bibliography
- Index
- Acknowledgements
Details
| Erscheinungsjahr: | 2020 |
|---|---|
| Genre: | Importe |
| Produktart: | Sachliteratur |
| Rubrik: | Kinder & Jugend |
| Thema: | Kunst & Musik |
| Medium: | Taschenbuch |
| Inhalt: | Buch |
| ISBN-13: | 9780197525128 |
| ISBN-10: | 0197525121 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Reiter, Walter S |
| Komponist: | Reiter, Walter S. |
| Hersteller: | Oxford University Press |
| Verantwortliche Person für die EU: | Hal Leonard Europe, Rotlaubstr. 6, D-79427 Eschbach, verkauf@halleonardeurope.de |
| Maße: | 277 x 212 x 25 mm |
| Von/Mit: | Walter S Reiter |
| Erscheinungsdatum: | 17.10.2020 |
| Gewicht: | 0,965 kg |
Über den Autor
Walter Reiter is internationally recognized as a leading Baroque violinist, leader and conductor. He has made countless recordings with both British and European Baroque orchestras as well as several highly acclaimed solo CDs. A devoted and experienced teacher of both modern and Baroque violin, he is currently Professor of Baroque Violin and Viola in the Royal Conservatory of The Hague in the Netherlands.
Inhaltsverzeichnis
- Foreword
- Introductory quotes
- Questions and Answers
- Part Three
- Approaching the Early Seventeenth Century Italian Sonata
- Lesson Twenty-Four. Stepping Back in Time: Division Manuals 1535-1624. Ornamentation, Module Two
- Divisions - Learning to Dare: Developing Basic Improvisational Skills - Sylvestro Ganassi's 'Fontegara' (Venice, 1535) - Studying Divisions from Ganassi's 'Fontegara' - Learning to Read Sixteenth and Seventeenth-century Music from Facsimiles - Note Values - Giovanni Bassano: 'Ricercate, passaggi et cadentie,' (Venice 1585) - Cadences - Aurelio Virgiliano: 'Regole Della Diminutione' (c 1600) - G. B. Spadi: 'Libro de passaggi ascendenti e descendenti' (Venice, 1624).
- A Florentine Interlude. Towards 'The New Music:' from Plato to Caccini
- Lesson Twenty-Five. The Noble Manner of Singing: Caccini's 'Le Nuove Musiche' (1602)
- Passaggi - Three ways to Sing a Note - The Intonatio - Con Grazia - The Esclamazione - Transferring Caccini's 'Cor mio, deh! non languire' to the Violin - The Trillo and the Gruppo - Transferring the Vocal Trillo to the Violin - The Gruppo - Transferring the Vocal Gruppo to the Violin - Rhythmic Alteration - Transferring the Vocal Cascata to the Violin - Sprezzatura - Transferring Caccini's 'Deh, dove son fuggiti' to the Violin.
- Lesson Twenty-Six. A Lesson from Francesco Rognoni Taeggio: Applying Vocal Technique to the Violin
- El Portar della Voce - The Accento - The Tremolo - The Groppo - Del principiar sotto la nota - The Esclamatione - La Selva, Part Two - Francesco Rognoni's 'Way of slurring' -
- Lesson Twenty-Seven. Giovanni Battista Fontana (1589 (?) - 1630) Sonata Terza
- The Tactus - Reading this Sonata in the Original Notation Clefs - Rests - Coloration - Tempo Relationships and Proportional Notation.
- Lesson Twenty-Eight. Dario Castello: Sonata Prima, for Soprano Solo
- Lesson Twenty-Nine. Giovanni Antonio Pandolfi Mealli: Sonata Quarta Opus 4, La Biancuccia
- 'Stylus Phantasticus' - Musica Ficta.
- Lesson Thirty: Ornamentation, Module Three, including Tables of Ornaments Derived from the Sonatas of Corelli and Babell
- A Roman Interlude: Transforming Visual Gestures into Sound
- Part Four
- Church Militant: The Sonatas of Schmelzer and Biber
- Lesson Thirty-One. Johann Heinrich Schmelzer: Sonata Quarta from 'Sonatae unarum fidium' (1664)
- Lesson Thirty-Two. Heinrich Ignaz Franz von Biber: the Mystery Sonatas. Sonata No 1: the Annunciation
- The Mystery Sonatas: an Introduction - Reference to the Texts.
- Lesson Thirty-Three. Heinrich Ignaz Franz von Biber: the Mystery Sonatas. Sonata No 10: The Crucifixion
- Scordatura - Symbolism and the Jesuits - The Rhetorical Fragments Described.
- Part Five
- Supreme Refinement of the Human Spirit
- François Couperin and the Music of France
- Interlude in Versailles: Approaching the Music of the French Baroque
- The Sun King and the Culture of Versailles - The Social Status of the Violin in France.
- Lesson Thirty-Four. The 'Concerts Royaux' of François Couperin. Ornamentation, Module Four
- The 'Concerts Royaux,' an Introduction - Couperin's Agrémens, as found in the Septiéme Concert Royal - The Tremblement - The Pincé - The Port de voix - The Tierce de coulé - The comma (petit silence) - Notes inégales - Slurs - Pitch - Addendum: The Doublé - The Aspiration - The Suspension.
- Lesson Thirty-Five. To Soothe the Sorrows of a King. François Couperin: Septiéme Concert Royal (I)
- Movement One (no title) - Allemande, Gayement - Postscript: Dynamic and Rhythmical inégalité, a Personal View.
- Lesson Thirty-Six. François Couperin: Septiéme Concert Royal (II)
- Sarabande Grave - Georg Muffat on Lully's Bowings.
- Lesson Thirty-Seven. François Couperin: Septiéme Concert Royal (III)
- Fuguéte - Gavote - Siciliéne.
- Part Six
- Approaching the Galant
- Lesson Thirty-Eight. Beyond 'Beautiful': Searching for Meaning in Music. Handel: Sonata in A Major
- Beautiful Sights and Beautiful Sounds - Handel and Mattheson - Der Vollkommene Capellmeister - Identifying Affects in the Handel Sonata Movement - Punctuation.
- Lesson Thirty-Nine. Into the Galant: Tartini, Telemann, Quantz and Zuccari. Ornamentation Module Five
- Tartini: Grace notes - Trills - Vibrato (Tremolo) - The Turn - The Mordent - Cadences. Telemann's Methodical Sonatas. Telemann's Ornaments: Rising and falling appoggiaturas - Trills - Passing notes - Harmonising ornaments - Turns - Rhythmic variation - Ornamented Cadences - Tiratas. Quantz - A Lesson from the Master: Quantz's Notated Adagio - Zuccari.
- Part Seven
- J.S. Bach
- Lesson Forty. A Brief History of Baroque Romanticism: Bach's 'Sei Solo'
- Lesson Forty-One. Johann Sebastian Bach, Sonata I, BWV 1001. Adagio
- Bach's Written-out Ornamentation - The Necessity of Illusion - A Controversial Note - Afterthought.
- Lesson Forty-Two. Johann Sebastian Bach, Sonata I, BWV 1001. Fuga
- A Note on Resonance
- Lesson Forty-Three. Johann Sebastian Bach, Sonata I, BWV 1001. Siciliana
- Hooked Bowings
- Lesson Forty-Four. Johann Sebastian Bach, Sonata I, BWV 1001. Presto
- Bach and Rhetoric - On Slow practice.
- Lesson Forty-Five. Intonation in Bach's 'Sei Solo.'
- The Training of the Ear - Intonation Analysis - Learning to hear quickly - The Training of the Left Hand - Playing Chords: the Left Hand
- Lesson Forty-Six. Johann Sebastian Bach, Partita III in E Major, BWV 1006. Preludio
- Interlude: Bach and the Influence of French Culture in the German Lands
- Bach and Dance
- Lesson Forty-Seven. Johann Sebastian Bach: Partita III in E Major, BWV 1006
- Loure
- Tempo and Bowings in Bach's Loure - Punctuation and Articulation in Dance Movements - Punctuation and Articulation in Bach's Loure - Ornamentation in Bach's Dances.
- Lesson Forty-Eight. Johann Sebastian Bach. Partita III in E Major, BWV 1006. Gavotte en Rondeaux
- Lesson Forty-Nine. Johann Sebastian Bach. Partita III in E Major, BWV 1006. Minuets I and II
- Lesson Fifty. Johann Sebastian. Bach. Partita III in E Major, BWV 1006. Bourée and Giga
- Notes to Lessons
- Bibliography
- Index
- Acknowledgements
Details
| Erscheinungsjahr: | 2020 |
|---|---|
| Genre: | Importe |
| Produktart: | Sachliteratur |
| Rubrik: | Kinder & Jugend |
| Thema: | Kunst & Musik |
| Medium: | Taschenbuch |
| Inhalt: | Buch |
| ISBN-13: | 9780197525128 |
| ISBN-10: | 0197525121 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Reiter, Walter S |
| Komponist: | Reiter, Walter S. |
| Hersteller: | Oxford University Press |
| Verantwortliche Person für die EU: | Hal Leonard Europe, Rotlaubstr. 6, D-79427 Eschbach, verkauf@halleonardeurope.de |
| Maße: | 277 x 212 x 25 mm |
| Von/Mit: | Walter S Reiter |
| Erscheinungsdatum: | 17.10.2020 |
| Gewicht: | 0,965 kg |
Sicherheitshinweis
Ähnliche Produkte
Taschenbuch
Lieferzeit 1-2 Wochen
Taschenbuch
Taschenbuch
Buch
Lieferzeit 1-2 Wochen
Broschüre
Lieferzeit 1-2 Werktage
Taschenbuch
Lieferzeit 1-2 Wochen
Taschenbuch
Lieferzeit 1-2 Wochen
Taschenbuch
Lieferzeit 1-2 Wochen
Taschenbuch
