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Bach Against Modernity
Buch von Michael Marissen
Sprache: Englisch

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Beschreibung
In Bach against Modernity, author Michael Marissen contests the common perception that J.S. Bach is a modern figure and instead suggests that, by eighteenth-century standards, Bach and his music in fact reflected and forcefully promoted a premodern world and life view. He provides overlooked or misunderstood evidence of Bach's private engagement with religious and social issues that the composer also addressed in his public vocal compositions, and exposes intellectual and ethical problems with prevalent anachronistic views of Bach.
In Bach against Modernity, author Michael Marissen contests the common perception that J.S. Bach is a modern figure and instead suggests that, by eighteenth-century standards, Bach and his music in fact reflected and forcefully promoted a premodern world and life view. He provides overlooked or misunderstood evidence of Bach's private engagement with religious and social issues that the composer also addressed in his public vocal compositions, and exposes intellectual and ethical problems with prevalent anachronistic views of Bach.
Über den Autor
Michael Marissen is Daniel Underhill Professor Emeritus of Music at Swarthmore College, where he taught from 1989 to 2014. He has also been a visiting professor on the graduate faculties at Princeton University and the University of Pennsylvania. His publications include The Social and Religious Designs of J. S. Bach's Brandenburg Concertos; Lutheranism, Anti-Judaism, and Bach's St. John Passion; An Introduction to Bach Studies (co-author Daniel R. Melamed); Tainted Glory in Handel's Messiah; Bach & God; and essays in The Huffington Post and The New York Times.
Inhaltsverzeichnis
  • Preface

  • Credits

  • Part I - Constraints of History on Interpretation

  • 1. Bach Against Modernity

  • 2. Bach's Handwritten Entries in his Bible

  • Part II - Brief Commentaries

  • 3. Fractal Gavottes and the Ephemeral World in Bach's Cantata 64

  • 4. Time and Eternities in Bach's Cantata 23

  • 5. Bach's Christmas Oratorio and a Blessed End

  • 6. Bach and Art and Mammon

  • Part III - Texts

  • 7. Historically Informed Renderings of the Librettos from Bach's Cantatas (co-author, Daniel R. Melamed)

  • Part IV - Jews and Judaism

  • 8. On the Jews and their So-Called Lies in the Fourth Gospel and Bach's St. John Passion

  • 9. Bach and Sons in the Jewish Salon Culture of 19th-Century Berlin

  • Part V - Theological Character of Secular Instrumental Music

  • 10. Bach's Sacred Brandenburg Concertos

  • 11. The Serious Nature of the Quodlibet in Bach's Goldberg Variations

  • Works Cited

  • Index of Bach's Works

  • Index of Names and Subjects

Details
Erscheinungsjahr: 2023
Genre: Musik
Rubrik: Kunst & Musik
Thema: Biographien & Monographien
Medium: Buch
Seiten: 200
Inhalt: Gebunden
ISBN-13: 9780197669495
ISBN-10: 0197669492
Sprache: Englisch
Einband: Gebunden
Autor: Marissen, Michael
Hersteller: Oxford University Press, USA
Maße: 211 x 148 x 21 mm
Von/Mit: Michael Marissen
Erscheinungsdatum: 11.04.2023
Gewicht: 0,349 kg
preigu-id: 126007731
Über den Autor
Michael Marissen is Daniel Underhill Professor Emeritus of Music at Swarthmore College, where he taught from 1989 to 2014. He has also been a visiting professor on the graduate faculties at Princeton University and the University of Pennsylvania. His publications include The Social and Religious Designs of J. S. Bach's Brandenburg Concertos; Lutheranism, Anti-Judaism, and Bach's St. John Passion; An Introduction to Bach Studies (co-author Daniel R. Melamed); Tainted Glory in Handel's Messiah; Bach & God; and essays in The Huffington Post and The New York Times.
Inhaltsverzeichnis
  • Preface

  • Credits

  • Part I - Constraints of History on Interpretation

  • 1. Bach Against Modernity

  • 2. Bach's Handwritten Entries in his Bible

  • Part II - Brief Commentaries

  • 3. Fractal Gavottes and the Ephemeral World in Bach's Cantata 64

  • 4. Time and Eternities in Bach's Cantata 23

  • 5. Bach's Christmas Oratorio and a Blessed End

  • 6. Bach and Art and Mammon

  • Part III - Texts

  • 7. Historically Informed Renderings of the Librettos from Bach's Cantatas (co-author, Daniel R. Melamed)

  • Part IV - Jews and Judaism

  • 8. On the Jews and their So-Called Lies in the Fourth Gospel and Bach's St. John Passion

  • 9. Bach and Sons in the Jewish Salon Culture of 19th-Century Berlin

  • Part V - Theological Character of Secular Instrumental Music

  • 10. Bach's Sacred Brandenburg Concertos

  • 11. The Serious Nature of the Quodlibet in Bach's Goldberg Variations

  • Works Cited

  • Index of Bach's Works

  • Index of Names and Subjects

Details
Erscheinungsjahr: 2023
Genre: Musik
Rubrik: Kunst & Musik
Thema: Biographien & Monographien
Medium: Buch
Seiten: 200
Inhalt: Gebunden
ISBN-13: 9780197669495
ISBN-10: 0197669492
Sprache: Englisch
Einband: Gebunden
Autor: Marissen, Michael
Hersteller: Oxford University Press, USA
Maße: 211 x 148 x 21 mm
Von/Mit: Michael Marissen
Erscheinungsdatum: 11.04.2023
Gewicht: 0,349 kg
preigu-id: 126007731
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