Zum Hauptinhalt springen Zur Suche springen Zur Hauptnavigation springen
Beschreibung
Two particular perspectives inform this wide-ranging and richly illustrated survey of the art produced in England, or by English artists, between c. 600 and c.1100, in a variety of media, manuscripts, stone and wooden sculpture, ivory carving, textiles, and architecture. Firstly, from a post-colonial angle, it examines the way art can both create and narrate national and cultural identity over the centuries during which England was coming into being, moving from Romano-Britain to Anglo-Saxon England to Anglo-Scandinavian England to Anglo-Norman England. Secondly, it treats Anglo-Saxon art as works of art, works that have both an aesthetic and an emotional value, rather than as simply passive historical or archaeological objects. This double focus on art as an aesthetic vehicle and art as an active political force allows us to ask questions not only about what makes something a work of art, but what makes it endure as such, as well as questions about the work that art does in the creation of peoples, cultures, nations and histories. Professor Catherine Karkov teaches in the School of Fine Art, University of Leeds.
Two particular perspectives inform this wide-ranging and richly illustrated survey of the art produced in England, or by English artists, between c. 600 and c.1100, in a variety of media, manuscripts, stone and wooden sculpture, ivory carving, textiles, and architecture. Firstly, from a post-colonial angle, it examines the way art can both create and narrate national and cultural identity over the centuries during which England was coming into being, moving from Romano-Britain to Anglo-Saxon England to Anglo-Scandinavian England to Anglo-Norman England. Secondly, it treats Anglo-Saxon art as works of art, works that have both an aesthetic and an emotional value, rather than as simply passive historical or archaeological objects. This double focus on art as an aesthetic vehicle and art as an active political force allows us to ask questions not only about what makes something a work of art, but what makes it endure as such, as well as questions about the work that art does in the creation of peoples, cultures, nations and histories. Professor Catherine Karkov teaches in the School of Fine Art, University of Leeds.
Über den Autor
CATHERINE E. KARKOV is Professor Emeritus of Art History, University of Leeds.
Inhaltsverzeichnis
Introduction
The Art of Origins
Sacred Space
Art, Status and Authority
Object and Voice
Books, Words and Bodies
Art and Conquest
Bibliography
Details
Erscheinungsjahr: 2016
Genre: Geschichte, Importe
Rubrik: Geisteswissenschaften
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9781783270958
ISBN-10: 1783270950
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Karkov, Catherine E
Hersteller: Boydell Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 234 x 156 x 19 mm
Von/Mit: Catherine E Karkov
Erscheinungsdatum: 01.06.2016
Gewicht: 0,535 kg
Artikel-ID: 104245316

Ähnliche Produkte

49,80 €

Aktuell nicht verfügbar