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Athens, Still Remains
The Photographs of Jean-Francois Bonhomme
Taschenbuch von Jacques Derrida
Sprache: Englisch

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Beschreibung

Athens, Still Remains is an extended commentary on a series of photographs of contemporary Athens by the French photographer Jean-François Bonhomme. But in Derrida's hands commentary always has a way of unfolding or, better, developing in several unexpected and mutually illuminating directions.

First published in French and Greek in 1996, Athens, Still Remains is Derrida's most sustained analysis of the photographic medium in relationship to the history of philosophy and his most personal reflection on that medium. At once photographic analysis, philosophical essay, and autobiographical narrative, Athens, Still Remains presents an original theory of photography and throws a fascinating light on Derrida's life and work.

The book begins with a sort of verbal snapshot or aphorism that haunts the entire book: "we owe ourselves to death." Reading this phrase through Bonhomme's photographs of both the ruins of ancient Athens and contemporary scenes of a still-living Athens that is also on its way to ruin and death, Derrida interrogates a philosophical tradition that runs from Socrates to Heidegger in which the human-and especially the philosopher-is thought to owe himself to death, to a certain thought of death or comportment with regard to death.

Combining philosophical speculations on mourning and death, event and repetition, and time and difference with incisive commentary on Bonhomme's photographs and a narrative of Derrida's 1995 trip to Greece, Athens, Still Remains is one of Derrida's most accessible, personal, and moving works without being, for all that, any less philosophical. As Derrida reminds us, the word photography-an eminently Greek word-means "the writing of light," and it brings together today into a single frame contemporary questions about the work of art in the age of mechanical reproduction and much older questions about the relationship between light, revelation, and truth-in other words, an entire philosophical tradition that first came to light in the shadow of the Acropolis.

Athens, Still Remains is an extended commentary on a series of photographs of contemporary Athens by the French photographer Jean-François Bonhomme. But in Derrida's hands commentary always has a way of unfolding or, better, developing in several unexpected and mutually illuminating directions.

First published in French and Greek in 1996, Athens, Still Remains is Derrida's most sustained analysis of the photographic medium in relationship to the history of philosophy and his most personal reflection on that medium. At once photographic analysis, philosophical essay, and autobiographical narrative, Athens, Still Remains presents an original theory of photography and throws a fascinating light on Derrida's life and work.

The book begins with a sort of verbal snapshot or aphorism that haunts the entire book: "we owe ourselves to death." Reading this phrase through Bonhomme's photographs of both the ruins of ancient Athens and contemporary scenes of a still-living Athens that is also on its way to ruin and death, Derrida interrogates a philosophical tradition that runs from Socrates to Heidegger in which the human-and especially the philosopher-is thought to owe himself to death, to a certain thought of death or comportment with regard to death.

Combining philosophical speculations on mourning and death, event and repetition, and time and difference with incisive commentary on Bonhomme's photographs and a narrative of Derrida's 1995 trip to Greece, Athens, Still Remains is one of Derrida's most accessible, personal, and moving works without being, for all that, any less philosophical. As Derrida reminds us, the word photography-an eminently Greek word-means "the writing of light," and it brings together today into a single frame contemporary questions about the work of art in the age of mechanical reproduction and much older questions about the relationship between light, revelation, and truth-in other words, an entire philosophical tradition that first came to light in the shadow of the Acropolis.

Über den Autor
Jacques Derrida
Details
Erscheinungsjahr: 2010
Genre: Importe, Philosophie
Jahrhundert: 19. Jh.
Rubrik: Geisteswissenschaften
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780823232062
ISBN-10: 0823232069
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Derrida, Jacques
Übersetzung: Naas, Michael
Brault, Pascale-Anne
Hersteller: Fordham University Press
Maße: 228 x 151 x 7 mm
Von/Mit: Jacques Derrida
Erscheinungsdatum: 13.10.2010
Gewicht: 0,177 kg
Artikel-ID: 101333093
Über den Autor
Jacques Derrida
Details
Erscheinungsjahr: 2010
Genre: Importe, Philosophie
Jahrhundert: 19. Jh.
Rubrik: Geisteswissenschaften
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780823232062
ISBN-10: 0823232069
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Derrida, Jacques
Übersetzung: Naas, Michael
Brault, Pascale-Anne
Hersteller: Fordham University Press
Maße: 228 x 151 x 7 mm
Von/Mit: Jacques Derrida
Erscheinungsdatum: 13.10.2010
Gewicht: 0,177 kg
Artikel-ID: 101333093
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