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Harrison, Wood and Gaiger collect writings by artists, critics, philosophers and literary figures, some reprinted in their entirety, others excerpted from longer works. Among the major themes treated are concepts of genius and originality, modes of landscape painting, approaches to Realism, the question of Modernity and debates over Impressionism, theories of optics and color, the aesthetics of photography, and the rise of photography. Each section is prefaced by an essay that situates the ideas of the period in their historical context, while relating theoretical concerns and debates to developments in the practice of art. Each text is briefly introduced by an outline giving the circumstances of its original appearance and indicating its relevance to the development of modern artistic theory. An extensive bibliography is also provided.
Harrison, Wood and Gaiger collect writings by artists, critics, philosophers and literary figures, some reprinted in their entirety, others excerpted from longer works. Among the major themes treated are concepts of genius and originality, modes of landscape painting, approaches to Realism, the question of Modernity and debates over Impressionism, theories of optics and color, the aesthetics of photography, and the rise of photography. Each section is prefaced by an essay that situates the ideas of the period in their historical context, while relating theoretical concerns and debates to developments in the practice of art. Each text is briefly introduced by an outline giving the circumstances of its original appearance and indicating its relevance to the development of modern artistic theory. An extensive bibliography is also provided.
Paul Wood is Senior Lecturer in Art History at the Open University. He is the author of Conceptual Art (2002) and has contributed to various publications in the history of modern art.
Jason Gaiger is Lecturer in Art History at the Open University. He is the editor and translator of Herder's Sculpture: Some Observations on Shape and Form from Pygmalion's Creative Dream (2002) and has published widely in the field of art history and aesthetics.
| Erscheinungsjahr: | 1998 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Allgemeine Kunst |
| Medium: | Taschenbuch |
| Seiten: | 1120 |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780631200666 |
| ISBN-10: | 0631200665 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: |
Harrison, Charles
Gaiger, Jason Wood, Paul |
| Redaktion: |
Harrison, Charles
Wood, Paul Gaiger, Jason |
| Hersteller: | John Wiley and Sons Ltd |
| Maße: | 246 x 172 x 50 mm |
| Von/Mit: | Charles Harrison (u. a.) |
| Erscheinungsdatum: | 08.01.1998 |
| Gewicht: | 2,212 kg |
Paul Wood is Senior Lecturer in Art History at the Open University. He is the author of Conceptual Art (2002) and has contributed to various publications in the history of modern art.
Jason Gaiger is Lecturer in Art History at the Open University. He is the editor and translator of Herder's Sculpture: Some Observations on Shape and Form from Pygmalion's Creative Dream (2002) and has published widely in the field of art history and aesthetics.
| Erscheinungsjahr: | 1998 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Allgemeine Kunst |
| Medium: | Taschenbuch |
| Seiten: | 1120 |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780631200666 |
| ISBN-10: | 0631200665 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: |
Harrison, Charles
Gaiger, Jason Wood, Paul |
| Redaktion: |
Harrison, Charles
Wood, Paul Gaiger, Jason |
| Hersteller: | John Wiley and Sons Ltd |
| Maße: | 246 x 172 x 50 mm |
| Von/Mit: | Charles Harrison (u. a.) |
| Erscheinungsdatum: | 08.01.1998 |
| Gewicht: | 2,212 kg |
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